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In an era dominated by bland mainstream bands such as The Stereophonics, Catatonia and Travis, Pop Threat were almost completely ignored. There was no room for a surly female fronted band who came across as constantly miserable, cynical, unfriendly and who walked out onstage and delivered their music one sonic blast after the other with no attempt to communicate with the audience and with as little space between songs as possible. Before The Blanche Hudson Weekend, before The Manhattan Love… read more

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