@Cassandra-Leo Yes! Was just going to post the same thing. The record version is great, but the full version is even better. I love how it starts off slowly and tentatively with sort of a call-and-response thing, with the violin doing much of the "responding," then it kind of comes together into a hypnotic but rather calm groove, then it just starts bashing your head in with sledgehammer-like bass, pounding drums, Fripp rattling off complex but ass-kicking line after line and Cross adding just the right dosage of violin embellishment. This iteration of the band puts many jazz ensembles to shame with its penchant for collective improvisation.