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What Light There Is Tells Us Nothing finds Janek Schaefer feeding off and disassembling Robert Wyatt's Cuckooland album in his sublime style, paired with seven new, original pieces that share a captivating eldritch aura.

Continuing a series of releases reverential of significant British composers, writers and artists such as J.G. Ballard and John Tavener, Janek treats Robert Wyatt's material with the same poetic license. What Follows is an immersive, hypnagogic episode from the mental realm between waking life and dreamspace, gently teasing the pastoral loveliness of Wyatt's music into a woozy, heavy-lidded parallel dimension.

As always with Schaefer's work, the idea of nostalgia and the fidelity of memory is also key to the appeal of What Light There Is Tells Us Nothing. In the 21-minute title piece, commissioned by the Sounds New Festival in Canterbury and presented as a multi-channel radio installation, Schaefer revels in the profundity of Wyatt's work with poignant slivers filtered into gaseous shapes suggesting a fleeting mix of pastoral glory and somnambulant melancholy comparable with the most striking Philip Jeck works, or the trace echoes of memory supplied by The Caretaker.

The other seven pieces follow with a more cinematic appeal, as though we’ve dozed off during a midday matinee programme in middle England and slipped into a silvery phantasy of medieval gallantry and posh English gentry, before nods to Schaefer's Polish ancestry flicker into his nostalgic reverie via the bobbling loops and glitching chorales of his three Corah pieces.

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