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With 2011's ‘Copenhagen’, Bath-born Jack Cheshire has supplemented the sweetly-slurred melodies, kaleidoscopic finger-picking and intricately-layered musicbox psychedelia of his 2008 debut, ‘Allow It To Come On’, with shuffling, almost free-form drums, plucked and bowed double bass, heavenly melodies and an uncompromising sound and vision that sweep from micro to macro, from introspection to constellation. The results invite comparisons to ‘Ok Computer’, ‘Forever Changes’, ‘Sea Change’ and 'Hour of the Bewliderbeast', to follow previous references made to the likes of Devendra… read more

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