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The Wraiths attack the hobbits on Weathertop while Shore develops his Mordor themes in d-minor, slowly building a crescendo as the hooded villains move in for the kill. Even timpani get in on the action, presenting heavy melodic phrases from the Threat of Mordor.

UNUSED CONCEPT:
When Frodo places the Ring on his finger and experiences his vision in the Shadow World, Shore introduces a tangle of aleatoric woodwinds, strings and bowed cymbals that was replaced by sound effects in the final film.

© The Annotated Score (The Music of The Lord of the Rings Films)

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