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It's 10 years – too, too long - since we heard Holly Tomas' voice on “Oubliette”. But to say “her voice” doesn't say it all: there is a presence, a sensitivity and passion in her voice and her writing which mesmerises. At last, we have two new tracks from her. The first, Espero, opens to a church-like vocal soundscape, then Holly's voice enters, quiet, assured, almost confidential. This is an invocation, a meditation, a prayer which soars, swoops and returns lightly, gently… read more

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