The album's most transcendent, heart-wringing track is Lynch's lament on love lost. Fittingly, it's also the most filmic, custom made for a scene from one of his surrealist narratives. "I can't catch you… please, please comeback," he talk-sings as violins and oscillating whirs that sound like giant industrial fans prop him up. It's like Moby's Play filtered through a Monet painting.
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