|
31
|
|
|
Voices of Spring, Op. 410 (Frühlingsstimmen) [Live]
|
Lorin Maazel
|
|
|
5:57
|
|
|
32
|
|
|
Ball Scene
|
Gothenburg Symphony Orchestra
|
|
|
6:42
|
7 Hörer
|
|
33
|
|
|
Symphony No. 9 in D Minor, Op. 125 - "Choral" - "Europa Hymn": Europa Hymn (Excerpt)
|
Berliner Philharmoniker
|
|
|
2:19
|
|
|
34
|
|
|
Der Rosenkavalier, Op. 59, TrV 227, Act I: Introduction
|
Staatskapelle Dresden
|
|
|
3:17
|
|
|
35
|
|
|
Egyptischer Marsch, Op. 335
|
Berliner Philharmoniker
|
|
|
4:51
|
1 Hörer
|
|
36
|
|
|
Sphärenklänge, Op. 235
|
Berliner Philharmoniker
|
|
|
8:58
|
1 Hörer
|
|
37
|
|
|
Morgenblätter, Op. 279
|
Berliner Philharmoniker
|
|
|
10:25
|
1 Hörer
|
|
38
|
|
|
Valse Des Fleurs
|
Berliner Philharmoniker
|
|
|
7:03
|
62 Hörer
|
|
39
|
|
|
Die Fledermaus: Overture
|
Ferenc Fricsay
|
|
|
8:43
|
9 Hörer
|
|
40
|
|
|
An Der Schönen blauen Donau, Op. 314
|
Ferenc Fricsay
|
|
|
9:42
|
7 Hörer
|
|
41
|
|
|
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato
|
Berliner Philharmoniker
|
|
|
8:46
|
|
|
42
|
|
|
Delirien Waltz, Op. 212
|
Berliner Philharmoniker
|
|
|
9:43
|
1 Hörer
|
|
43
|
|
|
Wiener Blut, Op. 354
|
Berliner Philharmoniker
|
|
|
9:23
|
3 Hörer
|
|
44
|
|
|
Kaiserwalzer, Op. 437
|
Ferenc Fricsay
|
|
|
11:32
|
2 Hörer
|
|
45
|
|
|
Geschichten aus dem Wienerwald, Op. 325
|
Ferenc Fricsay
|
|
|
13:15
|
3 Hörer
|
|
46
|
|
|
Overture "Coriolan", Op. 62
|
Berliner Philharmoniker
|
|
|
9:00
|
18 Hörer
|
|
47
|
|
|
Symphony No. 6 in F Major, Op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
|
Rafael Kubelik
|
|
|
1:18
|
|
|
48
|
|
|
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
|
Rafael Kubelik
|
|
|
1:26
|
|
|
49
|
|
|
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
|
Israel Philharmonic Orchestra
|
|
|
1:28
|
1 Hörer
|
|
50
|
|
|
Symphony No. 9 in D Minor, Op. 125: Presto - "O Freunde, nicht diese Töne!" - Allegro assai
|
Thomas Stewart
|
|
|
1:06
|
|
|
51
|
|
|
Mazurka No. 46 in C Major, Op. 67 No. 3: Allegretto
|
Tamás Vásáry
|
|
|
1:28
|
3 Hörer
|
|
52
|
|
|
Mazurka No. 54 in D: Allegro Non Troppo
|
Tamás Vásáry
|
|
|
1:11
|
28 Hörer
|
|
53
|
|
|
Mazurka No. 49 in A Minor, Op. 68 No. 2: Lento
|
Tamás Vásáry
|
|
|
2:36
|
28 Hörer
|
|
54
|
|
|
Mazurka No. 5 in B-Flat Major, Op. 7 No. 1: Vivace
|
Tamás Vásáry
|
|
|
2:21
|
5 Hörer
|
|
55
|
|
|
Accelerationen, Op. 234 (Live)
|
Lorin Maazel
|
|
|
8:54
|
|
|
56
|
|
|
Rosen aus dem Süden, Op. 388
|
Wiener Philharmoniker
|
|
|
8:07
|
23 Hörer
|
|
57
|
|
|
Freuet euch des Lebens, Waltz, Op. 340 (Live at Musikverein, Vienna, 1988)
|
Wiener Philharmoniker
|
|
|
8:19
|
1 Hörer
|
|
58
|
|
|
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando (Cadenza by Kempff)
|
Wilhelm Kempff
|
|
|
1:18
|
42 Hörer
|
|
59
|
|
|
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
|
Wilhelm Kempff
|
|
|
1:14
|
5 Hörer
|
|
60
|
|
|
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro (Cadenza by Kempff)
|
Wilhelm Kempff
|
|
|
1:13
|
73 Hörer
|
|
61
|
|
|
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace (Cadenza by Kempff)
|
Wilhelm Kempff
|
|
|
1:07
|
42 Hörer
|
|
62
|
|
|
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro
|
Carl Seemann
|
|
|
9:42
|
|
|
63
|
|
|
Violin Sonata No. 9 in A Major, Op. 47: II. Andante con variazioni
|
Carl Seemann
|
|
|
1:25
|
|
|
64
|
|
|
Triple concerto in C Major, Op. 56: II. Largo
|
Ferenc Fricsay
|
|
|
8:52
|
|
|
65
|
|
|
Symphony No. 1 in C Major, Op. 21: III. Menuetto - Allegro molto e vivace
|
London Symphony Orchestra
|
|
|
1:32
|
|
|
66
|
|
|
Symphony No. 2 in D major, Op. 36: IV. Allegro molto
|
Rafael Kubelik
|
|
|
1:11
|
5 Hörer
|
|
67
|
|
|
Serenade for String Orchestra in C Major, Op. 48, TH. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato
|
Berliner Philharmoniker
|
|
|
9:37
|
|
|
68
|
|
|
Serenade for String Orchestra in C Major, Op. 48, TH. 48: IV. Finale (Tema russo): Andante - Allegro con spirito
|
Berliner Philharmoniker
|
|
|
7:32
|
|
|
69
|
|
|
Waltz No. 1 in E-Flat Major, Op. 18 "Grande valse brillante": Vivo
|
Tamás Vásáry
|
|
|
5:07
|
2 Hörer
|
|
70
|
|
|
Waltz No. 2 in A-Flat Major, Op. 34 No. 1 "Valse brillante": Vivace
|
Tamás Vásáry
|
|
|
4:56
|
3 Hörer
|
|
71
|
|
|
Waltz No. 4 in F Major, Op. 34 No. 3 "Grande valse brillante": Vivace
|
Tamás Vásáry
|
|
|
2:13
|
4 Hörer
|
|
72
|
|
|
Waltz No. 5 in A-Flat Major, Op. 42 "Grande valse"
|
Tamás Vásáry
|
|
|
3:42
|
5 Hörer
|
|
73
|
|
|
Waltz No. 6 In D-Flat, Op. 64 No. 1 -"Minute": Molto Vivace
|
Tamás Vásáry
|
|
|
1:36
|
6 Hörer
|
|
74
|
|
|
Waltz No. 8 in A-Flat Major, Op. 64 No. 3: Moderato
|
Tamás Vásáry
|
|
|
2:51
|
18 Hörer
|
|
75
|
|
|
Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "Farewell": Tempo di Valse
|
Tamás Vásáry
|
|
|
3:44
|
1 Hörer
|
|
76
|
|
|
Also sprach Zarathustra, Op. 30, TrV 176: Einleitung
|
Lorin Maazel
|
|
|
1:59
|
|
|
77
|
|
|
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
|
Münchener Bach-Orchester
|
|
|
5:44
|
47 Hörer
|
|
78
|
|
|
Serenade in G, K. 525 "Eine kleine Nachtmusik": 1. Allegro (Excerpt)
|
Wiener Philharmoniker
|
|
|
3:35
|
|
|
79
|
|
|
Peer Gynt, Op. 23: Prelude To Act 4 (Morning Mood) [Excerpt]
|
Gothenburg Symphony Orchestra
|
|
|
2:55
|
|
|
80
|
|
|
Symphony No. 9 in E Minor, Op. 95, B.178 "From The New World": 4. Allegro Con Fuoco (Excerpt)
|
Rafael Kubelik
|
|
|
2:05
|
|
|
81
|
|
|
Kinderszenen, Op. 15: 7. Träumerei
|
Daniel Barenboim
|
|
|
2:41
|
122 Hörer
|
|
82
|
|
|
Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: 3. Rondo à la clochette, 'La campanella' (Excerpt)
|
Salvatore Accardo
|
|
|
1:33
|
|
|
83
|
|
|
Il Trovatore, Act II: "Vedi! le fosche notturne spoglie" (Anvil Chorus)
|
Coro dell'Accademia Nazionale Di Santa Cecilia
|
|
|
2:51
|
|
|
84
|
|
|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
|
Wilhelm Kempff
|
|
|
6:06
|
220 Hörer
|
|
85
|
|
|
Concerto For Violin And Strings in E, Op. 8, No. 1, RV.269 "La Primavera": 1. Allegro (Live)
|
Zubin Mehta
|
|
|
3:28
|
|
|
86
|
|
|
Waltz No. 11 in G-Flat Major, Op. 70 No. 1: Molto vivace
|
Tamás Vásáry
|
|
|
2:01
|
17 Hörer
|
|
87
|
|
|
Waltz No. 13 in D-Flat Major, Op. 70 No. 3: Moderato
|
Tamás Vásáry
|
|
|
2:18
|
3 Hörer
|
|
88
|
|
|
Waltz No. 15 in E Major, Op. posth.: Tempo di Valse
|
Tamás Vásáry
|
|
|
1:47
|
3 Hörer
|
|
89
|
|
|
Waltz No. 16 in A-Flat Major, Op. posth.
|
Tamás Vásáry
|
|
|
1:44
|
4 Hörer
|
|
90
|
|
|
Waltz No. 17 in E-Flat Major, Op. posth.
|
Tamás Vásáry
|
|
|
2:25
|
2 Hörer
|
|
91
|
|
|
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto
|
Berliner Philharmoniker
|
|
|
5:53
|
51 Hörer
|
|
92
|
|
|
España - Rhapsody for Orchestra
|
John Eliot Gardiner
|
|
|
6:01
|
30 Hörer
|
|
93
|
|
|
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre
|
Martha Argerich
|
|
|
8:35
|
351 Hörer
|
|
94
|
|
|
An American in Paris - Revised By F. Campbell-Watson: An American in Paris (Excerpt)
|
James Levine
|
|
|
5:40
|
|
|
95
|
|
|
Boléro, M.81 (Excerpt)
|
Seiji Ozawa
|
|
|
5:16
|
14 Hörer
|
|
96
|
|
|
Symphony No. 5 in C Minor, Op. 67: Allegro con brio (Excerpt)
|
Lorin Maazel
|
|
|
3:09
|
|
|
97
|
|
|
Rigoletto, Act III: E l'ami! - Sempre - La donna è mobile
|
Ileana Cotrubas
|
|
|
3:08
|
|
|
98
|
|
|
Thaïs, Act II: Meditation
|
Christer Thorvaldsson
|
|
|
4:49
|
|
|
99
|
|
|
Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights
|
Seiji Ozawa
|
|
|
5:22
|
|
|
100
|
|
|
Radetzky-Marsch, op. 228
|
Berliner Philharmoniker
|
|
|
2:23
|
29 Hörer
|
|
101
|
|
|
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio (Excerpt)
|
Orquesta Sinfónica de RadioTelevisión Española
|
|
|
3:06
|
|
|
102
|
|
|
Requiem in D Minor, K. 626: III. Sequentia: f. Lacrimosa
|
Wiener Singverein
|
|
|
3:28
|
|
|
103
|
|
|
Pavane, Op. 50 (Excerpt)
|
Seiji Ozawa
|
|
|
2:37
|
|
|
104
|
|
|
Fünf Lieder, Op. 49: IV. Wiegenlied
|
Anne Sofie von Otter
|
|
|
1:52
|
29 Hörer
|
|
105
|
|
|
Gaîté parisienne: Barcarolle
|
Berliner Philharmoniker
|
|
|
3:55
|
70 Hörer
|
|
106
|
|
|
Carmen, WD 31, Act I: Habanera. L'amour est un oiseau rebelle
|
London Symphony Orchestra
|
|
|
4:29
|
|
|
107
|
|
|
Turandot, Act III: "Nessun dorma"
|
Wiener Philharmoniker
|
|
|
3:26
|
|
|
108
|
|
|
Messa da Requiem: 2. Dies irae
|
Ernst Senff Chor
|
|
|
2:41
|
10 Hörer
|
|
109
|
|
|
La damnation de Faust, Op. 24, H. 111 / Pt. I: Marche hongroise
|
Igor Markevitch
|
|
|
4:24
|
1 Hörer
|
|
110
|
|
|
Il barbiere di Siviglia, Act I: No. 2, Aria. Largo al factotum
|
Hermann Prey
|
|
|
4:34
|
|
|
111
|
|
|
Water Music Suite, HWV 348-350: Alla Hornpipe
|
Rafael Kubelik
|
|
|
4:24
|
|
|
112
|
|
|
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude
|
Wilhelm Kempff
|
|
|
1:26
|
9 Hörer
|
|
113
|
|
|
Requiem, Op. 48: 4. Pie Jesu
|
Kathleen Battle
|
|
|
4:05
|
15 Hörer
|
|
114
|
|
|
Prélude à l'après-midi d'un faune, L. 86
|
Doriot Anthony Dwyer
|
|
|
9:33
|
59 Hörer
|
|
115
|
|
|
Toccata and Fugue in D minor, BWV 565: I. Toccata
|
Helmut Walcha
|
|
|
2:34
|
166 Hörer
|
|
116
|
|
|
Messiah, HWV 56 / Pt. 2: No. 42 "Hallelujah"
|
John Alldis Choir
|
|
|
3:58
|
5 Hörer
|
|
117
|
|
|
Piano Concerto No. 21 in C Major, K. 467: II. Andante
|
Géza Anda
|
|
|
7:15
|
6 Hörer
|
|
118
|
|
|
An der schönen blauen Donau, Op. 314 (Excerpt)
|
Berliner Philharmoniker
|
|
|
3:18
|
1 Hörer
|
|
119
|
|
|
12 Etudes, Op. 10: No. 3 in E Major "Tristesse"
|
Tamás Vásáry
|
|
|
4:06
|
62 Hörer
|
|
120
|
|
|
Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: X. "Jesus bleibet meine Freude"
|
Karl Richter
|
|
|
3:40
|
|
|
121
|
|
|
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Spring Song"
|
Daniel Barenboim
|
|
|
2:08
|
15 Hörer
|
|
122
|
|
|
Aida, Act II: "Gloria all'Egitto"
|
Orchester der Deutschen Oper Berlin
|
|
|
5:07
|
|
|
123
|
|
|
El amor brujo: Ritual Fire Dance (excerpt)
|
Lorin Maazel
|
|
|
2:00
|
|
|
124
|
|
|
Suite bergamasque, L.75: 3. Clair de lune
|
Tamás Vásáry
|
|
|
5:18
|
84 Hörer
|
|
125
|
|
|
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
|
Münchener Bach-Orchester
|
|
|
1:29
|
19 Hörer
|
|
126
|
|
|
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst
|
Daniel Barenboim
|
|
|
4:38
|
5 Hörer
|
|
127
|
|
|
Le carnaval des animaux, R. 125: XIII. Le cygne
|
Aloys Kontarsky
|
|
|
2:52
|
|
|
128
|
|
|
Bagatelle in A Minor, WoO 59 "Für Elise"
|
Anatol Ugorski
|
|
|
3:59
|
197 Hörer
|
|
129
|
|
|
Premier livre de pieces de clavecin / Troisième Suite: 16. Le coucou
|
Trevor Pinnock
|
|
|
1:59
|
18 Hörer
|
|
130
|
|
|
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor
|
Salvatore Accardo
|
|
|
4:24
|
36 Hörer
|
|
131
|
|
|
Gianni Schicchi: O mio babbino caro
|
Orchester der Deutschen Oper Berlin
|
|
|
2:09
|
|
|
132
|
|
|
Vocalise, Op. 34, No. 14
|
Lorin Maazel
|
|
|
5:27
|
1 Hörer
|
|
133
|
|
|
Waldszenen, Op. 82: No. 7 Vogel als Prophet
|
Wilhelm Kempff
|
|
|
3:22
|
3 Hörer
|
|
134
|
|
|
Samson et Dalila, Op. 47, R. 288, Act II: "Mon coeur s'ouvre à ta voix"
|
Rundfunk-Sinfonieorchester Berlin
|
|
|
5:27
|
|
|
135
|
|
|
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna
|
Orchester der Deutschen Oper Berlin
|
|
|
2:38
|
6 Hörer
|
|
136
|
|
|
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato (Excerpt)
|
Sviatoslav Richter
|
|
|
2:29
|
|
|
137
|
|
|
Canon and Gigue in D Major: I. Canon
|
Henk Bouman
|
|
|
3:08
|
393 Hörer
|
|
138
|
|
|
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2
|
Tamás Vásáry
|
|
|
3:56
|
87 Hörer
|
|
139
|
|
|
Adagio for Strings and Organ in G Minor (Excerpt)
|
Rudolf Baumgartner
|
|
|
4:17
|
|
|
140
|
|
|
The Sleeping Beauty (Suite), Op. 66a, TH 234: Valse
|
Berliner Philharmoniker
|
|
|
4:09
|
1 Hörer
|
|
141
|
|
|
Symphony No. 40 in G Minor, K. 550: 1. Molto allegro
|
Ferenc Fricsay
|
|
|
3:28
|
|
|
142
|
|
|
Jeux interdits (Romance)
|
Narciso Yepes
|
|
|
2:31
|
6.790 Hörer
|
|
143
|
|
|
Ave Maria, "Ellens Gesang III", D839 (Excerpt)
|
Gundula Janowitz
|
|
|
2:41
|
14 Hörer
|
|
144
|
|
|
Gayaneh: Sabre Dance
|
Leningrad Philharmonic Orchestra
|
|
|
2:16
|
11 Hörer
|
|
145
|
|
|
Valse Triste, Op. 44
|
Berliner Philharmoniker
|
|
|
6:15
|
102 Hörer
|
|
146
|
|
|
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
|
Berliner Philharmoniker
|
|
|
2:09
|
28 Hörer
|
|
147
|
|
|
Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin
|
Arturo Benedetti Michelangeli
|
|
|
2:54
|
20 Hörer
|
|
148
|
|
|
Dido And Aeneas, Act III: "Thy hand, Belinda.When I am laid in earth"
|
Trevor Pinnock
|
|
|
4:25
|
|
|
149
|
|
|
Solomon, HWV 67, Act III: Sinfonia "The Arrival of the Queen of Sheba"
|
Trevor Pinnock
|
|
|
3:10
|
|
|
150
|
|
|
Tritsch-Tratsch-Polka, Op. 214
|
Wiener Philharmoniker
|
|
|
2:53
|
199 Hörer
|
|
151
|
|
|
Trumpet Concerto in E-Flat, H.VIIe/1: III. Allegro
|
Maurice André
|
|
|
4:35
|
|
|
152
|
|
|
Rhapsody in Blue: Rhapsody in Blue (Excerpt)
|
James Levine
|
|
|
3:00
|
|
|
153
|
|
|
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
|
Pierre Fournier
|
|
|
2:49
|
132 Hörer
|
|
154
|
|
|
Pavane pour une infante défunte, M. 19
|
Seiji Ozawa
|
|
|
6:12
|
11 Hörer
|
|
155
|
|
|
Tristan und Isolde, WWV 90, Act III: Mild und leise wie er lächelt (Live at Bayreuther Festspiele / 1966)
|
Birgit Nilsson
|
|
|
6:15
|
|
|
156
|
|
|
Carmen, WD 31, Act I: Prelude to Act 1 (Excerpt)
|
Orchestre de l’Opéra National de Paris
|
|
|
2:08
|
|
|
157
|
|
|
Nabucco, Act III: Va pensiero, sull'ali dorate
|
Orchester der Deutschen Oper Berlin
|
|
|
4:53
|
|
|
158
|
|
|
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH.55: 1. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt)
|
Lazar Berman
|
|
|
3:42
|
|
|
159
|
|
|
Symphony No. 5 in C-Sharp Minor: 4. Adagietto (Sehr langsam) [Excerpt]
|
Rafael Kubelik
|
|
|
2:21
|
|
|
160
|
|
|
Piano Sonata No. 11 in A Major, K. 331: III. Allegretto (Alla Turca)
|
Christoph Eschenbach
|
|
|
3:32
|
4 Hörer
|
|
161
|
|
|
"Pomp and Circumstance,", Op. 39: March, No. 1 in D
|
Royal Philharmonic Orchestra
|
|
|
5:51
|
|
|
162
|
|
|
Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in meinem Herze"
|
Ferenc Fricsay
|
|
|
3:03
|
|
|
163
|
|
|
Suite española, Op. 47: Asturias (Leyenda) [Excerpt]
|
Narciso Yepes
|
|
|
2:28
|
19 Hörer
|
|
164
|
|
|
Gymnopédie No. 1: Lent et Douloureux
|
Jean-Marc Luisada
|
|
|
3:52
|
85 Hörer
|
|
165
|
|
|
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau
|
Marc Minkowski
|
|
|
1:17
|
|
|
166
|
|
|
L'arlesienne suite No. 1 (Excerpt)
|
Ferdinand Leitner
|
|
|
2:55
|
|
|
167
|
|
|
Die Walküre, WWV 86B - Concert version, Act III: The Ride Of The Walkyres
|
Daniel Barenboim
|
|
|
5:01
|
|
|
168
|
|
|
Tourbillon-Galopp, Op. 142, No. 1 - Arr. Heinrich Pek
|
John Eliot Gardiner
|
|
|
1:52
|
|
|
169
|
|
|
Schönfeld-Marsch, Op. 422 - Arr. Martin Uhl
|
John Eliot Gardiner
|
|
|
2:56
|
|
|
170
|
|
|
Fächer - polonaise, Op. 525 - Arr. Max Schoenherr
|
John Eliot Gardiner
|
|
|
3:16
|
|
|
171
|
|
|
Die Schönbrunner, Op. 200: Waltz
|
John Eliot Gardiner
|
|
|
8:13
|
|
|
172
|
|
|
Ballsirenen: Walzer
|
John Eliot Gardiner
|
|
|
7:14
|
|
|
173
|
|
|
Wiener Bürger, Op. 419: Walzer
|
John Eliot Gardiner
|
|
|
8:52
|
|
|
174
|
|
|
Morning, Noon and Night in Vienna: Overture
|
Peter Schmidl
|
|
|
8:15
|
|
|
175
|
|
|
Gold und Silber, Op. 79: Walzer
|
John Eliot Gardiner
|
|
|
8:51
|
|
|
176
|
|
|
Der Opernball. Overture
|
John Eliot Gardiner
|
|
|
6:58
|
|
