Staalvlaad

Kurt Liedwart, 32, Male
www.mikroton.netLast seen: Sunday evening

32343 plays since 15 Jun 2005

612 Loved Tracks | 50 Posts | 1 Playlist

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About Me

I don't understand how people can be afraid of new ideas. I'm afraid of the old ones.
John Cage

Don't push the sounds around.
Morton Feldman

«Я абсолютно убежден, что для того, чтобы продать миллион пластинок в течение короткого промежутка времени, нужно выпустить настоящее дерьмо».
Лео Фейгин

Mehmet Dede: Are you catching up with the latest developments in music, more specifically a variety of derivatives of modern electronic music such as IDM (Intelligent Dance Music) and Ambient whose creators cite Stockhausen, Cage and Glass as their influence?
Ilhan Mimaroglu: Leaving aside very many ballet scores of the past and the present (inclusive of electronic music for dance), which are indeed intelligent in various degrees, what I have been hearing all along in the field of dance music can be termed as MDM, moronic dance music, that is. As such, "intelligent dance music" is a typical contradiction in terms and its relevance to electronic music is beyond my comprehension.
Regarding the matter of pronouncing the names of those three composers in one breath, if I had tried to do that I would suffocate and spit out Philip Glass.


«Есть четыре вещи, которые я ненавижу: это поэзия поэтов, писания писателей, музыка музыкантов и блюда поваров».
Один буддийский наставник

Anyone can : Almost none do : Very few can.
Brian Olewnick

I have no idea what you term 'Music' and 'Noise.' It's different depending on each person. If noise means uncomfortable sound, then pop music is noise to me.
Masami Akita

Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage — to move in the opposite direction.
Albert Einstein

A: ...to improvise always means to face the uncertainty, always means to get yourself into a dangerous situation in the sense you know it’s impossible to get total control. I like this uncertainty a lot, I’m sure I’m doing this kind of music mainly because of this. Yes, I think there is a lot of uncertainty in my music, but a lot of trust in it at the same time.
Q: Are there certain electro-acoustic improvisers that you can't see yourself being able to adapt to?
A: Yes, if there is an improviser – if he’s playing acoustic, electro-acoustic or electronics doesn’t matter at all – who is not willing or able to listen and is only looking for his chance to show all his virtuosity, who is only blabbing and doesn’t care about what’s going around him. Just yesterday, I was talking about management and communication with a neighbor who works in the chemical industry. He told me that he often tells in his workshops that you have two ears and one mouth and that you should use them in this ratio. Right he is!

Günter Müller