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  • How Good A Friend Is A Last.fm Friend?

    28 Apr 2008, 21:55

    Last summer I did a survey of Last.fm users about friendship which many many people generously helped with. The first official paper to come out of that is nearing completion (the analysis is done, the final writing isn't). In the meantime, it has been accepted for presentation at a conference, which means its been through some peer review. So, if you'll forgive a heavy dose of academese, here is the abstract summarizing what we did and what we found in this part of the analysis:

    Tunes that Bind? Predicting Friendship Strength in a Music-Based Social Network

    Nancy Baym (University of Kansas) and Andrew Ledbetter (Ohio University)

    To be presented at Internet Research 9.0; Copenhagen, 2008.

    “Friendship” is an inherently ambiguous relational descriptor. In social network sites, where “friend” is often the only word available to label relationships, the ambiguity seems only to be enhanced (e.g. boyd, 2006; Fono & Reynes-Goldie, 2006; Gross & Acquisti, 2005). This paper seeks to shed light on the nature of “friendships” in one social networking site. Founded in London in 2005, Last.fm functions as both a social network site and a music recommendation, streaming and, to a lesser extent, downloading service. In May 2007, when it was bought by CBS Corporation for US$280 million, Last.fm boasted more than 15 million active users in hundreds of countries. To our knowledge, there has not been any academic study of social dimensions of Last.fm.

    The data reported here come from an international survey of Last.fm users. The 559 respondents (36.5% female, 63.5% male) from 48 countries were recruited through messages posted to Last.fm’s two general interest site-wide discussion forums. Each time one opens a Last.fm profile page, one’s friends list appears in a random order. Participants were asked to open their profile in another window and think about the first person on that list in answering a series of questions about their relationship. After assessing a number of baseline facts about Last.fm friendships (number of friends, proportion that began on Last.fm, average length of Last.fm friendships), we conducted a 4-step multiple regression analysis to determine the predictive value of four sets of variables on relational strength.

    We measured relational strength with the scale used by Chan, Cheng, and Grand (2004), a shorter version of that created by Parks and Floyd (1996). This 18-item scale assesses six of the dimensions Parks (2007, p. 27) argues, “constitute a definition of the relational change process.” These include interdependence, depth or intimacy of interaction, breadth or variety of interaction, commitment, predictability and understanding, and code change and coordination. Because scores on each of these dimensions showed high intercorrelation, we treated the scale as a single measure of relational strength.

    We examined four sets of variables’ correlations with relational strength, controlling for each previous set with the introduction of the next set. First we considered demographic factors including age, gender, and geographic location. Second, we looked at partner similarity (homophily) in terms of those demographic variables and musical taste. Third, we addressed the extent to which relational partners use media other than Last.fm (face-to-face, telephone, text messaging, email, chat, instant messaging, communication via other websites, and postal mail) to communicate. Finally, we examined whether communicating via Last.fm itself correlates with relational strength above and beyond communication via other media.

    We found that on average, the relationships were of moderately low strength, just below the midpoint on the scale. Last.fm friendships were likely to be stronger when (1) the partner was female, (2) the relationship was between partners of different sexes, (3) the partners did not meet through Last.fm, (4) the partners also communicated face-to-face, on the telephone, through text messaging, via email, via IM, or on another website, and (5) the partners communicated via Last.fm. Homophily, even in musical taste, did not correspond to friendship strength except in the case of sex, where it lessened relational strength. Chat and postal mail did not correlate with relational strength.

    These results suggest that Last.fm – and likely other social network sites – serves as just one node in stronger relationships. By itself, Last.fm does not seem to lead to strong relationships. As a relationship-formation site, it fosters weak ties. However, in conjunction with other modes of communication, it may enhance already strong partnerships. The findings lend further support to Haythornthwaite’s (2005) theory of “media multiplexity,” in which she argues that the number of media through which people communicate should be added to the definition of “strong ties.” Our results also demonstrate the importance of considering diverse modes of online interaction separately, as well as examining how their use is interwoven.

    References

    boyd, d. (2006). Friends, Friendsters, and MySpace Top 8: Writing community into being on social network sites. First Monday, 11 (12). http://www.firstmonday.org/issues/issue11_12/boyd/

    Chan, D., Cheng, K.S. & Grand, H.L. (2004). A comparison of offline and online friendship qualities at different stages of relationship development. Journal of Social and Personal Relationships. Vol 21(3), 305-320.

    Fono, D., & Raynes-Goldie, K. (2006). Hyperfriendship and beyond: Friends and social norms on LiveJournal. In M. Consalvo & C. Haythornthwaite (Eds.), Internet Research Annual Volume 4: Selected Papers from the AOIR Conference (pp. 91-103). New York: Peter Lang.

    Gross, R., & Acquisti, A. (2005). Information revelation and privacy in online social networks. Proceedings of WPES’05 (pp. 71-80). Alexandria, VA: ACM.

    Haythornthwaite, C. (2005). Social networks and Internet connectivity effects. Information, Communication, & Society, 8 (2), 125-147.

    Parks, M.R. (2007). Personal Relationships and Personal Networks. Mahwah, NJ: Lawrence Erlbaum Associates.

    Parks, M. R., & Floyd, K. (1996). Making friends in cyberspace. Journal of Communication, 46(1), 80-97.
  • Gonna be trendy but...

    16 Apr 2008, 15:49

    ... this is my soundtrack for spring. It's got it all, Arctic Monkey and Franz Ferdinand propulsion, harmonies galore, and totally cute Beatlesesque boys giving me visual flashbacks to Help!

  • The lengths we go for music

    30 Mar 2008, 03:12

    I just figured out how I can get from Kansas, USA to Copenhagen, Denmark so I can finally finally finally see Madrugada in concert.

    Sure it won't be what it would have been with Robert.

    But I am going to be there!

    Anyone who's ever seen my charts or read through my journals will appreciate what this means to me.
  • Read my Talk about Online Music Fan Community

    28 Feb 2008, 15:55

    Those with an interest in how online music fans are banding into communities and reshaping the music industry while they're at it might be interested to read through the talk I just gave at by:Larm in Oslo.

    I've put it up in PDF format here.

    As I say there, "In it I argue that the internet has transformed fandom because it expands fans’ reach, transcends distance, supports archiving, provides group infrastructure, enables new forms of communication and lessens social distance. As a result, bands, fans and labels need to work out less hierarchical relationships in which fans are seen as equals who, when treated with trust and respect, will delight in spreading one’s gospel to more of the many corners of the internet than any one person can visit. I make the case through lots of examples drawn primarily from Scandinavian music fans, bands and labels."

    Last.fm makes repeated appearances.
  • 20+ Bands in 3 Nights = 1 Very Happy Popgurl

    25 Feb 2008, 15:54

    Thu 21 Feb – by:larm

    It's very early morning back in January when I get an email out of the blue inviting me to give a keynote talk at by:Larm as part of their seminar. My son, ever the astute observer, rags on me: "I can't believe you get PAID to go to Norway and listen to rock bands!" I can only say "neither can I, I only hope you'll be as lucky one day."

    Wednesday

    I arrive on a Wednesday morning. Not long thereafter, I'm in the main tent the night before the festival officially launches, overwhelmed by the 170 bands on the program and ready to overindulge.

    First up are UK act The Kooks who play a short acoustic surprise set which is great fun, though I have to admit it's already faded into a hazy memory.

    The Lionheart Brothers are next. They've got a lot of buzz amongst the Norwegians, who seem quite proud of their perceived UK success and great reviews. Their sound is much harder live than I'd expect and never manages to gel. At points their harmonies are so off-key, it makes me wince.

    Tingsek follow doing their pretty whiteboy soul/reggae thing. He is a pretty boy, and he works it, and I have to admit that they play quite well even if it seems a bit too designed to make girls swoon. I didn't.

    Last band I catch that night is Familjen, who doesn't disappoint with a super-energetic performance including a shirt that says "Det snurrar i min skalle" in dayglo letters that shine in the light. I'm told by someone who'd seen him a month ago that he's much better tonight, and I leave a little frustrated by the brevity of the half-hour set all acts are limited to, but feeling my faith in him is well-invested.

    Thursday

    There wasn't anyone I was eager to see this night. I start at the main tent, which seems to be the congregation area. Metal band Harpiks open and are truly awful (even some of the metal fans I talk with think so), though I will give them credit for being the first band I've ever seen use chainsaws on fire as instruments.

    Then I wind up following others' recommendations. I see Je Suis Animal, who have pretty good buzz, but whom I find so bad, I walk out and go next door to the church where the tranquil acoustic people are performing. Liev Reed is in the middle of his set. He's got a lovely voice and is a terrific guitar player, but he's kind of boring and I'm getting sleepy.

    I head back to DagA where Lukestar side project Truls & The Trees are on stage. You'd think that with 9 people on stage, they could make some noise, but they've got almost no energy and I am seriously unimpressed. I leave again for the church next door where I catch Oslo's Therese Aune who blows me away completely. She's a tiny and incredibly sweet humble looking little girl who pounds the piano and sings like a banshee - beautiful, powerful, moving, and completely original.

    Then back to DagA where Benni Hemm Hemm offer up a performance that's very well received, even if I find them boring. Again, you'd think that many people could make more noise and offer more energy, but it's a highly competent if slightly cold and languid orchestral set. The final act of the night is Ungdomskulen who are very nice men, but whose "punk prog" music is definitely not for me and who are so loud that the vibrations make my stomach cramp, sending me home to bed.

    Friday

    By this point I'm a little concerned, 11 bands and only 2 that really impressed me. But fear not, from here out, it's one slice of heaven after another.

    First up is The Fine Arts Showcase at Park Teatret. They're my favorite Swedish band and despite the bad sound quality, they don't disappoint, playing a set that includes a lot of "Radiola", the singles from "Sings Rough Bunnies", and a couple of new songs to boot. Gustaf dedicates my favorite of his songs "Brother in Black" to me, and I'm thinking I could head back to Kansas content at that point.

    Then I catch a couple of Looptroop Rockers songs at Sentrum Scene, but Swedish whiteboy hip-hop is just not for me and I leave in hopes of catching Katzenjammer, but they've just finished their set, so I head back to Sentrum Scene where I see Salem Al Fakir. He's got a happy energetic performance style, and though it's not my genre, it's well worth seeing and the crowd loves him.

    Then it's off to the small club John Dee where Bergen girlband Miss Motor put on a very fun show of 3 minute pop-punk numbers. I'm beginning to suspect that the women are going to rule this conference, a sense that's confirmed when I see Miss Li next. She's amazing - so radiantly joyous that my friend's headache disappears along with my own fatigue, and we leave happy to our very cores.

    I tried to see Lykke Li next since she's got so much buzz, even if I'm far less than sold on her, but the line is long so I pop back to Sentrum Scene and catch The Violent Years' last 2 songs which leaves me regretting that I didn't see it all. What I heard sounded a bit like they might be thinking "what worked for Madrugada might work for us," but hey, that's fine with me. I'll be investigating them further.

    The night ends with a power performance by what might be the most-buzzed artist, Ida Maria, who is all energy and has the crowd eating out of her hand. She's very fun, but not really very original and most of her songs seem to be one lyric repeated over and over. She's really good but I'm unconvinced.

    Oh yeah, during the day I gave my keynote which was very well received. I talked about online fan community - how the internet has transformed fandom and what that means for artists and labels.

    Saturday

    Now it's the last day and I'm starting to get really sad realizing this is going to end so soon. In the afternoon I'm invited for "a surprise adventure" for international delegates. A dozen of us are taken to Oslo's well-kept secret, Emmanuel Vigeland's mausoleum. He's the little brother of the guy who did the sculpture park and his life's work was to paint the entire inside of this brick inverted-U shaped building with paintings so similar to his brothers' sculptures, I wonder what happened in their childhood to give them such common issues. The building has the unusual acoustic quality that all sounds reverberate for 12 seconds. There are no windows, and by the light of 2 candles, folk singer Unni Løvlid gives us a gorgeous voice-only performance of traditional Norsk folk that gives new meaning to the term "drowned in sound," which is kind of ironic since moments later I find myself talking to the fellow Drowned In Sound has sent to cover by:Larm.

    I'm on a panel about digital music later that afternoon that again goes well and I meet several great people and learn several cool things I didn't know before. Fellow panelist, Jone Nuutinen, from super-cool about-to-be-Europe's-biggest street team site Urbanited, easily takes the award for person-who-looks-most-like-a-rock-star even if he's not one.

    Madrugada fan that I am, the first act I catch that night, at John Dee, is Charlotte And The Co-Stars, who Madrugada's Frode Jacobson is producing. I can see the connection and am favorably impressed and look forward to hearing the record that results.

    Then I race a few blocks to catch I Was A King who I just missed the night before. They're really good and make me feel good about having bought their record on eMusic before coming.

    Floored as I was, I then take my friend Marika to see Miss Li, who's now at a much bigger club with a much bigger but equally adoring audience. Once again, she lights up the room with her smile and I leave bouncing and completely enamored.

    There's no one really exciting in the next time slot, so we take a chance on the horribly-named All that and a Bag of Chips. Despite the funny name and humorous t-shirts that say things like "The Bass" and "The Guitar" and "The Vocals" their sound has no humor at all, and they're ok, but not that good, so we leave and head to Mono.

    There we catch Miss Motor again, who are equally fun the second time. They're followed by another badly-named band, Harry's Gym, which is fronted by the woman who plays guitar for I Was A King. She's a very compelling character with more pedals for guitar effects than I've ever seen except for the Wrens' Charles Bissell, and they're really good, but their songs are very similar to one another and I'm glad the set is only half an hour.

    Then we head back to Sentrum Scene for Superfamily who turn out to be expat Americans (who knew?). The place is so crowded and I'm so short that I can't see for the first half. When I finally find a spot where I can see, I realize seeing them without SEEING them is missing the point entirely. They're a fun live act, that's for sure, but the songs are nothing special and I start thinking that it would have been better if the two dancing backup guys could actually dance as well as the people they're spoofing.

    Now, alas, it's 1 in the morning and the festival is way too close to being over. I head up to the delegate-only club Stratos which is located on the top floor of the old opera house with a walk-around terrace. Someone offers me a glass of champagne, and I sip it, shivering, looking at the view and thinking that this is just about as good as it gets. Slagsmålsklubben give the final show and, just as Stacey promised when she told me I HAD to see them, they are extremely entertaining and danceable. It's a perfect end to a fantastic weekend.

    Final analysis: Well planned, well organized, well run, and wonderful festival. If the best band is to be judged by who leaves you happily humming their songs and ready to buy their complete collection, the festival belongs to Miss Li, someone I'd never given a second thought beforehand and could easily have missed entirely (thank goodness my friend who'd seen her told me otherwise!). Oslo's a great city. 23 bands in 4 nights and only a few of them disappointing. It's one of the best weekends of my life.

    [originally posted atIt's A Trap!]
  • New Madrugada Record

    20 Jan 2008, 03:27

    = Magnificence

    (either I leave it at that or never stop. maybe later i'll be able to articulate why it's their finest moment)

    Madrugada
    Madrugada
  • by:Larm 2008

    16 Jan 2008, 02:10

    I'm going to be keynoting at by:Larm next month, talking about fans, bands and labels building community.

    Anyone ever been to by:Larm's seminar track or similar things at other music conferences and have any tips about what works and what doesn't to share?

    Or, perhaps more importantly, anyone got tips on which of the many bands playing there this year I mustn't miss?
  • Live Music 2007

    8 Dec 2007, 14:33

    I’ve been very poor at documenting my 2007 concert outings on here, so before the year gets away from me, let me quickly run through some of the shows I’ve caught that merit a mention:

    Son Volt and Keller Williams in Snowmass, Colorado. This was a free outdoor show on the bunny slope in the summer. It was fun, lots of hippies and babies. Keller Williams was amusing but not exciting. Son Volt sounded good but monotonous and I don’t think that Jay made eye contact with a single person in the audience, he was in his own little universe which made it hard to connect for me.

    Chris Isaak in Aspen Colorado this summer: This one I did write up and with good reason. The best show of the year. I know the guy’s not burning up the tip of the innovation candle but for pure showmanship meets extraordinary refined yet exuberant talent, that man and his band rule.

    Bob Dylan and My Morning Jacket in Telluride, Colorado. Whatever I said about Son Volt in their own universe was nothing next to Dylan, who couldn’t even be bothered to say “hello” “goodnight” “thanks for coming” or introduce his band. Sounded great (though my son said he needs to learn to sing) and he did a very neat totally different version of “Blowing in the Wind” but more a show I’ll remember just because it was Dylan than because it was a memorable show. My Morning Jacket (or as my mom called them “My Flannel Pajamas”) were BORING as can be. What a disappointment. No wonder I didn’t like their record everyone else buzzed about.

    Crowded House and Liam Finn with another band I can’t remember in Kansas City in August. I’d seen Neil Finn and I’d seen The Finn Brothers but this was my first chance to see him as Crowded House (and I do fall into the ‘new Crowded House is really a new Neil Finn record’ camp, but I don’t think that’s a bad thing). Neil, like Chris Isaak, is a consummate professional as well as a brilliant genius musician, and what a great great show it was, despite the drunk in front of me slamming his folding chair down on my foot and the people behind me missing him and hitting me when they threw their drinks at him. Luckily he left early. Highlight: Private Universe followed immediately by Fingers Of Love. Pure pop perfection.

    Neil’s son Liam Finn opened and blew us all away. He’s got his dad’s knack for melody, but is considerably more experimental and puts on a very impressive one-man show with guitars, loops, and lots of banging the daylights out of a drum kit. I was floored and bought his little live show on eMusic and listened to it a lot. Excellent stuff.

    Arctic Monkeys with Voxtrot in Kansas City in September. I went to this show because I like both bands but, more importantly, the Monkeys are my son’s favorite. They were REALLY loud and shockingly young looking, but wow were they a strong blast of noise. Cool lights too. It made me like them more. Voxtrot had the same problem live as on record: it’s all the one guy and he wears thin too quickly. A lot of potential there, but too much of the same and even though they tried, somehow their jumpy enthusiasm never translated to the audience.

    Klaxons. I was not sure what to expect with this show in a small bar in Lawrence but wow did they put on a great show. It was one continuous wall of sound from start to end. The records let you think they could be wimpy live, but to the contrary, they were like a great big truck roaring toward you. It’s funny how you realize how unusual it is to see that many people singing at the same time all night long, and it can’t be easy to pull off so well. Extremely professional, polished, engaged and well done. It could have been a bummer night for them – Mercury prizewinners stranded with small crowd in the middle of nowhere, but they seemed to really enjoy being here and by the end of the night were announcing that everything cool in America was in the midwest and that they were coming back. Endearing!

    Wilco with Andrew Bird. First time I’d seen Wilco though I’ve listened for a long time now. They played a strange but nicely contained outdoor venue in Kansas City. The show was a kind of slow burn that became better and better and more and more encompassing as the night went on, Tweedy revealed his charm, and the audience-band bonding took over. They played a lot of older songs which made me happy, and even had fireworks at the end of their two LONG encores. Been a long time since I’d seen a show where bands played half hour encore jams and then came out and did it again. Fireworks! Ha! LOVE THEM!

    I’d heard Andrew Bird’s newest record a couple of times and was looking forward to seeing him open but he was dreadful – boring, pretentious, you name it. An interesting contrast to Liam Finn who also does the one-man-band thing but is spellbinding.

    The New Pornographers with Emma Pollock and Immaculate Machine. I will say upfront that I don’t like the New Pornographers. I tried. I bought Twin Cinema. I listened to it several times. I couldn’t put my finger on why I don’t like them, but now that I’ve seen them live, I can. Too proggy, too Supertrampy. At least now I can let it rest and quit trying to like them. Emma Pollock was cool but made me sleepy. Immaculate Machine were charming and engaging and I did go out and buy their newer record afterwards and think it’s got a few songs on it that are just wonderful.

    Peter Bjorn and John with Besnard Lakes. Weird double bill. One short pop song band and one long dirge song band. Being a short pop girl (or is that short popgurl) myself, I didn’t care for Besnard Lakes. PBJ, who I’ve been loving for almost 3 years now, did not disappoint with a very energetic spontaneous and, most importantly, really well-played show. The pacing could probably have been better in terms of building and maintaining a groove, and I’d have like a few more older songs, but I was happy to get “Far Away By My Side,” “I Fell In Love” and “I Don’t Know What I Want Us To Do.”

    So all in all, a very good year. Not a lot of live shows, but quite a few really good ones.
  • Is Facebook A Fad?

    9 Nov 2007, 23:34

    This week I was a panelist in a discussion of this question on one of Canada's premier public affairs television shows, The Agenda. The (really good) half hour discussion is streaming from their website for the next 10 days

    You can also download it for a few days for free as an itunes podcast -- you have to subscribe to the Agenda's podcast and then you can download it free and unsubscribe.
  • Do All Social Network Sites Suck at Groups?

    30 Oct 2007, 19:21

    I thought some of you last.fm readers might enjoy this recent rant from my blog
    Online Fandom:

    Web 2.0 is supposed to be all about harnessing the wisdom of crowds, playing simultaneously off the glorification of the individual via personalized profiles and services and the algorithmic magic that happens when individual data is mined.

    But inbetween there’s the critical level of community — remember that term they all love to throw around in press releases? I know, newsgroups, webboards, mailing lists: it’s all so… Web 1.0. Is it a rejection of Web 1.0, strengths and all, that fuels the shockingly poor management of groups on sites like Facebook and Last.fm?

    I “lead” 2 groups on each of those sites, and belong to many others. Almost daily I shake my head in disbelief that people who devote their lives to building social networks would be so inept at supporting the voluntary *group* affiliations people build through their sites.

    For instance, neither site provides me any means of being notified when new members join my groups. Neither provides a means of seeing which members are newly joined. In a group like Internet Researchers on last.fm, I can figure it out because they list members in order of joining, and there aren’t very many members. In a group like the Association of Internet Reseachers on Facebook, with over 800 members who appear in random order every time they’re listed, there is simply no way to tell. Opportunities for welcoming new members? So Web 1.0!

    Neither site does a remotely adequate job of informing any group member when there are new things happening in a group. Facebook provides the ‘groups’ link. Apparently, group interaction is not worthy of NewsFeed status — I am notified every time a friend joins a group, but never notified when someone opens a new line of discussion in a group to which I already belong. The groups page you get when you click that link is pathetic. You can’t click to see which new people have joined, you can’t click to go directly to the new posts. It requires continuous individual mining of each group’s page to see if there are discussions happening. You’re continuously prodded to join new groups via the listings of groups friends have joined, but there’s no support for making those groups work.

    Last.fm has a similar “groups” page, except for that it offers absolutely no information about activity in the groups. The “recommending reading” is supposed to tell you if there’s new discussion in the groups to which you belong, but it rarely bothers to let you know which group a new post comes from, as though that absolutely essential piece of information does not matter. About the only thing Last.fm does right with groups is in identifying which songs and musicians each group recommends and letting you turn off recommendations from any group.

    These sites have extraordinary potential to foster networking at the group level. Yet they persistently fail to leverage that by providing meaningful scaffolding to support group interactions. If groups can’t carry on effective discussions and group members don’t have easy ways to see who’s joined and how discussion is progressing, groups become what they are in both of these spaces: identity badges, labels we can put on our profiles to help categorize us. It’s a grotesque waste of the power of human connection and cannot serve either site well.

    And don’t even get me started on how terrible the mechanisms are for searching for groups of possible interest in each site.

    Are there any social network sites that really help members create communities rather than one-on-one connections?