grimnir512

capitano, United KingdomLast seen: 16 hours ago

47604 plays since 1 Nov 2008

79 Loved Tracks | 0 Posts | 2 Playlists | 256 shouts

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  • ReifiedNight

    So how's the new Six Organs of Admittance?

    last month
  • ReifiedNight

    Indeed. I heard about it when it was released. I'm not much of a Colin Stetson admirer but I appreciate this EP more than New History Warfare Vol. 2: Judges. If Stetson continues along this path I think he may have something interesting for his next album.

    December 2011
  • ReifiedNight

    First world problems. Seriously though, it's not like you won't have the digital versions to listen to while you're away from your precious boxset. There has been vinyl rips of all the discs for at least a week now so you won't miss out on the bonus material either. At the very least you can take your posters back with you to keep you company until April comes along.

    December 2011
  • ReifiedNight

    What the fuck happened that you're now deaf in your right ear? Playing around with explosives at night? And it seems like my first prediction was correct since I received my boxset four days ago. I haven't listened to it though as I still need to buy a replacement turntable. Good things come to those who wait, as they say.

    December 2011
  • ReifiedNight

    Your charts are in need of some delicious noise. I see a lot of Merzbow in your future. His 200+ discography isn't going to listen to itself you know. Check out that recent collab he did with Boris, it's actually quite good. In fact, he's only allowed to do collaborations now as far as I'm concerned. Oh, and you still need to listen to some Skullflower because Japanoise isn't elitist enough. I'd start with Fucked On A Pile Of Corpses because it's entry level Skullflower.

    November 2011
  • ReifiedNight

    Sheer brilliance, indeed. All of the work that I've seen of his is painfully evocative. Much of his work has an incredible air of an inescapable nihilism. His painting 'Sadak in Search of the Waters of Oblivion', for example, is shrouded in this treacherous aura of depravity.

    September 2011
  • ReifiedNight

    That new painting is fucking awesome.

    September 2011
  • sykonachoman

    @Joy Division- You should also check out the version of "She's Lost Control" from the album Substance.

    September 2011
  • ReifiedNight

    I saw that, as a matter of fact. If you haven't seen this already, check this out: http://nigelparry.com/news/guardian-david-leigh-cablegate.shtml Leigh's culpability in this whole affair is quite obvious. And it's interesting how the Guardian is making an excellent show of trying to assign blame to WikiLeaks. From all the evidence that has come to light, the only blame that can be assigned to them is the mistake to work with fools like Leigh and Berg. And check out Greenwald's article (http://salon.com/a/s6kIfAA). He makes a convincing point that all the focus should be on the revelations that will arise from this leaked material as opposed to the faux-scandal that's breaking out as a result of the unredacted material being available.

    September 2011
  • sykonachoman

    Unknown Pleasures is one of my favorite albums. I'd say either "Insight" or "New Dawn Fades" is my favorite track, and "She's Lost Control" is great too. I've just started getting into Closer as well.

    July 2011
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About Me

He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared,
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared Phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.

John Keats, Hyperion