Faeerie
Faerie, FemaleLast seen: October 2009
Your musical compatibility with Faeerie is Unknown
Get your own music profileRecently Listened Tracks
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Arms and Sleepers – The Paramour full track | 10 Nov 2009 | |||
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Arms and Sleepers – Words Are For Sleeping full track | 10 Nov 2009 | |||
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Arms and Sleepers – Kino full track | 10 Nov 2009 | |||
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Arms and Sleepers – Simone full track | 10 Nov 2009 | |||
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Arms and Sleepers – The International full track | 10 Nov 2009 | |||
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Arms and Sleepers – Helvetica full track | 10 Nov 2009 | |||
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Arms and Sleepers – Twentynine Palms full track | 10 Nov 2009 | |||
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Arms and Sleepers – The Architekt full track | 10 Nov 2009 | |||
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Arms and Sleepers – Matador full track | 10 Nov 2009 | |||
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Arms and Sleepers – Orly full track | 10 Nov 2009 |
Faeerie’s Library
2,024 Artists in total
Showing: Overall
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Tori Amos (820 plays)
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Beirut (783 plays)
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Susumu Yokota (540 plays)
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Rosie Thomas (487 plays)
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Xela (485 plays)
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Death Cab for Cutie (446 plays)
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Piana (442 plays)
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Clogs (442 plays)
Loved Tracks (76)
Last loved: Kings of Leon – Your sex is on fire
Playlists (1)
Including: Faeerie’s playlist, 33 tracks
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Tori Amos – Precious Things
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Tori Amos – Scarlet's Walk
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About Me
Every day speaks to my soul
Today I'm alive ♥




“If I were to wish for anything, I should not wish for wealth and power, but for the passionate sense of the potential, for the eye which, ever young and ardent, sees the possible. Pleasure disappoints, possibility never. And what wine is so sparkling, what so fragrant, what so intoxicating, as possibility!”

Reminding myself...
"Most of us spend many hours each week watching celebrated athletes playing in enormous stadiums. Instead of making music, we listen to platinum records cut by millionaire musicians. Instead of making art, we go to admire paintings that brought in the highest bids at the latest auction. We do not run risks acting on our beliefs, but occupy hours each day watching actors who pretend to have adventures, engaged in mock-meaningful action.
This vicarious participation is able to mask, at least temporarily, the underlying emptiness of wasted time. But it is a very pale substitute for attention invested in real challenges. The flow experience that results from the use of skills leads to growth; passive entertainment leads nowhere. Collectively we are wasting each year the equivalent of millions of years of human consciousness. The energy that could be used to focus on complex goals, to provide enjoyable growth, is squandered on patterns of stimulation that only mimic reality."





