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Soon after album-based British techno producers like Aphex Twin and Squarepusher got their hands on drum’n’bass during the mid-’90s, they naturally twisted it to their own ends. The result was Drill’n’bass, a spastic form of breakbeat jungle that relied on powerful audio software and patient programming to warp old midtempo beats and breaks into a frenzied, experimental potpourri of low-attention-span electronic music. Beginning in mid-1995, three figures led the charge with pioneering EPs: Aphex Twin… read more

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