• Lucky Three

    23 sep 2006, 07:49 av screamingloudly

    I really love this documentary of Elliott Smith and I just think if you like Elliott Smith and haven't watched this video... give it a moment of your time.

    "Lucky Three"
    Documentary of Elliott Smith

    I hope you liked it.
  • Elliott Smith 1000

    22 sep 2006, 04:07 av starshipwaters

    So I have 19 more Elliott Smith tracks to listen to before his total play count is at 1000 tracks. Suggestions on what the 19 should be? Thanks.
  • Cigarettes & Chocolate Milk?

    9 sep 2006, 21:40 av kitt_katt

    Hmmm, so when I was finding these Elliott Smith songs online, I came across this one song titled Cigarettes and noticed it sounded nothing like Elliott. I tried lookin it up and couldn't find it at all, so I tried looking up the lyrics and found out it was actually a song called Cigarettes & Chocolate Milk by Rufus Wainwright. but at the end , which is prolly why who ever tagged it tagged it Elliott, is a little preview of A Living Will recorded during his Figure 8 album. hmmm I think that's a little strange. So yeah it's been scrobbling as a really bad tag. heh. And has anyone heard of this A Living Will song because I haven't... hmmm
  • Harry Nilsson - Without You, Rules of Attraction anyone?

    20 jul 2006, 12:03 av amiantos

    The first time I ever heard Without You was in The Rules of Attraction.

    And every time I hear the song, it's like reliving that scene from the film... the sickness, horror, and painful desperation of that scene. Maybe it hits close to home due to how close I've been to that sort of moment before.

    Anyone else with me? I can't believe I'm not alone in this.
  • Semantic ramblings on the notion of the term "alternative"

    9 apr 2006, 13:40 av eburch_03

    I have to admit I've never really gotten the notion of "alternative" as a genre-label. Presumably, the implication is that the artist constitutes an alternative to the mainstream, but it you look at the overall charts on you'll see that Postal Service, Death Cab, Surfjan Stevens and other "alternative" acts are among the most "popular" (i.e., "pop") among fans, so can they truly be considered "alternative"? Clearly users will tend (like most internet users) to be younger, more tech savvy, pretty smart, etc., and their tastes are bent toward the "alternative" which makes this an interesting paradox: How can we ALL be listening to the same "alternative" music?

    Also, is "alternative" a label that fans attach to a band or that a band attaches to itself? Does "alternative" music sound different or is it a descriptor that means the artist isn't signed by a major label and supported by a big advertising budget, etc.? (These questions are really sort of rhetorical, of course...).

    I think a lot of bands want to be thought of as alternative b/c it has apppeal to young fans, who don't want to conform to the tastes of the "establishment" -- but I think it's ultimately up to US to decide if the artist hold true to that promise.

    One interesting comparison is that in the movie industry, the term is "independent" (not produced by a major studio, sometimes, but less frequently used in the music industry), and "alternative" has no meaning. Independent films are obviously very low-budget in comparison to major studio releases. I think that is really what "alternative" should mean muscially: outside the mainstream marketing channels and not supported by a label with a lot of dough (and therefore unlikely to be in the Billboard charts) -- so we need to "check the label" so to speak. The term "independent" is being more widely used now wrt music which I think is more informative, even if it doesn't describe a musical sound, per se.

    DCFC and Franz Ferdinand just sold out a 20K seat arena in Boston. Are they still "alternative"? Help me out here -- I'd love to know what other people think.

    Anyway, the term/line is blurry to me -- and maybe that's just a musical phenomenon rather than a question of genre labeling -- the internet has really fragmented the music biz and allowed us to tap into anything, no matter how obscure. Good for us, but complicated in terms of defining "popularity" (CD sales v. what people actually listen to on the internet as tracked by

    Love to hear your thoughts.