Inversely, zeitkratzer sounds different too: in „5 min“ the musicians play only electric sound generators: humming of plugs, the peeping of the synchronised zeitkratzer-clocks, white noise, TV cheeping at 10 kHz. „Synchron Bitwave“, the latest piece is the most sensual and warmest; no other sounds than a small third and its electric derivates, finally leading to high, dabbed string spiccati. While „c1“ transfers electronically conceived asymmetrical loops into a 19/16th rhythm. A strange undertow results, partly because of the pieces’ grounding with merging split sounds. Here, Carsten Nicolai virtually becomes metaphysical, perhaps even romantic…
Edited by dwaal on 1 Jan 2009, 02:44
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