Worm Is Green
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Worm Is Green – You're Too Late Satan
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Biography
Akranes, Iceland
Worm Is Green started as the bedroom electronica project of Arni Asgeirsson, who soon enlisted longtime friends from his hometown of Akranes, Iceland (population 5,500) to flesh out his melodic soundscapes. Solidifying into a group, Worm Is Green began recording the songs that would become Automagic, released overseas in 2004 on Iceland’s Thule Musik (home of múm and The Funerals) and now available in the U.S. on Arena Rock.
Critically praised throughout Europe, Automagic is a wondrous album that pairs Asgeirsson’s intricate sound constructions with a potent rhythm section and the haunting, otherworldly vocals of Gudridur Ringsted. Her ethereal singing peppers a record that flits between ambient dream pop and slightly menacing electro-organic music with beats.
Ringsted shines brightest on a risky cover of Joy Division’s beloved “
Love Will Tear Us Apart,” a dramatically different take on a classic that was recorded as a request from Thule Musik’s owner. “He wanted to hear a chillout version with female vocals,” Asgeirsson notes. “The result was very surprising, and everybody liked it, so we decided to put it alongside the other tracks we’d previously recorded for Automagic
” Elsewhere, Worm Is Green focus on creating their own memorable songs, starting in Asgeirsson’s bedroom, and in one case, at his grandfather’s jewelry shop, where he recorded samples of Icelandic stones rubbing together and turned them into beats.
Critically praised throughout Europe, Automagic is a wondrous album that pairs Asgeirsson’s intricate sound constructions with a potent rhythm section and the haunting, otherworldly vocals of Gudridur Ringsted. Her ethereal singing peppers a record that flits between ambient dream pop and slightly menacing electro-organic music with beats.
Ringsted shines brightest on a risky cover of Joy Division’s beloved “
” Elsewhere, Worm Is Green focus on creating their own memorable songs, starting in Asgeirsson’s bedroom, and in one case, at his grandfather’s jewelry shop, where he recorded samples of Icelandic stones rubbing together and turned them into beats.
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