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In his tome 33 Revolutions Per Minute, Guardian rock critic Dorian Lynskey wondered if he’d written a eulogy for the protest song; whether if, rather than praising a still thriving form, he had merely uttered its burial rights. And indeed, as each week gives birth to some passing new scandal that goes without eliciting some strident artistic response, it’s hard to disagree: Billy Bragg, Manic Street Preachers and other like-minded politicised souls seem like relics of the past… read more


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