Vibrasphere

Journal

  • Top 50 artists - questions

    20 Nov 2009, 12:51 by tema_tracid

    1. What's your favorite song by 15?
    Dalmatino - Cvit Od Kamena

    2. How did you get into 20?
    Accidentaly, i searched for some ambiental music and found "Spa Moods 2007"


    3. Who is your favorite member in 1?
    There's only one, Eros Ramazzotti

    4. What’s your favorite lyric bit by 29?
    Vibrasphere, psytrance project, they don't have that many lyrics.

    5. Have you ever seen 22 live?
    Yes i have, this summer. Armin van Buuren @ Papaya,Zrće

    6. What's your favorite album from 10?.
    Alex Ubago - Siempre en mi mente

    7. Do you own any merchandise from 3?
    Efecto Mariposa - Nope.

    8. What is a good memory you have of 7?
    Shpongle, discovering them:)

    9. Is there a member of the same age as you in 2?
    Laura Pausini, she's the only member,so no.

    10. When did you first get into 8?
    El Canto del Loco - 'bout 10 months ago.

    11. Who likes 4 along with you?
    Anna Tatangelo. No one! :(

    12. Which song did you first hear from 16?
    not sure but i think it was Younger Brother - PlayThe Finger (GMS remix)

    13. What song made you fall in love with 5?
    Paul van Dyk - PlayFor An Angel , really did ♥.

    14. Which song do you not like by 18?
    Robbie Williams, can't find that i specially don't like.

    15. Why do you like 14's songs?
    Guano Apes, i like the vocal, power and brutality of their music.

    16. Where did you first hear 6?
    Alex Ubago, a friend loved one of his songs. So i gave it a try. It worked.

    17. How long was 19 a singer before you liked them?
    Counting Crows, more than 10 years.

    18. Does 13 have a song that gives you a bad memory?
    1200 Micrograms, only good ones.

    19. When did you get into 25?
    ATB, i was at high school, first grade. Heard a song 9pm (till i come). That was enough.

    20. How long have you been into 9?
    No Doubt. Long time, I'd say 'bout 10 years.

    21. If 11 had a concert 300 miles away, would you drive there to see them?
    La Oreja de Van Gogh. Probably not, but i'd love to see them.

    22. How many CDs do you own of 12?
    Infected Mushroom, all of them of course, but in digital form. no originals.

    23. Does 21 have a song that makes you cry
    Jason Mraz, yea he has some pretty sad songs, but i don't cry on songs.

    24. Does 27 have a song that makes you happy?
    Talamasca, psytrance project, pretty dark and messed up music, so no.

    25. Does 23 have a song that makes you smile?
    Oliver Dragojević, sure few of them.

    26. What's the last song you've listened to from 28?
    Sophie Ellis Bextor, not sure but i think it's "Me And My Imagination"

    27. Is there a song by 32 that you've listened to more than 30 times?
    Arash - Arash (feat. Helena) 42 times.

    28. What is a song from 50 that you've only listened to once?
    Futureshock - Birdcage , i think i actually like this one.

    29. Is there a song you are sick of hearing by 24?
    Juanes - PlayLa Camisa Negra , well kinda, i still like it dough.

    30. What song got you into 40?
    Juano Reactor - PlayNavras , from matrix soundtrack.

    31. What is your favorite single by 25?
    ATB - Let You Go.

    32. If 49 hated you, what would you do?
    Santana, no problem, i'd hate him right back.

    33. What would you say if 42 or one of the members from 42 asked you out?
    nooo way, No Mercy, a boyband.

    34. Would you care if 41 had a boyfriend/girlfriend?
    U-Recken, psytrance project i truly don't give a fuck.

    35. Who has the best voice in 46?
    Zero Assoluto, don't know their names, nice voices dough.

    36. Do you think 26 is/are good looking?
    Anna Oxa, not really my type i'd say.

    37. How many times have you listened to your favorite song by 36?
    Magazin - Opijum , a lot, 57 times!

    38. How many CDs do you own of 30?
    David Bisbal, few, only in digital form of course.

    39. Is there a song from 38 that makes you mad?
    oh yeah! A lot of them, for example Slipknot - Left Behind.

    40. Which member from 31 do you want to see go solo? If 31 is only one artist, what would you do if they joined a group?
    I truly don't care. Future Prophecy.

    41. What does your favorite song from 48 remind you of?
    Jamiroquai - Love foolosohpy. Good times i guess.

    42. Did you hate 43 at first?
    Oliver again, nope.

    43. Does your best friend also listen to 33?
    Toše Proeski, as much as i do.

    44. Do you think your parents would like 37?
    Astrix, no way i think.

    45. Does 47 have a song that makes you want to dance?
    Nelly Furtado - PlayManeater, pretty dancable i'd say.

    46. Have you ever seen 34 in person?
    Hari Roncevic, and yes i have:)

    47. Do you like 44's name?
    Tony Cetinski, yea it's okay.

    48. Is there someone in 45 that you want to go out with?
    Gibonni, so no, no i don't.

    49. Do you know anyone that hates 39?
    Papa Roach, not really.

    50. Have you ever danced to a song from number 4?
    Anna Tatangelo, no, it's not that kind of music.
  • My 365 most important songs

    25 Sep 2009, 13:12 by bongwasser

    Good day to You!

    So here you go visiting the list of the 365 most important tracks of my past 10 years...or so. Well, this list should provide you with one track for each day of the following year. I just did not care about releasing this on Christmess or any other 'special' date.
    A few words how the idea came up...it came up whilst smoking w.e.e.d.; so, that's the whole story about the idea :P
    Let me explain a bit why this track is on this position and so on.... The list is perhaps based on 55-70% taste and 30-45% personal association, live experiences, moments of my lifetime which I can retrace while listening to a special track.
    That is why some tracks are in this list you would not normally relate with me if you'd happen to know me. Sooooooo, I'm going to release one track per day...did I mention that already...dunno. Thus, if you're lucky...and visit my profile on 25th September '09 you know what you're gonna do the next 365 days. Listen to my music!! :D

    There ya go:


    342. Lingua - PlayNo Footing mmh, does anyone know this band ? I got to know them around 2006 and yeah, a few tracks are still present in my mind. guess what, this is one of 'em.
    343. Magyar Posse - PlayIntercontinental Hustle Favourite track on one of the Silent Ballet compilations. Great atmosphere throughout the whole structure of the track and never seeming to calm down, always uprising.
    344. The Veils - Vicious Traditions Mr. Brooks introduced me to this one. I really like the way this song is sung.
    345. Muse - Citizen Erased One the few good tracks Muse produced. Actually, Origin Of Symmetry is the only album that has more than 2 good tracks on it.
    346. Jethro Tull - PlayThe Whistler singing along with the twins.
    347. Thom Yorke - The Eraser nice track by mr. yorke. i like the lyrics.
    348. Ganja Beats - PlayHerbalised dope is this track
    349. Vibrasphere - PlayTierra Azul Close your eyes, open your mind, float away.
    350. St. Germain - PlaySo Flute Title track to one of my all time favourite movies.
    351. Ganja Beats - Mystical Experience this track is dope.
    352. Opeth - The Lotus Eater this track accompanied me on my 2nd semester exams. I listened to this track over and over around that time
    353. Trentemøller - PlayMiss You i like the style of this song. calm, sad and really haunting sounds.
    354. Opus Däi - Rain Great track. Also, reminds of a good friend.
    355. Thievery Corporation - PlayThe State of the Union good track to smoke to.
    356. Vibrasphere - Heading North this is a really fantastic first track of an album. i listened to this tune fairly often with a special person =)
    357. Maserati - The World Outside nice shred music.
    358. Opeth - The Leper Affinity The first track by Opeth with growling i listened to. really fanstastic piano ending.
    359. Circle Takes the Square - PlayNon Objective Portrait of Karma what an intro. what lyrics. always makes me think that the music i like is not the music you like.
    360. 65daysofstatic - PlayRadio Protector phenomenal ending track of a phenomenal album.
    361. Trentemøller - The Very Last Resort really great track by Trentemøller with almost a post-rockish tune to it. love it and reminds me of german footbag open '08
    362. Mahavishnu Orchestra - Mahavishnu OrchestraPlayVital Transformation look #365 for more information on this one
    363. Motörhead - PlayAce Of Spades thps3.
    364. Nine Inch Nails - The Hand That Feeds i'm not really into nin, but this track always reminds me of a good friend
    365. Mahavishnu Orchestra - Noonward Race not much to say about this one, just had a few nice rides and trips whilst listening
  • VA / «Aqua Regis» mixed by Hexfire (2009) [chillout mixset]

    28 Aug 2009, 07:59 by trancing



    Style:
    - chillout
    - downtempo
    - ambient

    Length
    - 73:40 (320k / mp3)

    Brief info:

    Aqua Regis, or «Royal Water» — according to rumours — special chemical solution intended to dissolve the so-called «royal metals», or noble metals, gold and platinum. That said, this mixset is a musical interpretation of aqua regia (or aqua regis), intended to do the same work, but in musical context. Oceanic sounds, mellow yet driving, are here to bring you to a new mental and visionary dimensions.

    P.S. This is my last set for the near time, since just in about a couple of hours I'm making a trip to Black Sea for a month and will not have any access at all to the virtual world once I arrive there. So, in order to prevent long and empty pause here, let this to be a humble spice to this forsaken profile. :)

    Hope you enjoy it.

    Bye!

    Tracklist:
    01. Jaia - December
    02. Vibrasphere - Forest Fuel
    03. Androcell - Seahorse Dreams
    04. Aural Planet - Sunfruits Avenue
    05. Puff Dragon - Chinese Radio
    06. Nova feat. Aes Dana - Kalaallit Nunaat
    07. Sundial Aeon - Dark Breaker
    08. Zero Cult - Night Out (D. Batistatos Remix)
    09. Side Liner - 2222 (Prostranstvo 2008 Edit)
    10. Man With No Name - Sugar Rush (Kanc Cover Rework)
    11. Chris Zippel - Surface (Genuine Remix)

    Download link: http://rghost.ru/424547 (or here)
    __
    Hexfire
  • Ambient & Psy 2009 In Progress

    25 Feb 2009, 02:13 by gtutor












    [November 24, 2009]



    Please help me keep this up to date by posting news of new and future releases here.
  • Ambient & Psy 2008 In Review

    24 Feb 2009, 17:25 by gtutor

    2008 was a great year for psychill, I tried to keep a list of everything that came out. Keep in mind this list mainly focuses on psychill, I know there were a lot more releases in ambient, downtempo, idm, psytrance, etc.

    (My 10 favorite albums of 2008 are in bold)












  • VA / «Temporal Shift» mixed by Hexfire (2009) [psychill mixset]

    11 Feb 2009, 21:01 by trancing



    Genre......................: Electronic
    Style.........................: Psychill; Ambient; Downtempo
    Compilation Date.: 11-Feb-2009
    Playtime..................: 77:46
    Quality.....................: CBR 320k (LAME 3.97) 44.1khz Joint Stereo


    Brief info:

    Temporal Shift teleports you into the world of melodic psychedelic ambient and chillout genres. First half of the compilation is thoroughly laced with light & melodic IDM flavour. A while after wave of positive vibes changes its frequency, so just by the middle you're about to gradually follow to the next part of the journey. Solar Fields welcomes you there with a dose of chilled guitars followed by ethereal atmpspheres brought by Boris Blenn (aka Galaxy) and a deeper one from Marco Torrance. Finally, Cell draws the line, bringing on a musical piece, listening to which can pretty much be described as ultimate chillout experience. Now you're relaxed enough to see the Sky Trees. Whatever unexpectable or unpleasant happens to you, this is merely... a temporal shift...


    Tracklist:
    01. Harax - Veide
    02. Kritical Audio - Yellow Blend
    03. Zero Cult - Violet Room (Side Liner Remix)
    04. shakri - Aurora Borealis
    05. Vibrasphere - Forever Imaginary
    06. Sundial Aeon - Pleasure Impact
    07. Solar Fields - Times Are Good
    08. Boris Blenn - Sunrise At Aguas Blancas
    09. Marco Torrance - The Unequalled
    10. Cell - Under Your Mind
    11. Solar Fields - Sky Trees

    Download link: http://rghost.ru/572141

    __
    Hexfire
  • 2008 in Retrospect - Albums and Trance Singles

    8 Feb 2009, 22:38 by sp0623

    The year 2008 threw up a wonderful plethora of some great electronic music albums
    and I, as a trance and ambient lover, didn't miss out on the pleasure of listening to quite a lot of what the genres had to offer last year. Excepting a few disappointments, most of these albums provided me countless hours of joy. Highlights of the year for me weren't only progressive psytrance, chillout or progressive trance albums, but also some excellent, high quality lush techno, dub techno and dance-pop/pop-ambient releases. And on this note, I must add that since 2007, I'm finding myself increasingly drawn towards good EDM albums not just in my usual favourite styles of progressive trance, uplifting trance or ambient, but also in a few other related styles, like techno, idm and minimal, for example. Considering the rather large number (especially compared to previous years) of electronic albums I heard last year (around 80 or so), I've decided to write this journal about my favourite albums of 2008. However, as I barely find time to write journals these days, I decided to integrate my annual top trance singles journal too with this one.

    Making the list of albums was easy, but ranking them was not. A lot of thought and
    deliberations went by in selecting the criteria alone by which the rankings were made. In the end I opted for entertainment factor, innovativeness, emotional appeal, subtlety and durability as the five major criteria governing the selections and rankings of the albums in my top twenty. Entertainment factor is a major criterion governing our listening habits. One can't be bothered to put an album on his/her "best of" list on critical acclaim alone if he/she didn't even remotely enjoyed the album in the first place. Innovativeness is important from the perspective of evolution of music. Creativity is certainly laudable when it is done in a smart way without sacrificing other elements like entertainment factor and emotional appeal. Speaking of emotional appeal, this is a very subjective and personal factor. It could be a beautiful melody, the atmosphere, or even events in one's personal life associated with the music. As such, this is the criterion which is open to the maximum number of interpretations. Subtlety is another important but often neglected element in a music. This is something associated with depth and intelligence inherent in a piece of music, which isn't quite apparent at first listen, but reveals itself on subsequent listens. Music open to multiple interpretations and which appeals on multiple levels would fall under this category. And this brings to the final, but no less important criterion - durability (or longevity). All good albums may not age like old wine, but they
    should certainly last longer than at least three listens. Needless to say, but this is related to the entertainment factor mentioned earlier. One wouldn't listen to an album multiple times if he/she doesn't enjoy it much. That said, the best albums
    must have a good balance of all these elements in them. Now, over to my top twenty.


    20. Distant System - Spiral Empire [Celestial Dragon Records] (22 Feb 2008) (Downtempo, Ambient, Psybient):



    - I start off with this dreamlike psybient album which has been one of the highlights of the genre from the first half of 2008. Distant System is a new project by American psytrance/psydub producer Tyler "Quasga" Smith (aka Androcell) began in 2006, mainly focusing on psychedelic ambient, downtempo and mild electronica. Stylistically, 'Spiral Empire' resembles a lot like an Ultimae Records release, with it's subtle trancey grooves amidst spacey pads and subtle melodies. This album should be experienced in a darkened room with eyes closed for best enjoyment.

    Entertainment Factor: 15/20
    Innovativeness: 11/20
    Emotional Appeal: 10/20
    Subtlety: 14/20
    Durability: 15/20

    Total Score: 65/100.


    19. Colourform - Visions Of Surya [Virtual Musical Reality] (Apr 2008) (Experimental, Ambient):



    - An extremely blissful space ambient album, this takes you on a sonic journey
    through the subconscious mind, exploring subtle soundscapes in the process.
    Produced by British producers Jake Stephenson and Matthew Hillier between 2002 and 2004 (the Colourform project was first initiated in 1995 though), this got released only in 2008. With it's calm, relaxing, spacey, subtle and mysterious soundscapes, this is an essential album for any lover of high quality space ambient music.

    Entertainment Factor: 14/20
    Innovativeness: 10/20
    Emotional Appeal: 14/20
    Subtlety: 13/20
    Durability: 15/20

    Total Score: 66/100.


    18. Kuba - How The Future Sounded [Chillcode Music] (13 Jun 2008) (Dub, Downtempo, Ambient):



    - The third album of British psydub producer Laurence Harvey takes us on a more
    experimental journey through psychedelic dub soundscapes than his previous works. The tracks feature refreshing use of subtle vocals, guitar, percussions and
    mandolin, amidst relaxed psydub grooves, resulting in a kaleidoscopic array of vivid soundscapes. Definitely one of the best psydub albums of 2008.

    Entertainment Factor: 14/20
    Innovativeness: 12/20
    Emotional Appeal: 13/20
    Subtlety: 13/20
    Durability: 15/20

    Total Score: 67/100.


    17. Subheim - Approach [Tympanik Audio] (17 Mar 2008) (IDM, Downtempo, Ambient):



    - This is a very interesting album with a beautiful, cinematic atmosphere. The overall tone is melancholic, with haunting piano and violin melodies and a soft, minimal techno like bassline which often dissolves into the organic textures and spacey pads. The debut album of Greek producer Kostas K, 'Approach' explores the darker side of modern electronic experimental music and in the process creates the perfect soundtrack for broken lives and urban isolation. With pianos, cellos, lovely synthworks and subtle use of beautiful vocals of female vocalist Katjia, Subheim has crafted an album of exquisite beauty and emotion. A gem of an album from the idm/downtempo releases of 2008.

    Entertainment Factor: 14/20
    Innovativeness: 10/20
    Emotional Appeal: 17/20
    Subtlety: 12/20
    Durability: 15/20

    Total Score: 68/100.


    16. Cell - Ketama Live [World Club Music] (17 Jul 2008) (Downtempo, Ambient):



    - This outstanding album, by French ambient/downbeat producer Alexandre Scheffer
    deserves to be heard on a good sound system for maximum effect. Amazing sounds and atmospheres here in all the tracks. Definitely one of the best ambient/psybient
    mix-set of 2008, performed live at KETAMA, lounge place in the Center of Moscow.
    From spacey ambience to complex psybient soundscapes, the tracks flow seamlessly into each other to take us on a dreamlike atmospheric glide through the vast recesses of ambient electronica.

    Entertainment Factor: 15/20
    Innovativeness: 13/20
    Emotional Appeal: 14/20
    Subtlety: 12/20
    Durability: 15/20

    Total Score: 69/100.


    15. Ferry Tayle - Carnet De Vol [Camouflage] (18 Nov 2008) (Trance, Ambient):



    - French trance producer and DJ Ludovic Meyer forms half of the progressive trance
    project Cape Town along with Laurent Véronnez and one fourth of the vocal trance
    project Everest. With Cape Town, he was responsible for co-producing one of my
    all-time favourite progressive trance track - 'Proglifter', in 2006. He is, perhaps best known for the 2006 hit 'Vol de Nuit', under his Ferry Tayle alias, co-produced with Tonks. In November 2008, his debut album 'Carnet de Vol' was released. Containing 15 tracks, including two beautiful chillout tracks, one can recognize Cape Town influences in many of the tracks and yet find something new. Most of the tracks are long and take time to buildup. Stylistically it's a classic trance album, with early to mid 90s trance motifs apparent in most of the tracks. But Ferry infuses the tracks with more modern, uplifting and progressive motifs, often within the same track. The result is something unique and makes for a very enjoyable listening experience. Featuring collaborations with Kym, Stephan R., Manuel le Saux and Lolo in five of the tracks, there's ample variety here to satisfy lovers of classic, progressive as well as uplifting trance. Oozing with quality, this is one of the better trance albums the year had to offer. Certainly well worth checking out for all trance fans.

    Entertainment Factor: 17/20
    Innovativeness: 13/20
    Emotional Appeal: 13/20
    Subtlety: 12/20
    Durability: 15/20

    Total Score: 70/100.


    14. Mirco de Govia - Iconic Path [Euphonic] (25 Apr 2008) (Trance, Breaks, Downtempo, Progressive Trance):



    - After burning the dancefloors with his brilliant debut album, Chronoscale, in 2003, German trance producer and DJ Mirko Zettl is back with his second album on euphonic, titled 'Iconic Path'. This time, he takes a more breaks and downtempo
    oriented approach, as opposed to the clubbier trance flavour of his earlier album.
    Starting with the serene 'Sleeping Beauty', Iconic Path takes us on a relaxed journey with melodic, groovy gems like 'Quantum Reign' and 'Catching Light', two of the best melodic, uptempo chillout tracks of 2008 in my opinion. A collaboration with German progressive trance outfit Cressida results in the nice prog-trancer 'Fragile Symmetry'. After this rather chilled-out opening, the album takes on a more club-friendly vibe with the uplifting, 2006 trancer, Vital Spark. But the atmosphere changes sharply with the next two dark, techy tracks, Evolution Parts 1 and 2. The first Evolution track is a dark downbeat moodsetter for the brilliant dark prog-trancer Evolution Part 2. These two are then followed by another uplifting trancer, Asarja, produced in collaboration with German trance producer and DJ Ronski Speed back in 2005. After this, the album takes a downtempo route to the finish with the final five tracks. Overall, this is an excellent breaks/chillout album with some great melodic gems, and a refreshing diversity of styles that doesn't let the audience get bored easily. A worthwhile addition to the collection of all breaks/chillout lovers, especially those who also enjoy trance
    and progressive.

    Entertainment Factor: 17/20
    Innovativeness: 13/20
    Emotional Appeal: 14/20
    Subtlety: 12/20
    Durability: 15/20

    Total Score: 71/100.


    13. Wizzy Noise - Renaissance [Harmonia Records] (Sep 2008) (Psy-Trance):



    - The Greek psytrance duo Mickey Noise and Dimitris Pantelides are back with the
    seventh album under their Wizzy Noise project, titled 'Renaissance'. This time we are treated with nine tracks in their trademark electro-tinged full-on psytrance style (including one remix). But where Renaissance scores over their previous works is in it's high production quality and superb lead melodies in almost all the tracks. Special mention ought to be made of the brilliant opening track 'Lost Atlantis' and the haunting eighth track 'Sea Song', arguably, two of the best psytrance tracks from the last two-three years. With it's powerful, energetic and melodic tracks, 'Renaissance' is designed for the dance-floors and is definitely a must-have album for all psytrance fans.

    Entertainment Factor: 17/20
    Innovativeness: 13/20
    Emotional Appeal: 14/20
    Subtlety: 13/20
    Durability: 15/20

    Total Score: 72/100.


    12. Irezumi - Endurance [Snowblood] (20 Feb 2008) (Ambient):



    - The debut album of the young French ambient producer Manuel Mesdag is inspired by Ernest Shackleton's tragic Antarctic expedition, and as such is a highly emotional album with a soundtrack-like feel. The ten untitled tracks takes us through the cold, desolate Antarctic landscape with it's haunting atmospheric aural ambience and also manages to portray the endurance of Shackleton and his crew with it's subtle, sad melodies and emotional vocal samples. Also noteworthy is the packaging of the album containing exquisite black and white photos in a beautiful 6-paneled digipak. Great work there by the young Eurasian label Snowblood! Stylistically reminiscent of works by Biosphere, Aphex Twin and Jochem Paap, this is a pure ambient masterpiece comparable with their best works. Certainly the best pure ambient album of 2008.

    Entertainment Factor: 16/20
    Innovativeness: 12/20
    Emotional Appeal: 17/20
    Subtlety: 13/20
    Durability: 15/20

    Total Score: 73/100.


    11. Human Blue - Base Basket Buffet [Transient Records] (08 Feb 2008) (Psy-Trance, Progressive Psytrance):



    - I like this album for its great sound effects and atmosphere. Swedish psytrance
    producer/DJ Dag Wallins (Human Blue) is a wizard of sound. Almost all his tracks are notable for their amazing depth, complexity and subtle sound effects. Here, the
    legendary Swedish psyprog master is out with his sixth artist album. Featuring eight tracks in his inimitable complex hard-edged progressive style, this album is designed for the dance floors. All the tracks have the raw power and atmosphere of
    the Israeli psyprog sound but also carry the complex layers of subtle melodies found in the Swedish minimal psyprog style. The way all the little melodic elements come into a track and builds up along with multiple FXs across a powerful bassline borders on genius. Special mention must be made of the opening track 'Lone Ranger' and the fourth track 'Dragonflingz', two of the best psyprog tracks of the last two or three years. The second half of the album is more full-on in style, but infused
    with lots of subtle melodies which distinguishes it from other contemporary full-on
    tracks. Groovy and energetic, this is a gem of an album for all psytrance fans, be they full-on or prog lovers.

    Entertainment Factor: 18/20
    Innovativeness: 14/20
    Emotional Appeal: 13/20
    Subtlety: 14/20
    Durability: 15/20

    Total Score: 74/100.


    10. DJ Orkidea - Metaverse [AVA Recordings] (05 Mar 2008) (Trance, Progressive Trance):



    - Another memorable release from this year, this outstanding album has some stellar tracks which are pacy, refreshing and highly melodic. One of the leading lights of the Scandinavian trance scene, Finnish DJ and producer Tapio Hakanen's third artist album after a gap of three years was greeted with great anticipation from all trance fans. And he didn't disappoint. The ten tracks in this album (including two
    excellent remixes) are all above average stuff. Orkidea has managed to implement
    his signature melodic uplifting style in a new way here with innovative lead melodies, intelligent use of breakbeats with old-school trance influences as well as elements of modern day progressive trance. The latter is evident in the two collaborations with progressive trance masters Andy Moor and David West, apart from the opening track 'Metaverse'. The other tracks are mostly driving, exhilarating
    melodic uplifting trancers, including the collaborations with Solarstone and Lowland, and ending with the stunning 12:07 minute long remix of Nightwish's 'Bye Bye Beautiful'. Summing up, this is a must have album for all lovers of melodic trance.

    Entertainment Factor: 18/20
    Innovativeness: 13/20
    Emotional Appeal: 15/20
    Subtlety: 12/20
    Durability: 17/20

    Total Score: 75/100.


    09. In Progress - The Album [Trancemissio] (05 Sep 2008) (Trance / Progressive House):



    - The debut album of Russian trance producer and DJ Pavel Leonidovich Radko almost went unnoticed even amongst the trance communities, which is a shame really, as this is an exceptionally well made album of great melodies, vocals, atmosphere, innovative sonic structures and diversity. Starting with a beautiful piano intro, it's a breathtaking journey to trance paradise through some great progressive tunes in the first half, with subtle vocals, blissful yet groovy atmosphere to some
    highly melodic trancers in the middle. Towards the end it gets pretty uplifting and even a bit techy, but doesn't sound heavy-handed. Overall, it's a finely crafted album of great diversity of sounds and motifs, with a lush, romantic, dreamlike first half, to more club-friendly in the second half. Almost all the 11 tracks in this album are outstanding. With top-notch production quality and mixing, this is certainly one of the best trance albums of 2008, an album which can be enjoyed for a long time.

    Entertainment Factor: 18/20
    Innovativeness: 13/20
    Emotional Appeal: 15/20
    Subtlety: 13/20
    Durability: 17/20

    Total Score: 76/100.


    08. Hol Baumann - Human [Ultimae Records] (21 Feb 2008) (IDM, Downtempo, Ambient, Psychill):



    - This was perhaps the first, truly great electronic release of the year. French psychill producer Olivier Orand has contributed some excellent tracks in various compilations since 2001, most notably in the Fahrenheit Project compilations of Ultimae Records. So it is only natural that his long-awaited debut album was released on that label. 'Human' features ten well-crafted psychill tracks (including a bonus track), which includes some of his older works along with some new ones. Most of the tracks blend Indian samples with intelligent sonic structures, atmosphere and wonderfully complex melodic textures. With it's rich, multi-layered sounds and complex, glitchy acoustics, this is, arguably, the finest psychill album of 2008.

    Entertainment Factor: 16/20
    Innovativeness: 16/20
    Emotional Appeal: 15/20
    Subtlety: 15/20
    Durability: 15/20

    Total Score: 77/100.


    07. Aurosonic - Always Together [Radio Record] (16 Jun 2008) (Trance):



    - This is a brilliant, above-average melodic trance album. Aurosonic, comprising Russian trance producers and DJs Evgeniy Smirnov and Sergey Klimov are masters in combining many different melodic motifs within one track, without sounding too
    heavy-handed or disharmonic. They first stormed into the trance scene in 2006 with
    the stunning 'Starfall' and the hauntingly beautiful 'Missing You', along with a host of other stellar tracks and remixes. 'Always Together', therefore, was a highly anticipated debut album, which got finally released in June 2008 under the Russian label Radio Record. And the album more than lived upto the high expectations of most trance fans. From the beautiful piano-laden intro to some banging uplifting trancers, the album is full of colourful melodies, vocals and atmosphere. The style is mostly progressive trance, but very driving and energetic, with intelligent usage of vocals, pianos and synthesizers, often within the same track. Almost all the 15 tracks in this album are excellent, with a great diversity of sonic motifs. Definitely a must-have album for all lovers of melodic trance.

    Entertainment Factor: 18/20
    Innovativeness: 15/20
    Emotional Appeal: 15/20
    Subtlety: 13/20
    Durability: 17/20

    Total Score: 78/100.


    06. Ferry Corsten - Twice In A Blue Moon [PIAS Holland] (01 Nov 2008) (Trance, Downtempo):



    - I wasn't too excited initially over the release of Ferry Corsten's third artist album under his own name, as I found his previous album L.E.F. somewhat disappointing. But considering the role he played in the development of the Dutch trance style, and as I still am a fan of most of his other works pre-L.E.F. (especially System F and
    Gouryella), I couldn't ignore 'Twice in a Blue Moon'. The electro-techy start of the opening track 'Shelter Me' did nothing to alleviate my fears of this being another electro-overkill album, though. However, as the track progressed I kinda liked it and overall I found it to be a decent intro to the album, nothing special, but just nice. The next track 'Black Velvet' is halfway between dance-pop and trance, but is a good one. Things start to get better from the third track 'We Belong', with it's cool 80s italo-disco motif amidst beautiful vocals of Maria Nayler. Thereafter the album gets better and better with one great track after another. What I found pleasantly surprising is how sophisticated and subdued the electro sound has become here, and how the tracks sound like no other. The album has a retro-futuristic feel, with influences from old-school trance, 80s italo-disco, modern day electro-trance and uplifting trance. Add to that, some excellent vocals and a great flow, subtle and innovative sound structures, great diversity of styles and motifs and an overall refreshing feel, and you have an album that is very exceptional, something that comes not twice, but only once in a blue moon. This is a step forward for modern trance, and hence ought to be experienced by all trancers.

    Entertainment Factor: 18/20
    Innovativeness: 16/20
    Emotional Appeal: 15/20
    Subtlety: 13/20
    Durability: 17/20

    Total Score: 79/100.


    05. The Black Dog - Radio Scarecrow [Soma Quality Recordings] (31 Mar 2008) (IDM, Techno):



    - The Black Dog is a British techno/idm group founded by Ken Downie, Ed Handley and Andy Turner in 1989. Their first album, Bytes, released in 1993, is an
    acknowledged idm masterpiece. Since then, they have released several critically
    acclaimed albums despite the lineup changing over time. Ed and Andy left the group
    in 1994 to focus on Plaid, leaving Ken to work on the group on his own for a while. He was, however, soon joined by Steve Ash and Ross Knight and together they worked upto 2000. In 2001, Ken teamed up with Richard and Martin Dust, owners of the label "Dust Science Recordings". It is with this lineup, that their latest album 'Radio Scarecrow' was produced. Three years since the release of their last album,
    Silenced, this was an album which was expected to be very different in style from
    their last album. And so it is. Radio Scarecrow sees them going back to their techno roots, but infusing that old sound with new ideas. The seventeen, mostly short tracks in this album flow into each other seamlessly, with diverse sounds, broken melodies, ethereal ambient drones and innovative beat structures. Influences from Detroit techno and early 90s electronica are apparent in the lush first half. Thereafter the album flows through a landscape of sparkling melodies and other interesting sonic interludes, amidst a resonant techno bassline. Overall, the music is subtle and sublime, hinting at multiple interpretations. Simultaneously dreamlike and engaging, this is, without a doubt, one of the best idm albums of the past two or three years.

    Entertainment Factor: 17/20
    Innovativeness: 17/20
    Emotional Appeal: 15/20
    Subtlety: 16/20
    Durability: 15/20

    Total Score: 80/100.


    04. Affective - Unable Dreams [Tranceport Recordings] (16 Jun 2008) (Trance, Breaks):



    - This is yet another highly enjoyable melodic trance album by a Russian producer
    released in 2008. Alexei Kindikov is a 20 year old trance producer and DJ based in
    Nizhnevartovsk, Russia. Since 2007, he has had several high-quality releases under
    the Russian label, Tranceport Recordings, with his Affective moniker. On 16th June,
    2008, his debut album, titled 'Unable Dreams' was released under that label. As
    someone who loves the melodic Russian style of trance since the days of PPK, I
    didn't hesitate to give this one a shot. And after going through the eleven tracks in this album, my belief that the future of modern melodic trance belongs to Russia was reaffirmed. This is one of those rare trance albums whose each and every track
    is above-average. From the beautiful, lush progressive beginning of 'Watchin' on
    Sunset' to some great club-friendly uplifting trancers, often infused with breakbeats, this is one solid trip through a myriad of melodies that can be enjoyed again and again. Special mention must be made for the beautiful opening and closing tracks where a dreamy, chillout intro is developed wonderfully to a dance floor friendly crescendo. Between them, the album flows through one melodic gem after another. Having not a single dull moment, this rich, colourful and truly remarkable album should be an essential addition to the collection of every lover of high quality melodic trance.

    Entertainment Factor: 18/20
    Innovativeness: 15/20
    Emotional Appeal: 16/20
    Subtlety: 14/20
    Durability: 18/20

    Total Score: 81/100.


    03. Vibrasphere - Lungs of life [Tribal Vision] (Dec 2008) (Tech House, Downtempo, Progressive Trance, Minimal):



    - Swedish progressive psytrance act Vibrasphere are one of the most influential acts in the progressive scene, having been one of the early pioneers of the genre along with fellow Swedes Son Kite and Noma in the late 90s. For almost a decade, Rickard Berglöf and Robert Elster have consistently evolved their sound and in the
    process helped shape the sound of today's minimal psyprog style. Their first album,
    Echo, established their own unique sound back in 2001. Emerging from the roots of
    Goa trance and acid techno, their's was a new style of trance - a stripped down,
    FX-laden minimalist progressive sound. Side by side, they also composed some
    beautiful dubby chillout pieces. Their second album, Lime Structure, released in 2003 reaffirmed their place on the top of the progressive psytrance scene. This was
    the height of their early style. Their third album, Archipelago, released in 2006, saw them moving away from their early minimalist psyprog style to more trancier territories. This is where they began to blur the lines between progressive psytrance and progressive trance for the first time. This led to the release of their fourth artist album, Exploring the Tributaries, in 2007. This is where they merged the boundaries between modern progressive trance, house, minimal and ambient, resulting in an album which is as innovative as it is beautiful - a masterpiece of modern electronic music. After such a great album, expectations were naturally pretty high over the release of their fifth artist album, Lungs of Life. I was pretty curious to know in what direction they would go after exploring the various tributaries of modern progressive EDM. Starting with the majestic ambience of the opening track 'Decade', the album flows through the beautiful guitar-laden chillout track 'Breathing Place' to reach a warm, progressive trance version of their 2007 chillout gem 'Ensueño'. Things start to get more upbeat thereafter with the acidic tech house stunner 'Waveguide', followed by the 303 acid driven 'Analog Marinade', which is sort of a homage to early 90s acid techno tracks. I like the way the initial randomness of the acid synth line morphs into the main melody. Brilliant work there! 'Follow Me' blurs the line between tech house and progressive trance featuring subtle vocals and a hypnotic energetic rhythm. Thereafter the album gets an electro flavour with the collaboration with Ticon, Dewdrops. Two remixes conclude the album in an upbeat fashion. The Erosion Remix, by Canadian prog-house/trance producers/DJs Glenn Morrison and Bruce Aisher trades the subtlety and grace of the original for a more club-friendly vibe. A weaker track compared to the original, but still is a fine remix by any standards. The final track of the album is a remix of their 2007 track '102 Miles from Here' by French tech-house duo Solead. This is an above-average dance-floor friendly tech house version of the original with excellent use of the melodies. Overall, the album could have got better by keeping the remixes separate and adding a few more original tracks. But what we got here is a fine blend of their rich past, the present sound and an indication of the direction they would take in the near future. With a wide range of styles and sounds, and high production quality, this is an album which can be enjoyed for a long time. While not being a masterpiece, this still is a highly enjoyable album brimming with life and optimism and doesn't have a single average track.

    Entertainment Factor: 19/20
    Innovativeness: 15/20
    Emotional Appeal: 17/20
    Subtlety: 14/20
    Durability: 18/20

    Total Score: 83/100.


    02. Evan Marc + Steve Hillage - Dreamtime Submersible [Somnia] (2008) (Dub Techno, Ambient):



    - Evan Marc is the name used by American electronic music producer Evan Mark
    Bartholomew (better known as Bluetech) for his techno/tech house project. Under this alias, he has released several EPs and an album titled 'Emotional Ecology',
    which was released under the San Francisco, USA based label 'PsyBooty' in July
    2007. The year 2008 saw him team up with UK-based guitarist Stephen Simpson
    Hillage, who is best known for his work as half of ambient/techno duo System 7 and
    as a frequent collaborator with The Orb. Dreamtime Submersible is the fruit of this
    collaboration, and the fourth release under Evan's own label, Somnia. The new album takes us on a sonic voyage far removed from the deep house and tech house terrains of his previous album. This time we flow through the ambience of a lush, dub techno-esque aquatic dreamscape, through seven stages of sub-conscious aural realms. Starting with the nearly 11 minute long opening dub techno sedative,
    Intention Craft, we explore the sonic imagery of various semi-awakened states of
    sleep through deep reverbs, subtle sound quirks amidst a flowing bassline and
    sparse but sublime melodies. My favourite part comes in the middle - Theta Phase.
    This is where the relaxed and reflecting deep techno reverberations of Alpha Phase
    begin to take on a psybient character. The hypnotic, trance-like psybient groove of
    Theta Phase and the quirky sounds amidst a flowing, pulsating, subdued bassline
    creates a drowsy, dreamlike feeling. Absolutely stunning! Thereafter we enter the
    slow wave sleep state of the Delta Phase and the album flows into more ambient
    realms thereafter. Needless to say, this is an album best enjoyed in a semi-alert,
    relaxed state of mind, with closed eyes. One of the most subtle and dreamlike
    albums I've ever heard, this novel take on the dub techno paradigm is undoubtedly
    the best album of it's kind.

    Entertainment Factor: 18/20
    Innovativeness: 17/20
    Emotional Appeal: 15/20
    Subtlety: 18/20
    Durability: 17/20

    Total Score: 85/100.


    01. Schiller - Sehnsucht (Limited Super Deluxe Edition) [Universal Music Domestic Division] (22 Feb 2008) (Trance, Downtempo, Ambient, Pop):



    - Starting out as a two-member German dream trance project of Christopher von
    Deylen and Mirko von Schlieffen's in 1998, the sound of Schiller have moved beyond
    the Enigma-like grooves and beats with oldschool German trance flavours of their
    Zeitgeist days to evolve into a sonic language of their own. Weltreise in 2001 developed and perfected this early style further with it's fine blend of trance and new age elements with haunting melodies and vocals. After parting ways with Mirko von Schlieffen post Weltreise, Schiller became Christopher von Deylen's solo project. His third album, Leben, released in 2003, featured more guest vocalists than his earlier albums. With great, memorable songs and it's fine blend of electronic, symphonic and club-friendly trance/house elements, Leben established the modern sound of Schiller - a style like no other. Following in the same vein, his fourth album, Tag und Nacht, released in 2005, enriched this unique Schiller sound with even more grandeur. With cinematic soundscapes, great instrumentations, excellent vocals and haunting melodies, it was one of the better electronic pop/instrumental albums in years. So it is with great anticipation, that we Schiller fans awaited the release of his latest album, Sehnsucht. The 'Limited Super Deluxe Edition' came in two CDs and a DVD containing videos of some of the tracks of the album, his Berlin to Calcutta road trip, an interview and a live recording of his performance in Kiew (apart from the booklet). The two CDs contain 31 compositions, all but one new. This time, the vocals are provided by German actress Anna Maria Mühe, Xavier Naidoo, Ben Becker, Kim Sanders, Jette von Roth, Jaël, Isis Gee, Ana Torroja, Helen Boulding, Stephenie Coker, September, Despina Vandi and Damae. Besides the rich diversity of vocal styles on offer here, the instrumentations are also quite innovative and fascinating. The haunting cello solo of Christian Kretschmar in 'Denn Wer Liebt' and the cinematic orchestral score of Deutsches Filmorchester Babelsberg in 'In Der Weite' provide perfect counterpoints to Anna Maria Mühe's haunting voice. In both the CDs, downtempo and uptempo tracks intertwine which robs the album of a coherent flow, but makes up for it with a fantastic richness of sounds, vocals and instrumentation that is extremely rare these days. Schiller complements the excellent vocals with music that is subtle, unforced, harmonic and haunting. Special mention must be made of the dreamlike 'Lichtung', with it's blend of dance grooves and an ethereal atmosphere over the haunting vocals (a re-interpretation of 'The Willow's Song' from 'The Wicker Man'). In CD2 we also find his collaboration with one of electronic music's pioneer Klaus Schulze - the nearly 13 minute long hypnotic composition 'Zenit (Ausschnitt)'. Overall, this album is like a breath of fresh air in the commercial world of today's electronic pop music. With it's high production quality, classy songs, rich instrumentation, innovative electronic styling and wonderful diversity, this is an album which is not easy to get bored of despite several listens, and hence deserves it's place as no less than numero uno in my list.

    Entertainment Factor: 19/20
    Innovativeness: 17/20
    Emotional Appeal: 17/20
    Subtlety: 16/20
    Durability: 18/20

    Total Score: 87/100.


    Honourable mentions:

    21. Kettel - Myam James Part 1 [Sending Orbs] (15 Apr 2008) (IDM, Downtempo, Acid)
    22. Liquid Soul - Love In Stereo [Iboga Records] (Psy-Trance, Progressive Trance, Ambient)
    23. Perfect Stranger - Free Cloud [Iboga Records] (Progressive Trance, Minimal)
    24. SCSI-9 - Easy As Down [Kompakt] (Deep House, Tech House, Minimal)
    25. Ott - Skylon [Twisted records] (Dub, Experimental, Ambient)
    26. Atmos - Tour de Trance [Spiral Trax] (Progressive Trance)
    27. Minilogue - Animals [Cocoon Recordings] (Minimal, Tech House, Ambient)
    28. Isaak Hypnotizer - 1 Freedom [Space Tepee Music] (Downtempo, Ambient)
    29. M-Sphere - Floating [Yellow Sunshine Explosion] (Downtempo, Ambient)
    30. OceanLab - Sirens of the Sea [Anjunabeats] (Progressive House, Trance, Downtempo, Progressive Trance).


    Top 10 Pure Trance Albums:

    10. Perfect Stranger - Free Cloud [Iboga Records]
    09. Liquid Soul - Love in Stereo [Iboga Records]
    08. Ferry Tayle - Carnet de Vol [Camouflage]
    07. Wizzy Noise - Renaissance [Harmonia Records]
    06. Human Blue - Base Basket Buffet [Transient Records]
    05. DJ Orkidea - Metaverse [AVA Recordings]
    04. In Progress - The Album [Trancemissio]
    03. Aurosonic - Always Together [Radio Record]
    02. Ferry Corsten - Twice in a Blue Moon [PIAS Holland]
    01. Affective - Unable Dreams [Tranceport Recordings].


    Electronic producer of the year 2008: Christopher von Deylen (Schiller).


    Release of the year:

    Gas - Nah Und Fern
    [Kompakt] (05 Jun 2008) (Techno, Minimal, Ambient):

    - Collection of four classic Gas albums previously released on Mille Plateaux
    between 1996 and 2000. These seminal works of German techno/minimal artist Wolfgang Voigt are now available as a 4 CD box set. Bridging the boundaries between lush techno and minimal ambient, these masterpieces are a worthy collection to any lover of the minimal techno/ambient genre of electronic music.


    ******************************************************************************************


    My favourite 50 trance tunes of 2008:


    50. In Progress & Omnia - Air Flower (Original Mix) [Fraction Zero]

    49. Tempo Giusto - PlayOne Among Others (Original Mix) [Echelon Records]

    48. Wizzy Noise - Sea Song [Harmonia Records]

    47. Cramp - Out Of Your System (Original Mix) [Conspiracy Limited]

    46. Solesystem - Waxoil [Morphosis Records]

    45. Robert Vadney - A Day In Heaven (Rozza's Deeper Remix) [Emalodic]

    44. Andrelli & Blue feat. Hila - Imagine (Mike Nichol Remix) [Infrasonic Recordings]

    43. Sindre Eide - Only When I Sleep (Original Mix) [Enhanced Recordings]

    42. Sphinx vs. Plexland - Milenia (Aurosonic Remix)

    41. Mr. Pit feat. Vicky Fee - Back For More (Funabashi Remix Dub) [Coldharbour Holland]

    40. Tenthu - Purple Sands (Original Mix) [Moonrising Records]

    39. Algarve vs. Cold Blue - Sakura (Jonathan Martin Remix) [Tranceflo Records]

    38. Michael Badal - Silk Road (Allende Remix) [Sedna Recordings]

    37. Andy Moor feat. Carrie Skipper - So Much More (Original Mix) [AVA Recordings]

    36. Stowers & Young - The Second Coming (Gareth Emery Remix) [Insight Recordings]

    35. Andy Moor - Fake Awake (The Blizzard Remix) [Anjunabeats]

    34. Ben Gold - Life (Sean Tyas Remix) [Discover]

    33. Simon Patterson - Us (Original Mix) [Reset Records (Spinnin')]

    32. Hawk pres. Air Breeze - Butterfly (Ljungqvist Remix) [Enhanced Progressive]

    31. Robert Vadney - PlayLullaby For A Ghost [Perfecto Digital]

    30. Black Pearl - Java [armada music]

    29. Leon Bolier - Offshore [2 Play Records]

    28. Julian Vincent feat. Cathy Burton - Certainty (Mark Otten Dub) [Armind]

    27. Manvel Ter-Pogosyan - Tears of Armenia (Original Mix) [Deepblue Digital]

    26. Sasha - Xpander (David Newsum Remix)

    25. Tritonal feat. Christina Soto - Walk With Me (Original Mix) [Coldharbour Recordings]

    24. Mr. Pit- Shana (Plastic Angel vs. Duderstadt Vocal Remix) [ColdHarbour Recordings]

    23. Klems - The Cube [Club Elite]

    22. Jonathan Martin - Illuminous [Coldharbour Recordings]

    21. Cold Blue - Oasis (Sequentia Remix) [DJ Shah Music]

    20. Marninx pres. Monogato - Calling You [Ava Blue]

    19. Rapha - Pandora (Daniel Kandi's Emotional Mix) [Sensate Recordings]

    18. Mike Mikhjian - Air Chords (Beetseekers Remix) [Real Deep]

    17. Der Mystik & Alex Reliic pres. Perplexity - Bahia [armada music]

    16. Headstrong Feat. Shelley Harland - Helpless (Paul Miller Remix) [Sola Records]

    15. C-Systems - Close My Eyes (Lemon & Einar K remix) [Apocalypse]

    14. Push - Strange World (Astral Projection Remix) [Bonzai Music]

    13. Airbase feat. Floria Ambra - Denial (Airbase Remix) [In Trance We Trust]

    12. Sensitize - If only we could try [Fraction Zero]

    11. DJ Tatana - Spring Breeze (Martin Roth SummerStyle Remix) [Sirup Records]

    10. Anton Sonin & Amx feat. Sari - Undone (Original Mix) [High Contrast Nubreed Holland]

    09. Orjan - Soulflayer [Intuition Recordings]

    08. Lemon & Einar K - PlayAnticipation [Flashover Recordings]

    07. Adam Nickey - Shift (Tom Cloud Remix) [Anjunabeats]

    06. Luke Terry & Kopi Luwak feat. Tiff Lacey - Fall Into The Moon (Original Mix) [Alter Ego Pure]

    05. Airbase - Tangerine [Intuition Recordings]

    04. Allende - Tricky Waters [AVA Blue Recordings]

    03. Purple Mood - Chinese Theatre (DJ Shah & DJ Cosmo's Original Mix) [Shah-Music Digital]

    02. Mental Infusion - Mind Prison [DeepBlue Records]

    01. Vibrasphere - Autumn Lights (Jay Selway & Magnus Remix) [JOOF Recordings].


    *********************************************************************************************



    1) Best Trance Producers of 2008:

    3. Tobias Schuh (Cold Blue)
    2. Jezper Söderlund (Airbase)
    1. Roger Pierre Shah (as part of Purple Mood and Black Pearl).


    2) Best Newcomer of 2008: Alexei Kindikov (Алексей Киндиков) (Affective).


    3) Best Remixers of 2008:

    3. Martin Roth
    2. Tom Cloud
    1. Jay Selway & Magnus.


    4) Best Trance Labels of 2008:

    3. Intuition Recordings
    2. AVA Blue Recordings
    1. Coldharbour Recordings.


    5) Label to watch out for in the future: JOOF Recordings.


    6) Best Trance Compilations of 2008:

    3. Roger Shah - Magic Island, Music for Balearic People [Armada Digital]
    2. Abbott & Chambers - Alter Ego Sessions Volume 02 [Alter Ego Records]
    1. Armin van Buuren - A State of Trance 2008 [armada music].


    ********************************************************************************************


    10 Non-trance gems of 2008:



    10. SCSI-9 - Together [Kompakt]

    09. Mirco de Govia - Catching Light [Euphonic]

    08. Mirco de Govia - Quantum Reign [Euphonic]

    07. Schiller - Lichtung [Universal Music Domestic Division]

    06. Evan Marc & Steve Hillage - Theta Phase [Somnia]

    05. Subheim - PlayAway [Tympanik Audio]

    04. Signalrunners - Meet Me In Montauk (Original Mix) [Anjunabeats]

    03. Style Clash - Lullaby (Reprise Mix) [FeralCode Records]

    02. Carbon Based Lifeforms - Endospore [Spiral Trax]

    01. Vibrasphere feat. Irina Mikhailova - Meander [Spiral Trax].


    And with that, another excellent year of music ends. Overall, I found a certain decline in quality in the trance productions in comparison to previous few years. There were many good tracks, but no masterpieces. However, the albums I mentioned in this journal more than made up for it with some truly memorable, colourful music which I thoroughly enjoyed. Here's then, looking forward to 2009!
  • THE TRANCE JOURNAL – PART 3 - TRANCE CULTURE

    30 Jan 2009, 21:45 by Addicted2Melody

    THE TRANCE JOURNAL – PART 3
    TRANCE CULTURE

    As most of us know, all the best things come in threes; Three Musketeers, three Bourne films, and in the old formulaic gag, always 3 men going into the pub, to name but.... three. So I thought it was about time that my trance journal was given a third and, with any luck, final chapter. Up until now, I’ve already tried to sketch an outline, speaking largely in leman’s terms (as a part of the musical “laity” myself), of how it is trance works as a type of music, of what is it people like about the music’s “mechanics”. And in the second part I simply charted my favourite 150 trance tunes of the last 15 or so years, a chart which, looking back in retrospect, I would not change one iota. (Do read parts 1 and 2 if you haven’t already – it’ll make what follows here make much more sense.) So, what now?

    Well, the main theme of this, as the title suggests, is the culture: the ethos, the philosophy, the iconography, the rituals, the way of life. It’s is about trance’s, to borrow an increasingly vague media term, mise-en-scène - Not necessarily the music itself, but everything the music and its listeners idealise and celebrate. There is a mantra in trance that goes, “trance isn’t just music; it’s a state of mind.” It’s a horrible cliché, but it’s a cliché because it’s got a great deal of truth in it. But very few have attempted to explain what that “state of mind” actually is, what it involves. Every scene has its own culture, its own way of viewing the world. It is those ways of viewing the world that attract us to “our” type of music in the first place. There are two sides to this. Firstly, I think there are some aspects of trance music that deserve being looked at in greater detail and celebrated by trance fans, things that we maybe all know but don’t talk about a lot openly, certain general emotions and ideas that the music aspires to and we revel in. The question at the root of all that, I suppose, is what is it that a trance fan sees in his mind’s eye when he hears his favourite trance record? That, for me, means talking a bit about Ibiza, both my memories of being there in 2005 and what the island reveals about trance music in general. Hopefully, most trance fans will be able to relate to what I say. And, secondly, I feel there are certain aspects of trance’s culture that desperately need qualifying to so-called “outsiders”, there is a projected negativity that leaves the trance scene cloaked in surreptitious mystery and hedonism. That, of course, means discussing frankly the oh-so touchy subject of “illegal substances”. This could be a long one, so go make yourself a cup of tea before we get going... To me, this isn’t worth doing unless we’re going to dig deep.

    EMOTIONAL NATURE

    The problem is where to begin. The thing that I think is quite unusual about trance is that it presents something of a cultural paradox, quite an odd dichotomy. Trance, being created through computers, is a very technological type of music. As I mentioned in part one, its clean production styles and 4x4 beats make it quite a rational, ordered type of music. It is what some would see as quite “cutting edge”, quite futuristic. That might give the impression that, like our built up, urban worlds, the music produced is cold, robotic and devoid of human emotion. Yet, the images it conjures and tries to encapsulate are, to me, often those of the natural world. You know that feeling of warmth you get when you see a beautiful sunset, a starry sky, billowing clouds, a gapping canyon or an outstretched ocean? These images couldn’t really be any further from the sterile, formulaic world of computers. The names of trance songs, generally speaking, reflect this, I think. Just scrolling through my trance collection in alphabetical order here are just some of the names that jump out at me: Access To Paradise, Adrift In Space, Andromeda Heights, Angel, Arisen, Arctic Globe, Big Sky, Blue Horizon, Bounty Island, Clear Blue Water, Cloudwalking, Dawn, Destination Sunshine, Dewdrops Of Sunlight, Elevation, Eternal Voices, Fallen Tides, Fly Away, God’s Garden, Heaven Scent, Hurricane, Ibiza Sun, Lift, Like A Breeze, Liquid Sweep, Lunar Eclipse, Miracle Of Autumn, Moonshine, Northern Lights, Ocean Drive, Offshore, Orbit, Orion’s Belt, Out Of The Blue, Paradise Now, Pearl River, Rise, Saltwater, Shattered Skies... and so on. The names of many trance projects show a similar trend: Above & Beyond, Airbase, Airwave, Altitude, Aurora, Blue Amazon, Coast 2 Coast, Cold Blue, Cosmic Gate, Digital Nature, Fire & Ice, Flutlicht (which means “flood light” in German), Freefall, Lightscape, Lost Tribe, OceanLab, Plastic Angel, Plummet, Solar Stone, Solid Globe, Static Blue, Sunburst... and so on. There are some emerging themes here: the vastness of space, motion, particularly its speed and vertical direction, the shifting of light, water and seasons, divine apparitions and other heavenly notions and the seemingly never ending passage of time. Some find it quite soppy and sentimental, but the trance scene also seems to show a great deal of interest in human emotions and communal relationships. Again, just some of the track names you might find in any trance collection: Age Of Love, Alliance, Burned With Desire, Carry Me, Close To You, Connected, Don’t Be Afraid, Embrace Me, Eternal Optimism, Let Go, Linking People, Love Comes Again, The Loves We Lost, No One On Earth... and so on. All these ideas, to me, reflect a subconscious fascination with the world around us. Not always in a specifically rational sense, but in a way that appreciates that feeling of wonder and awe that defines the greatest of human experiences.





    “...the spirit of child-like, untrammelled curiosity is what we are striving for. Not the anal retentive, rational person, not the ‘i’ll go for anything’, channelling ‘flake’, but an attitude of “we don’t have to look far for miracles because they’re all around us. Everything is astonishing; the universe on its surface is alive with mystery. Well, how do we make our way toward that when we live in a culture, practice a language, embody a philosophy - scientific rationalism - which is entirely designed to suck wonder out of reality, to turn everything into shades of gray, to subvert all hope that lies outside the realm of career accomplishment material possession?”Terence McKenna

    This to some might seem like quite a random quote. What does it have to do with music? But, if you think about, it sums up the general point. As I stated in a previous journal in which I referred to the great Terence McKenna, sometimes reality as experienced "normally” and explained rationally is completely mundane and sterile. And we are encouraged by science not to be surprised by the world around us. The world just works and is as it is. Reality is reality; therefore there is nothing to be surprised about, nothing to awestruck about. As McKenna put it, the more rational we become, the more we try to separate ourselves from nature, the more we fight our animal instinct to be emotional, natural creatures, the more we suck that wonder out of reality. Reason and emotion always seem to be in conflict. Despite its technological roots, there is something deep within trance culture that yearns to forget reason and just let the natural world impress itself on us, not to think, just to feel. Trance fans will often use the word ‘euphoria’. It’s a sort of trance buzz word. But outside music, who else might you hear refer to the concept of euphoria. People who climb to the top of huge mountains? Astronauts looking back at Earth from space? Someone stood in the full gaze of the sun as it dips below the horizon? Again, it’s about the power of nature, viewing things that make you feel like you’re at the centre of something vast and incredible. Essentially, ‘euphoria’ is just another word for awe or wonder, and it’s what trance is all about. And this euphoria isn’t always given a positive, “warm” spin. Darker or more aggressive styles of trance still try to push towards this same emotion. As long as that sense of “mystery” or sense of being overwhelmed by the universe around you remains. Because, let’s face it, Mother Nature can be just as dark and aggressive as she can be beautiful, and that in itself can be fascinating and awe-inspiring.

    -Euphoria
    A feeling of happiness, confidence, or well-being sometimes exaggerated in pathological states as mania. Origin: 1880–85; < NL < Gk euphoría state of well-being.
    – dictionary.com


    I myself have become increasingly drawn to chillout music over the last few years, particularly pure ambient. To me, there is an important element of parallel, which actually strongly links the two types of music. The celebration of nature and the cosmos is very much the same, the only difference being the approach. The music is deliberately more wistful and contemplative; trance philosophy with the energy and sense of rapid motion taken out. Trance might make you feel like you are flying above or through a canyon at high speed, chillout might make you feel like you’re standing completely still on its highest point, surveying everything around you. Some would call it melancholy, but I think it’s often subtly different to that. Its isolated safety, feeling cleansed. So, there’s more than one way to approach this idea of euphoria. Trance can still be uplifting and emotionally “overwhelming” without being pure “sunshine and rainbows” all of the time.

    THE WHITE ISLE

    Of all these natural notions that to me form the basis of trance’s iconographical patchwork, there are two that stand out. They are the sun and the sea. Here’s where the island of Ibiza becomes such the big deal. To most trance fans (and house and techno fans for that matter), Ibiza is the Mecca, the Jerusalem. It can’t be forgotten that trance is a brand of party music and Ibiza is essentially a party island. If the truth be told, it is THE party island. It’s both the setting and the atmosphere that make Ibiza such a special place for trance fans, I think. The things that make Ibiza such an important place for trance fans sum up trance as a type of music. There is a sound in trance (and house) called the “Balearic sound”. It’s a sound that celebrates the sun and sea of those islands, again, it’s a sound that links the “party music” of the island and the island’s chillout, and I think it’s a sound that most trance fans have a real soft spot for.

    Ibiza is, of course, a Spanish island. Therefore, despite the worldwide invasion every summer, the Spanish culture still plays an important part. It’s a laid back place, where people do what they want, when they want, at their own pace, where it’s too hot to do anything energetic during the day and too alive to be sleeping at night. As with most Mediterranean cultures, everything gets pushed back a good 4 or 5 hours. There’s no rush to eat an evening meal; that might not be done until well after the sun has disappeared beyond the horizon. Throughout the course of the day there is a profound serenity hanging in the air, the lapping of the waves and the warmth of the sun cleansing minds and bodies. And when the sun does finally set an excitement descends onto the streets, a buzz of anticipation. You know that butterflies feeling you used to get as a kid on Christmas Eve? Well, if you’re a fan of trance and you’re walking along San Antonio’s front at about midnight on a summer’s night, a ticket for Cream Amnesia clutched gratefully in your hand, that Christmas Eve feeling returns. Because you know what’s the round the corner- pretty much the pinnacle of trance culture.

    My first and (so far) only visit to Ibiza was back in 2005. I and my mates were all 18, some of us had barely turned 18. We were quite naive really and this, being our first “lads holiday”, was like being thrown in at the deep end. This was our first real taste of the freedom that most of us would eventually take for granted in our university years. I don’t think any of us were quite prepared for what we encountered and, because of that, I’m not even sure some of us made the most out of our visit. A number of things did stand out though.

    Firstly, the beautiful natural setting of the island is backed by a significant amount of cash. Many of the more upmarket bars and clubs are as plush and as lavish as you can imagine, without totally ruining the “laid back”, traditional vibe that much of the island retains. The famous Sunset Strip is a wonderful clash of classy modernity and Balearic rusticism, a contemporary setting sitting quite comfortably in a natural one. One of my favourites was Coastline Café, which we visited on our first proper night on the island before attending Cream Amnesia. No expense is spared in that place. The sea outstretching in the darkness and the waves still lapping the coast below, you are treated to comfortable surroundings, perfect ambient lighting and a variety of light entertainment - dancers in the mini swimming pools on the main decking, magicians, fire jugglers and, of course, a DJ up in a quaint little DJ booth overlooking the punters below.

    But that night we didn’t even see the sunset. In fact, it’s one of my main regrets from that holiday that we only went to the Strip specifically to view the sunset once, and not even as a whole group. Two of my mates, neither of them trance fans might I add, even had the audacity to say, showing their levels of maturity at the time, that going to see the sunset was, and I quote, “gay”. I can’t speak for the other 3 lads who were there to view that sunset with me, but I remember being mesmerised by it. We found a quiet little place, about 5 or 6 bars down from the famous Café Del Mar and drank beers looking out over the water. From what I remember the crowds were pretty big, many of the bars without a spare chair and large numbers of people spread out of the rocky area around the bars, mainly to our left. But despite the large crowds, I don’t remember it being noisy at all. The four of us didn’t really say much, to be honest. We just sat and watched the sun slip slowly away, filling every corner of the visible sky with fiery orange light. And, in retrospect, I have often thought to myself, clearly all those people congregated on the rocks and sat in the bars along the front had not come to Ibiza just to get mashed and dance in darkened rooms. That’s not all it’s about. These displays of natural beauty mean a lot to them too – it relaxes them, it moves them. The sun going down is like a spiritual rebirth, which is later celebrated in the clubs until the sun rises again. This “sun worship” is fused into that “Balearic sound” that I was talking about earlier. If you put on Chicane’s Far From the Maddening Crowds or OceanLab’s more recent Sirens of the Sea and close your eyes you’re back on the Sunset Strip gazing on that ball of fire. I can’t speak for every trance fan, but there’s nowhere I’d rather be. Believe me, it is no coincidence that the greatest party on earth has chosen Ibiza as its home.


    “The ocean.. in the Heaven.. It`s all they talk about.. In the sunset... How fucking wonderful it is to watch that big ball of fire melt into the ocean...” – Knockin’ On Heaven’s Door

    Most of the clubs in Ibiza put those in Britain to shame. In some cases, just the sheer size of the clubs can be overwhelming. Your average super club in this country will, I suppose, comfortably accommodate around 1,500, at a push 2,000, people. Privilege, on the other hand, which must still hold the title of “biggest club in the world”, has a capacity of 10,000. But that knowledge can’t really prepare you for the experience of actually stepping inside Privilege. Again, our visit to Privilege in 2005 was a slight disappointment. We were sold tickets for a lesser known event, roped in by some drinks deals that turned out to be something of a con. The music that night was a really weird jazz/house combo, performed with loads of live instruments and vocalists and rather than really explore our surroundings we spent far too long just sat in one of the many bars drinking the ludicrously expensive drinks. I think that was a combination of our young bodies struggling to last the pace at the holiday’s half way stage and being slightly too immature to appreciate the great musical temple we were sat inside. But even the bar we sat in sort of summed up the fabulous creative extravagance of the island itself. This bar, from what I distantly remember, couldn’t quite make its mind up whether it was indoor or outdoor, quite secluded and dark with greenery everywhere – not your average terrace as you would imagine it; more half garden, half bar. To go from “biggest dancefloor in the world” to isolated garden in one short staircase is in itself a novelty. But the real spectacle of Privilege is its 25 metre dome which hangs high over the dancefloor. It’s pretty much the first thing you notice as you come up through the entrance into the centre of the dancefloor. And you stand there and think, “fuck me!” And they’ve suspended the DJ booth over a huge swimming pool... why? Because they can, that’s why. It is worth going to Privilege just to see interior of the place. And all the other super clubs display a similar eye for the visually impressive and the comfortably luxurious. Es Paradis, for example, with its marble floors and columns, looks like a courtyard from ancient Greece. These are not cheap places to be or get into, but they are worth their weight in gold for how their surroundings can make you feel at ease.



    The island does have a seedier side; that can’t be forgotten. San An’s West End is a cheap and tacky place, a far cry from the semi-rustic luxury of the Sunset Strip. But visiting such a tacky drinking hole is a relative necessity to offset the great expense of exploring the island’s plusher offerings. And after dark, that pre-club sense of anticipation and raw excitement makes it an enjoyable, albeit slightly more drunken and “debauched”, place to be. I’ve often thought that a lot of people my parent’s age must think Ibiza is like some mass violent orgy, like that scene in Pirates Of The Caribbean where Sparrow and Turner arrive on the island of Tortuga and it’s wall-to-wall fighting and fucking. It’s slightly more cultured than that.

    Another thing I must mention before I leave this particular topic is that anyone out there that thinks Kevin & Perry Go Large is an accurate portrayal of Ibiza or trance culture is shooting significantly wide of the mark. The idea that Ibiza is the best or the easiest place to get laid, girls being turned away at Amnesia’s doors for being too ugly, the DJ character being the ultimate arrogant twat and the Germans dressed in military uniforms marching around the island are, to me, are all perversions of the real Ibiza. Even the actual scenes from inside Amnesia don’t feel very “real”. It’s a comedy film, so it has to exaggerate certain stereotypes and stereotypes that everyone recognises. The film does, however, have an amazing soundtrack, if that’s any consolation.

    I will be returning to the island this coming summer, and being older and wiser, I’m determined to make even more of this next visit. Needless to say, I’ll be going there to sample the surroundings and relax as much as I’ll be going there to “have it large”. In other words, the Café Del Mar part of the holiday means just as much to me as the Amnesia part does.

    TRANCE & DRUGS

    Computer games don’t affect kids; If Pacman had affected us as kids we'd be running around in dark rooms, munching pills and listening to repetitive music. - Marcus Brigstocke

    I’m under no illusions that the main thing "outsiders" associate with trance is the use of so-called “recreational” drugs. In many people’s eyes, these drugs are not just part of the culture, but the very foundation of the culture. Their “logic” is – the music is repetitive so you must need stimulants to enjoy it, take away the drugs and nobody likes the music anymore. This assumption is, it gives me great pleasure to say, complete pap. It needs to be said clearly at the outset. The vast majority of trance fans love trance for what it is as a type of music, for the ideals and philosophy I’ve already described. The drugs are certainly a part of the culture, without a doubt, but they aren’t the reason people get into trance. Trance isn’t just an excuse to take drugs. But, to be quite honest, I don’t see drugs as sinister part of the trance scene anyway. Used carefully, I think they can actually have a positive influence. The dance scene’s main drug of choice is, of course, ecstasy; there are some very good reasons for that, which I’ll come to.

    As a kid I was very anti-drugs, and I think it’s interesting that maturing and pursuing an education has pushed me in the opposite direction. The risks of drugs are preached at school as “probables” and “very likelies”, rather than what they are - worst case scenarios based on people’s recklessness and lack of knowledge. And all illegal substances are presented as being as bad as each other – so cannabis is as dangerous as crack, heroin the same as LSD, MDMA the same as mushrooms. And when you realise that some of what you’ve been told is wrong or exaggerated, you start to wonder, what else could they be wrong about?



    Bill Hicks – In his classic stand up performance, Sane Man

    And the difficulty is, because these substances are illegal not a lot of medical research is done on them. At least, not enough. A lot of the information we get is hearsay and a mishmash of “friend of a friend” stories. The hard truth is, as much as you can read about them, you can’t really understand drugs until you’ve taken them yourself and that draws a very dubious line down the centre of society. And I’ve discussed this with friends – there is a distinct psychological barrier in people’s minds when it comes to that first time. It doesn’t matter how many people tell you that it won’t, you look at that first pill in your hand and think, “This could fucking kill me.” You do take it and that barrier is completely smashed down.

    There is the danger however that a lack of negative experiences on drugs can push you so far the other way that you become complacent. And some do become complacent. I find that people who haven’t taken MDMA (ecstasy) exaggerate the risks to a ridiculously degree, while many that have taken it neglect them so much that they do run the risk of causing long term damage to themselves. As always with human beings, there is an irrational polarisation. I have seen people go a number of ways. One good friend of mine did it for the first time and was absolutely blown away, but has only done it once since and has turned it down on a number of occasions. While another mate of mine uses it completely willy nilly, in social situations that don’t even suit the use of MDMA, sitting at a house party where everyone else is only drinking chewing his own ear off. Everybody’s different and people tend to react in different ways, in ways that reflect their own levels of self-control and temperance. The reality is, you’re much more likely to do yourself lasting damage through recklessly excessive use over a number of years than you are to drop dead on the dancefloor from taking one ecstasy tablet. People who die on the dancefloor from taking MDMA are people who either take way way too much at once or drink insane amounts of water while on it. If you do the former of those two things I tend to have limited sympathy. If you choose to do it at all, and as Hicks says, it’s a personal choice, you have to do it carefully, in controlled amounts and go extended lengths of time of maybe a few months without doing it at all to allow your brain a chance to recover. If you’re sensible about it, it is believed to be relatively harmless.

    MDMA basically causes the brain to produce a large amount of a natural brain chemical called serotonin. That feeling of euphoria that I talked about earlier? That is serotonin being released. That high level of serotonin creates a number of feelings and emotions that can reach a level of intensity that has to be experienced to be appreciated. The best way to describe it loosely explains why MDMA is trance’s drug of “choice”. It’s all the wonderment you feel when listening to trance music sober, all the same mental imagery, but put under a magnifying glass. It’s getting to the top of Everest and some more, without even walking up the mountain. And that’s why people do it. There are other reasons, of course. You don’t tend to have memory black outs like you do with excessive drinking, it gives you the energy to last till 6 or 7 in the morning, you don’t have to go to the toilet as often as you would if you were drinking alcohol (which means you don’t have to miss any of your favourite DJ’s set), and, it’ll probably work out cheaper than getting pissed anyway. And what is the positive influence with MDMA? Well, you stand in a pilled up crowd and a pissed up one and you’ll notice the difference. That sense of feeling connected to other people can produce such a buzz in a good crowd. There’s less anger, less pent up frustration and absolutely no will for people to fight each other – just sheer undying love for music and, who knows, maybe even a few strangers. As McKenna says, as much as we love it as a species, alcohol turns most people into “jerks”, whereas, MDMA can turn complete jerks into vaguely loving, emotional people. There will always be exceptions to that rule, and you can still meet people on MDMA who are thoroughly annoying, but that is the exception and not the rule.

    The film Human Traffic is an interesting look at clubbing and drug culture. It’s such a textured and honest film that you can pick out an awful lot of “hidden” truths from it, positive and negative. You have to remember that, again, it’s a comedy so you have to take some of it with a pinch of salt. And I think it does stress the hedonism a little too much... and not all the music in the film is trance by any means. But the main positive thing about that film for me is the sense of comradeship and good-will there is between the group of friends. There’s a great scene where Jip rings Moff to tell him that Lulu has decided to go out with them and Moff is visibly uplifted by the news.


    "Nice one, bruvvvva!"

    These people can’t wait to be in each other’s company and share good times. The idea that these people just want someone to relate to and escape society’s increasing sense of alienation is a constant theme. The only thing they have in life that is of any value is each other. Society typecasts these people as “everything that is wrong with society”, when in reality they are the product of everything that is wrong with society – lack of meaningful emotional interaction, a sterile, loveless, modern existence, being judged for what you attain and not for who you are. Human Traffic is actually a deeply philosophical film, a powerful sociological critique, but it sometimes talks in a language that only clubbers themselves can truly relate to.

    Present is gone. Fantasy is a part of reality. And we take the brakes off. We’re thinking clearly, yet not thinking at all. This feels right. We stop trying to control things. Warm rush of chemicals through us. We’re fluctuating. Is this brain damage? We forget all the pain and hurt in life, we wanna go somewhere else. We’re not threatened by people anymore. All our insecurities have evaporated. We’re in the clouds now. Wide open. We’re spacemen, orbiting the earth. The world is beautiful from here, man. We're nympholetics desiring for the unattainable. We risk sanity for moments of temporary enlightenment. So many ideas with so little memory. The last thought killed by the anticipation of the next. We embrace an overwhelming feeling of love. We flow in unison…we're together. I wish this was real. We're on a universal level of togetherness where we are comfortable with everyone. We're in a rhythm, part of the movement, a movement to escape. We wave goodbye. Ultimately, we just want to be happy. Wait. What the fuck was I just talking about? – Jip, Human Traffic

    I’ve not taken any psychedelic drugs myself up until now, but having recently gotten into the philosophies of Terence McKenna I’ve read about them with interest. What mainstream culture will find most shocking about Terrence McKenna’s psychedelic philosophy is that he believed psychedelics are not only a positive influence but the only thing that can save our decadent world from crashing and burning in the relatively near future. The following is a little extract from a previous journal which I feel makes just as much sense here:

    McKenna was an expert in “psychedelics” and experimented with a variety of highly hallucinogenic substances, such as salvia and DMT. He believed that certain hallucinogenic drugs, in particular the drug psilocybin, had played a significant role in our evolution. He further argued that for the period that such substances remained part of our diet, human beings were more communal, less concerned with possession and status and significantly less driven by their own egos. Such ideas are indeed just theories, but there is no doubt in my mind that McKenna was a talented philosopher, a visionary and a thinker totally unrestrained by popular prejudices. And his use of drugs wasn’t pure hedonism. They fed into a vision and a view of the world that was highly complex and unique. And I think a lot of people will have sympathy for this vision because he, like so many, felt that human beings have taken a wrong turning somewhere in their development – that the ego has taken over, our true place in nature lost.


    This is half of a Terence McKenna lecture called Seeking The Stone. It’s not specifically about music, but it’ll make everything I’ve said about McKenna clearer, if you have the time to watch it. Part 2 is available on Google Video.

    I’ve heard so much talk, even from my favourite stand up comedian, George Carlin , about how psychedelics open up new windows of perception, about how they can revolutionise your thinking. I’m not sure MDMA falls into exactly the same bracket as psychedelics, just as I’m not sure the philosophy of trance and psychedelic trance can be said to be exactly the same, but I think they fall under a very similar bracket. They both encourage a return to ancient communalism, a “going back to nature” philosophy – even if parts of it are completely subconscious. That, to me, is a positive influence.

    Needless to say, if you are one of those many people who go out every weekend and get so drunk they can barely stand up, while at the same time negatively stereotyping users of other drugs as "wasters", "degenerates" and "hippies", you're a hypocritical moron and no less ignorant than the people who go around saying, “You have to be high on drugs to like trance music.” If you use alcohol irresponsibly you have no leg whatsoever to stand on when it comes to judging people who use substances like MDMA.

    If you’re just anti-hedonism, well, that poses an entirely different set of questions....

    CLUB SAVAGERY AS MODERN PAGANISM

    To me clubbing is a microsomal part of the anti-thesis of civilization. I mean, these people.... they are animals, they are disgusting, sweaty, savages prancing around to the dull synthetic beat of whatever shit modern music has thrown up recently. There is something quite pig-like about them, one is reminded upon looking at these neanderthals of the soma fuelled mindlessness of Huxley's dystopian brave new world. And what's worse about these odious cretins is that they have succeeded in persuading popular culture that the nightclub is *the* social medium of our generation. Everything else is secondary, 'oh, lets go out and eat and THEN go to a nightclub'. Barbarians.... Your filthy habits should be punishable by the state. - jim1111

    The problem are nightclubs - the place of sexuality, lust, vanity, sin. Nightclubs should be banned. - Hugo0102

    These particular quotes appeared in the trance tag shoutbox last year, the second being a positive response to the first, albeit the only positive response that was posted. Normally, I try to ignore such pointless trolling, but some of the sentiments and the sheer levels of exaggeration in jim1111’s initial post intrigued me. Is this really what the term “trance” means to outsiders? Is the perception really that negative? His first sentence is particularly interesting. Clubbing is, apparently, the anti-thesis of civilization. Well, “clubbing”, which is obviously a big part of trance culture, is essentially groups of people getting together to share a common passion, i.e. music, to engage in an activity which is older than so-called “civilization” itself, i.e. dancing. That on its own isn’t really that sinister. In fact, you’d think that was quite a noble concept – bringing people together. And the idea that the only emotions that are indulged when such people do come together in this way are selfish ones is generalised and largely a fabrication of the outsider’s underactive but over rational imaginations.

    But we can go deeper than that. This idea of being “civilized” is interesting and goes back to what I was saying about the conflict between reason and emotion earlier on. The language of jim1111 is that of the rational purist, the modern philosophy that all the time encourages us to believe that we become better creatures, higher beings, when we deny our animal instincts, when we separate ourselves from nature. The interpretation given is one that says that “clubbing” is a perversion of the civilisation process, a process that gives us morals and gives our world order. When we go out and let our emotions flow wildly we “lower” ourselves to the position of “animals”, of “savages”, of pigs. Dancing, one of the most overt expression of emotion we have, is reduced to sexual cavorting and even sweating, a perfectly normal bodily function, looked down on. To me, this is all part of the great intellectual myth of our age, a myth that human beings struggle with internally all the time. Whether it be for religious reasons or because of the sense of intellectual superiority that our rationalism feeds us, we seem afraid of the animal in us. But, what we forget is that the animal in us is the nature in us.



    So, maybe jim1111 is right. Maybe trance and clubbing are the anti-thesis of civilization. As I’ve already said, there is in trance music that longing to get back to nature, not to think about nature and explain it, just to feel it impress upon us. Maybe when we enter that club and let ourselves go, we go back in time and become like our pagan ancestors, reprojecting the ancient rituals and the hypnotic mysticism of the African drumming that I mention in part 1 – a throwback to the days when our gods were those of our environment. Despite its futuristic sounds and use of technology, there is something strangely primeval about the culture of trance music.

    But, to me, none of this is necessarily a bad thing. As Terence McKenna said, there is a need for human beings to retake their place in nature, not to view it from outside and pass judgement on it, but to “feel” part of it - to be part of that "Gaian mind". The progress of history is a constant duelling of the ancient and modern. And it is modernity that makes human beings cold and egotistical - at least, more so than at any point in our evolution. That is not to say that unstrained emotion is the only right and proper ideal for human beings to aspire to. All I am saying is that both the ancient and the modern have their positive and negative aspects. We must make time for both reason and emotion; we must make time for ourselves internally and our communal spirit, our contemplative instincts as well as our celebrative ones. Celebrative euphoria is a righteous enough idea when it’s the euphoria of a mountaineer, or an astronaut, or even just the walker on the untouched sunset beach; why should it be any different for the clubber?

    Trance culture is not a “Clockwork Orange” culture; it’s not a nihilistic or anarchistic culture. It pulls away from the mainstream, the established order, without looking to attack it. It doesn’t want to destroy; it just wants to “get away from it all”. “Rave” culture when it first emerged probably was a bit wilder and more reckless, maybe even a bit more resentful of the established order. Old types of “rave” music like breaks and hardcore were more aggressive. But the emergence of trance, particularly the Balearic sound, calmed things down a bit and created a generation who are, to a degree, more “cultured” or, at least, more chilled out. There is an element of hedonism to it, of course, but it’s not a hedonism that is purely narcissistic; if anything it’s noticeably communal and has an undercurrent of appreciation for “higher purposes” and “mysticism” – a hunger to be connected, emotionally “plugged in” to everything around us, including other people.

    Denying our animal instincts makes us no more moral and, more importantly, no more happy. Reason has not created utopia. That capacity to "feel" nature, the orgiastic tendencies of our evolutionary past and McKenna's full-blown "religious experience" of altered states of consciousness, all have to play a part in bringing greater happiness to human beings. Music, even music styles as technological as trance music, can be a big part of this rediscovery of the “natural human being” if we think about it in the right way. The individual who thinks like jim1111 is McKenna’s “anal retentive, rational person”, whereas bubbling underneath the whole of trance culture is McKenna’s “spirit of child-like, untrammelled curiosity”.

    To me, trance is a wonderfully complex and contradictory brand of music, its culture in particular being an expression of the inner contradictions in the human species that remain ever present. The modern and the ancient conflict a lot in human cultures, the two are usually diametrically opposed. But, in trance music they sit alongside each other, mutually supporting each other. As a culture, I would sum it up as philanthropic pleasure-seeking – which on its surface seems like an oxymoron. Trance fans are a generation of escapists and idealists who have resisted the will of our rational age to squeeze out the emotional and animalistic aspects of our characters – modern yet ancient, synthetic yet natural, artificial yet organic, cultured yet wild, altruistic yet self-aware, rational yet emotional, grounded yet free, rebellious yet peaceful, global yet drawn to certain spiritual homes and, most importantly, at ease with reality.

    And I’ll leave you with the immortal words of Matt Darey’s Gamemaster, words that I think all trance fans can relate to...

    Embracing the goddess energy within yourselves
    Will bring all of you to a new understanding and valuing of life
    A vision that inspires you to live and love on planet earth
    Like a priceless jewel buried in dark layers of soil and stone
    Earth radiates her brilliant beauty into the caverns of space and time
    Perhaps you are aware of those who watch over your home
    And experience it as a place to visit and play with reality
    You are becoming aware of yourself as a gamemaster

    Imagine earth restored to her regal beauty
    Stately trees seem to brush the deep blue sky
    Clouds billow to form majestic peaks
    The songs of birds fill the air, creating symphony upon symphony
    The goddess is calling for an honouring of what she allows to be created
    Through the core mystery of the blood
    Those who own your planet are learning ... about love



    Some trance links: Above & Beyond, Armin van Buuren, Tiesto, OceanLab, Nitrous Oxide, Jonas Steur, Vibrasphere, John O'Callaghan, Chicane, Signum, Paul van Dyk, Sean Tyas, Marco V, Ferry Corsten, Marcel Woods, Nu NRG, Aly & Fila, Super8, Icone, Ronski Speed, Stoneface & Terminal, David West, Matt Darey, Filo & Peri, DJ Shah, Tilt, Michael Dow, Lange, Solarstone, Orjan, M.I.K.E.

    A few random non-trance links: Radiohead, Kings of Leon, The Killers, The Kooks, Coldplay, Kate Nash, Katy Perry, My Chemical Romance, Nickelback, In Flames, Metallica, Cannibal Corpse....
  • 2008 in a nutshell

    27 Dec 2008, 12:35 by Quethas

    12 months have one pretty fast. It feels like yesterday when I was in the middle of nowhere spending my military service. But because I am music addict, even there I spent some of my time listening to some music. Military service caused certain overlooking for new tracks and albums but then again, I tried to find as much new music as possible in the last 6 months of 2008. But now it is almost the end of the year and time for annual toplists. So here we go.

    ---

    ALBUMS

    10. Trifonic - Emergence



    It was hard to choose album for the 10th spot. The albums after this were much easier to select when all of those caused certain WOW!-effect. But there was only 9 of those and one was missing and I had to choose album from very wide range of good albums. Anyway I finally decided to choose Emergence. Just because it is probably the most interesting album of those candidates. Emergence is interesting downtempo-album which uses the same technology with This Binary Universe and even though the album isn't exactly at the same level, this american duo have made respectable debut.

    Best track: PlayParks On Fire

    9. Whirloop - Watch the Skies and Keep Looking



    Pretty good follow-up for Whirloop's 2006-album A Fascination For Clouds. The first release saw some unexpected sound issues with too loud low-sounds but I guess those are fixed by now. If you will ignore that, you will hear fabulous album from this swedish producer. This is how trance should sound like. Driving basslines added into sounds from both progtrance and psytrance sounds pretty good and interesting. This album maybe fails to be as interesting as A Fascination For Clouds but is still worthy of checking.

    Best track: Hosanna (Whirloop Remix)

    8. C-Jay - Magnanimity



    It feels great when occasionally you will find some new artist album you haven't heard before and which turns out to be full of great stuff. This is exactly what happened with C-Jay. Okay I had heard couple of his tracks before and that was why I eventually decided to check this album. And I'm happy that I did it. C-Jay's album is full of great progressive house with certain trancier touch. If you have overlooked this one and you like progressive house, then go and check this album.

    Best track: PlayCommencement

    7. Lutzenkirchen - Pandora Electronica



    When talking about interesting albums, this one is pretty high on the list too. I had heard Lützenkirchen couple of times before this album came but my knowledge was pretty limited. But still I decided to check what Pandora Electronica offers. And it offered great stuff. The album is full of banging techno with influences from electro. Even though the album doesn't have much highlights, it doesn't fail at any place either making Pandora Electronica a pleasant experience.

    Best track: Casa Cadabra

    6. Kino Oko - Alphabetically Divided Highway



    This album continues the series of interesting albums. I still remember when friend of mine asked if I had heard this album I had to say no. Then I checked some information about this album and noticed that it was released by Tribal Vision. Label with Vibrasphere and Tegma for an example. Then I decided to check what Kino Oko has to offer. And that was something... interesting. You can't put single label for the style Kino Oko has. It is something between progressive house, progressive house, psytrance, IDM, electro and the list goes on. You could even say that the soundworld in this album is almost as wide as sphongle has. And that is something you don't hear every day. Kino Oko truly have widen the horizon with album without anything being completely obvious.

    Best track: PlayMother Mature

    5. Jaytech - Everything Is OK



    I know Anjunabeats is a label which is hated by many. Yes they do release a lot of uninspiring uplifting and progtrance but then again they will release a lot of good stuff too. Including that one really good album per year. 2006 it was Tri-State, last year it was Tecktonick. This year it is Jaytech's debut-album released in ajunadeep-sublabel. Australian producer James Cayzer has created album which is in between proghouse and progtrance and which relies highly on strong basslines and pretty good supporting melodies. And when the soundquality is in crystal clear anjunabeats-level, nothing is especially wrong here. Instead, everything is ok.

    Best track: Pepe's Garden

    4. Nicholas Bennison - Tension of Opposites



    This guy is one of those who proves that trance doesn't have to be clearly uplifting, full-on psy, progpsy or progressive trance. Instead you can make trance sound darker with something of your own. Tension Of Opposites is an album which is full of Bennison's trademark sounds which almost no-one else uses. And when those sounds are added into wide range of genres including dark trance, progressive trance, psytrance and even breakbeat, the mixture is rather interesting. The biggest flaw in the album is the fact it doesn't exactly have the clear red line and it bounces from subgenre to another. Still the tracks are interesting enough to make this album one of the best 2008 had to offer.

    Best track: PlayLife Back

    3. Jori Hulkkonen - Errare Machinale Est



    Finally Jori Hulkkonen had it right. Even though earlier albums like When No One Is Watching, We Are Invisible... and Different had some good parts, Jori never made really good album before this one. But now this finnish heavyweight created album full of stuff what he really can do. This album is fabulous mixture of synthpop and downtempo. It is unfortunate that this album got real release only in Finland. But I assure you, even the digital copy is worthy of every cent.

    Best track: Gentlemen Prefer Laser

    2. Wizzy Noise - Renaissance



    It is strange really. I have listened Wizzy Noise-tracks for years now. But I always thought that almost every track they make sounds almost the same than the previous making Wizzy Noise rather predictable act. Maybe I should have expected better already when couple of tracks in the last album were bit different and at least with their remix for Knights Of Cydonia. Because this album is one of the biggest positive surprises of this year. Even though this album is clearly full-on psy we know, this album also introduces some great proggish influences. You don't believe how well that works before hearing this album. The tracks usually begins with something predictable and almost boring stuff but before the end you will notice that the track just kept on growing to the awesome climax. And when this continues for the whole album, the result is excellent. There, I will reward this album with "psy-album of the year" award.

    Best track: Sea Song

    1. Orkidea - Metaverse



    Even the modern trancescene has some unique artists. Tapio Hakanen a.k.a. Orkidea is one of those. For sure the biggest finnish DJ and the biggest tranceproducer has achieved his status with hard work, awesome mixes and with superb productions. His debut album Taika was close to perfection and that gave Metaverse big expectations. And it answered almost completely for those expectations. Even though certain tracks aren't quite in the level of the glory of Taika, some tracks certainly are. And the best tracks of this album makes this album, which wanders between progressive trance and uplifting trance, makes this album the best artist album of the year.

    Best track: Requiem

    ---

    Honorable mentions
    Albums which didn't quite make it to the top 10.
    00.db - Heaven & Hell (was the 3rd disc of psytrance euphoria. Real release saws the light in 2009 so that's why this isn't in my top list)
    Ferry Corsten - Twice In The Blue Moon
    Hibernation - Some Things Never Change
    Human Blue - Base Basket Buffet
    Josh Gabriel - Eight
    Juno Reactor - Gods & Monsters
    Morphonix - Off the Grid
    Perfect Stranger - Free Cloud

    ---

    Compilation of the year

    Hybrid - SoundSystem 01



    There wasn't much challenge for the top spot of this list. Soundsystem 01 was so much above everything else that you could see Invol2ver, Fabric-series and Balance-series only with binoculars and others are completely invisible. Even second, the clubbier proghouse disc was almost at the level of Metaverse with tracks like Quivver's PlaySurin. But that isn't even all. It's the first disc what really matters here. It is wonderful mixture of relaxing progressive breaks and downtempo and I can tell you, it's the only time I got chills in my spine while listening to new music this year. In brief, if you will buy only one album this year, buy this one.

    Best track: Take your pick

    ---

    Tracks

    1. Orkidea - Requiem
    2. Ticon - 1987
    3. Nicholas Bennison - PlayLife Back
    4. Jori Hulkkonen - Customs Person (feat. Jerry Valuri)
    5. M83 - Couleurs (Sasha Invol2ver Remix)
    6. Jaytech - Pepe's Garden
    7. 00.db - Worlds Of Space
    8. Atlantis Ita - See You in the Next Life (Beetseekers Remix)
    9. Wizzy Noise - Sea Song
    10. 00.db - Ark
    11. Orkidea - Better Day
    12. Christopher Lawrence - Gotham
    13. Lowland vs. Orkidea - Masochrist
    14. Tenthu - Phenomenon
    15. Cristal Snow - Scarred
    16. Nicholas Bennison - Playspirit Chamber
    17. Jaytech - Pyramid
    18. Leftfield - Song of Life (Tim Davison Mix)
    19. Way Out West - PlaySpaceman
    20. Juno Reactor - Immaculate Crucifixion
    21. Ferry Corsten - Made of Love
    22. Solar Stone - PlayPart Of Me
    23. Gareth Emery - PlayThis Is That
    24. Ernesto vs. Bastian - PlayThrill
    25. Apocalyptica - Grace (Proteus Remix)
    26. Lutzenkirchen - Casa Cadabra
    27. Quivver - PlaySurin
    28. Vibrasphere - Autumn Lights (Oliver Prime Remix)
    29. Junkie XL - PlayStratosphere
    30. Super8 & DJ Tab - Elektra
    31. Josh Gabriel - Viscocity
    32. Human Blue - Lone Ranger
    33. Vadim Zhukov - Talking to a God
    34. Trifonic - PlayParks On Fire
    35. Jori Hulkkonen - Gentlemen Prefer Laser
    36. Denis Sheperd - Run Away
    37. Kino Oko - PlayMother Mature
    38. Nufrequency - Go That Deep (Redanka’s 93 Dub Mix)
    39. Telefon Tel Aviv - You Are The Worst Thing In The World (Sasha Invol2ver Remix)
    40. Damien Strong - Time2Fly
    41. Menno de Jong & Re:Locate - Solid State (Gareth Emery Remix)
    42. Michael Cassette - Cyan Child
    43. Ticon - PlayLess Is More
    44. Joonas Hahmo - Cocktail Bar
    45. Perfect Stranger - PlayW
    46. Robert Vadney - PlaySecond Sky
    47. Rafa Rubio - Astonished
    48. Airwave - PlayHaka For Peace
    49. Hibernation - PlayAre You Sure?
    50. DJ Tatana - Spring Breeze (Martin Roth SummerStyle Remix)

    ---

    Top DJ's
    1. Orkidea
    2. John OO Fleming
    3. Orion
    4. Nicholas Bennison
    5. Luke Fair
    6. Oliver Prime
    7. Christopher Lawrence
    8. Miika Kuisma
    9. Hybrid
    10. Homegrove
  • Reviews of 2008 albums - Part 2

    17 Dec 2008, 11:23 by Quethas

    This is part 2. You can find first part here.

    So first I would like to give little background for these reviews. I haven't made all these reviews at the same time. Instead I have made one review at the time and I'm just copy-pasteing these from the forums I have released these earlier. After this I think I will post these reviews more regularly into last.fm too so you don't need to check this big posts after this.

    Usually I choose to review pretty recent album and give it some promotion. There are still three different kind of albums I select. 1) I have expected the album for some time and would like to check it and also review it, 2) The album is made by some big name so it would seem unacceptable not to check it or 3) I pick the album randomly. I have made these reviews in english after september 2006 if I remember correctly and in finnish long before that.

    So here we go. These are the albums released in 2008 I reviewed this year. I hope you enjoy to read these.

    ---

    Dousk - Kind Of Human



    01. Touch me light mama
    02. Gigi
    03. Flunked
    04. Cuckoo Rocks
    05. Serenata Delouxe
    06. Kolee
    07. Dreamhill
    08. Fat Princes
    09. The Place
    10. Loose
    11. Dolly
    12. Pentatonic
    13. Ass Table And The Stick
    14. Heavy Armor
    15. Boy Toy
    16. Good for you

    Expect the unexpected


    Who is Dousk? He is greek producer called Ιοannis Douskos, producer who have been supported by names like John Digweed, Dave Seaman and even Orkidea. Dousk have done lots of different stuff in the past but is probably best known from his dark progressive house tracksbut he has done more downtempo stuff too.

    Kind Of Human is a second album from Dousk, follow-up for D.I.Y. and some expected it to be another album full of proghouse but it actually isn't. With Kind Of Human Dousk have ventured to the world of more chillier stuff. Instead of dancefloor stuff, Kind Of Human has lot of vocals and have influences even from jazz. But there are clear electro-influences in the most tracks too. And with electro I mean real electro-sounds, not that overbuzzing bassline.

    Is it bad thing? Not necessary. I disliked the album at the first listen. Maybe because I was expecting darkprog and when there wasn't any, the result was confusing. But it took only two listens and the album begun to open. For an example the bassline of Flunked begun to sound extremely good. And bells in The Place sounds pretty good for that simple sound. And Dolly has really good guitar!

    And yet one more positive side. There isn't too many bad tracks and quality of tracks remains relatively high for the most of the album. Only bad experiences came with Serenata Delouxe which had really unfitting vocals. And the vocals in Ass Table And The Stick are just... purely stupid. Vocals just repeats the words from the title and good god they sound horrible. But I guess that you can't win all the time.

    In conclusion this album is pretty good listening. Kinda reminds me about Trentemöller and Guy Gerber which is never a bad thing. But unlike those two artists Dousk is missing the last thing which is needed to make good album. As a whole this sounds like an album but it would need couple of really good tracks more or cutting out couple of worst tracks from these 16 tracks.

    7/10

    Ace tracks:
    Flunked
    Dolly
    Boy Toy

    ---

    Christopher Lawrence - Unfold Vol. 2



    CD1
    01. Spooky - New Light (Strobelight Mix)
    02. Glenn Frantz - Backspace
    03. Matt Saunders - Nuance (Progressive Mix)
    04. FM Radio Gods - Elastoplast (True Lies Mix)
    05. Audio Junkies - Something 4 Your Mind (Dub Mix)
    06. Glenn Frantz - Space Bar
    07. Freza & DJ Flash - Cosmogirl (4Mal’s Underground Pink Mix)
    08. Adam Nickey Ft. Tiff Lacey - Letting Go (Andrey Loud Dub)
    09. Georgia vs The Stimulator - We Rise (Georgia Dub)
    10. Mark Norman - Blikken Machine
    11. Rafa Rubio - Astonished

    CD2
    01. Bitmonx & DJ Fabio - Six A.M.
    02. SAS - Comin On (Mark Sherry vs James Allan Remix)
    03. Brain Damage - Waiting For My Angel
    04. Mad Contrabender - Illegal Hardware (Live Remix)
    05. Gaudium vs. Dualsnug - Killer
    06. Etnica, Bamboo Forest - Microdrive
    07. Basic - Toyster
    08. Mad Hatters & Cosmonet - Intellect (Mad Hatters & Cosmonet 2007 Remix)
    09. Mad Hatters - Alien Area
    10. Audio-X - And We Survive
    11. Jason Robinson - Acid Rain
    12. Talamasca vs. Spacecat - On Purpose

    Little piece of everything


    I promised myself that next review would be trance. So I will not make review for Hybrid just yet. But it will come soon... So let's move to the point. As the most clever individuals have already noticed, this is follow-up for Unfold Vol. 1. First volume came last summer and was mixed by John OO Fleming and had some really good moments. This year the responsibility is given for Christopher Lawrence, american DJ who was banned for the last years DJ Mag voting.

    I was surprised with the fact that JOOF didn't make second Unfold but then again I thought that Christopher Lawrence would be good choice to replace him. There is much in common with Fleming and Lawrence. They don't play your usual anthemic trancetunes. Instead they are offering usually the finest progressive trance there is as well as some psytrance. But Lawrence is known also from playing driving techtrance and lately also some "electrotrance".

    First CD begins wonderfully with New Light. Nice and calm progtrance track with a little hint of vocals is really good way to start the record. And then it happens. The CD turns into "electrotrance" (I hate that term when it has nothing to do with electro and to be precise, not much with original trance either). Powerful basslines follows to nearly the end of CD. But, yes there's a but, the record still isn't too bad. These tracks have avoided overbuzzing basslines and cheesy vocals almost completely. Audiojunkies isn't inspiring or the voice of Tiff Lacey but overall this is still pretty enjoyable music highlight being Cosmogirl. The last two tracks of the first CD are bit different when Mark Norman gets more proggier and then for some reason Lawrence have decided to put driving (and good) trance track in the end. They are out of contrast to be honest even though these two tracks belongs the finest tracks CD1 has to offer.

    First notes of CD2 already tells what is going to come. Six A.M. immediately shows that now we have entered the world of psytrance. Luckily first few tracks aren't the usual full-on psy and they have some interesting moments. Mostly thanks to clear techtrance influences. And Comin On almost sounds like acid trance in one point! But the main problem after this is the usual. Full-on psy sounds awfully generic. Yes Lawrence haven't picked up the most generic tracks (maybe because of his background) but still the CD gives exactly the same feeling than Gatecrasher CD last year. It just goes by without real highlights. It's not bad music and it goes well in the background but it stays there. All the way to the middle of the CD.

    And then... What the h*ll happens in the middle of CD really? Music stops with Microdrive and then Toyster cames from nowhere. And the style changes completely into progpsy. It's in a way good thing. Progpsy is more interesting than full-on psy but really now. Progpsy could be in the beginning of the record slowly moving into faster BPM's or other way round. But the pause in the middle of mixed record is very odd move! And then Acid Rain takes the record yet again into the world of full-on psy.

    So what can I say. Trackselection isn't still too bad. Especially the first CD gives some really nice moments. There isn't bad tracks in these two records but the main problem is obvious. The styles goes here and there and there isn't flow at all. It seems like Lawrence wanted to show everything with this record but he didn't have any idea of how to do so. And I would have liked to hear more tracks like Astonished. His Rush Hour-radioshow has those tracks, why not in this album?

    So who is going to make Unfold Vol. 3? Oliver Prime? Nicholas Bennison?

    6/10

    Ace tracks:
    Spooky - New Light (Strobelight Mix)
    Freza & DJ Flash - Cosmogirl (4Mal Underground Pink Mix)
    Rafa Rubio - Astonished

    ---

    Hybrid - Soundsystem 01 (Compilation)



    1. Harry Gregson Williams - Desert Chase
    2. Trentemøller & Buda - Gamma
    3. Massive Attack - Sweet Is Good
    4. Trifonic - Parks On Fire
    5. Lostep - 6am Sedna
    6. Andy Page - Yellow Tracksuit
    7. Vector Lovers - Last Day Of Winter
    8. Stefan Anion - Das Land Spricht
    9. Spooky - The River
    10. John Murphy - Going Home
    11. Harry Gregson Williams - Saladin
    12. Gorillaz - Film Music (Mode Remix)
    13. John Murphy - Soldier's Requiem
    14. Charlotte James - Shadows Of The City
    15. Barry Jamieson - Arp Thing
    16. Ryuichi Sakamoto feat David Sylvian - World Citizen
    17. Harry Gregson Williams feat Lisa Gerrard - Man On Fire

    CD2
    1. Sasha - Coma (Spangled Rubdub)
    2. Quivver - Surin
    3. Luke Dzierzek - Identity (King Unique Mix)
    4. Longrange - Just One More (Hybrid Dub Mix)
    5. Shifter & Carvell - A Dark Distance
    6. Soliquid - Lonesfield
    7. Hybrid feat Charlotte James - The Formula Of Fear (Hybrid Remix)
    8. Hybrid feat Harry Gregson Williams - $50 Pistol (Shifter & Carvell Mix)
    9. Lank - Confrontation
    10. Oliver Moldan vs Harada - Fortune Cookie (Jerome Isma Ae Mix)
    11. Stefano Greppi - Electro Pop (Ambient Mix)
    12. Elite Force - Shivva (Original Mix)

    The best 2008 has to offer


    Now hands up all of those who haven't heard Hybrid yet. You should go to record store and find their stuff, seriously. Hybrid is best known from the tracks like Finished Symphony, If I Survive and True To Form which presens their style pretty well. Progbreaks with strings is a really good combination. Their debut Wide(r) Angle was really good, follow-up Morning Sci-Fi had it's fine moments and I still recall I Choose Noise as the best album of 2006 over BT's This Binary Universe or The Digital Blonde's Synthology.

    Still Hybrid wasn't #1 in my waitinglist. Mostly because this is a compilation after all and might not represent Hybrid sound. Still ever after Orion mentioned in his glorious Hybrid-set that compilation is on the way I have saved money for this one. And now Soundsystem 01 has arrived.

    The album begins with beautiful strings that builds the mood and you don't even notice when 3 tracks have already passed (including new Massive Attack). And then with Parks On Fire we finally hear the kick come. And this is the way first CD goes. Few chillier tracks are building the mood and keeping it high and then comes the beautiful progbreaks-track. And folks that works very well. The CD works perfectly as a whole, it seems to continue flawlessly and the strings seems to follow through the CD as well as certain organ elements. The result is the best I have heard this year.

    Really now first disc is really is close to perfection. None of the tracks is outstanding but this works really really REALLY well as a whole. I just adore when this disc is made like it has. Between the great progbreaks-tracks there are strings or something similar and this works. I got the feeling that this is f*cking awesome countless times when I listened that disc. The chills went down my spine nearly all the time and that doesn't even usually happen to me. I can't even remember the last time.

    The second CD begins wonderfully with intro from Sasha's Coma (works well in that purpose) and then changes into Surin. Already at this point you can hear that second disc is completely different from the first one. This CD is more club-oriented and focus is in progressive house, but you can find techier stuff as well as breakish stuff in this CD too. But unfortunately this is not as great as the first CD. After Surin the level of tracks goes from amazing to solid but then again there aren't completely bad tracks in this CD. But there are some highlights in this album afterwards including Just One More, The Formula Of Fear and Confrontation.

    So in the nutshell, this is the definate purchase. Even CD2 is close to 9/10 rating but it's been shadowed by the greatness of the first disc. It is really unfortunate if this will be forgotten when this CD might be the best new CD I have heard in years. Buy this one!

    10/10

    Ace tracks:
    CD1
    Quivver - PlaySurin
    longrange - PlayJust One More (Hybrid Matrix Dub)

    ---

    OceanLab - Sirens Of The Sea



    1. Just Listen
    2. Sirens Of The Sea
    3. If I Could Fly
    4. Breaking Tides
    5. Miracle
    6. Come Home
    7. On A Good Day
    8. Ashes
    9. I Am What I Am
    10. Lonely Girl
    11. Secret
    12. On The Beach
    13. Breaking Ties (Flow Mix)

    Oceanlab is Tri-Stated!


    How many years it's been since beginning of Oceanlab-project? It was at the time when trance was still in the charts every now and then and at the time when Above & Beyond didn't need to present it. After I checked it, Clear Blue Water was released already in 2001 and their probably biggest hit Satellite in the year 2004. Anyway Oceanlab is mostly Above & Beyond (Jonathan Grant, Tony McGuinness, Paavo Siljamäki) with vocalist Justine Suissa.

    But still when it was announced last year that Oceanlab-album was on the way, it surprised many. At least I was surprised. There was nothing after Satellite and after many years of complete silence, album was on the way? Even more was surprised when album finally came some time ago. It didn't have 12 tracks of uplifting trance! What? It can't be! Oceanlab has always been uplifting trance with vocals!

    Instead we got pretty chilled album. There are many downtempo-tracks which relies on piano, effective strings and of course Suissa's sweet voice. There are of course some faster tracks but they are more progtrance than overhappy uplifting trance.

    I wasn't surprised too much though. I have listened my Tri-State well enough to know how Above & Beyond-album will most likely sound. Tri-State had calmer tracks between trancier tracks and even those had tracks like Liquid Love which really weren't too fast. Actually Alone Tonight was the only epic trancer in the whole album! Why Oceanlab-album would have been different? And then again as a album this really works better. I haven't heard in ages good trance-album which is full of epic supersaws and where BPM rises into 138 and above. Instead this solution works well for the whole album.

    After all even though Suissa is pretty good vocalist, especially when we are comparing her into other vocalist tranceartists uses today, I don't believe that anyone would have really liked uplifting album. Vocals fits better into ambient (and breakbeat) than into trance. At least in my opinion.

    Well is it good album? In a way yes. Production is guaranteed Above & Beyond quality. Actually it almost makes you want it to have even some rawness, it's so crystal clear. And Suissa's voice never becomes annoying. Instead even I can easily listen this through and I'm not usually too fond into vocals. But there are problems too. There isn't one single really memorable tracks. Yes tracks sounds pretty good all way through but nothing rises above other. Album really would have needed the ace tracks when now it just falls into the vast collection of other decent albums. Tracks that I mention in the end of review goes close but not close enough.

    So I shall give very neutral rating for neutral album. There you go. And I'm not going to give it worse rating just because it's not trance or because it sounds poppish. And trust me, generic and really uplifting anjuna-stylish Above & Beyond Club Mixes are already on the way waiting for their release.

    6/10

    Ace tracks:
    Sirens of the Sea
    On A Good Day
    Secret

    ---

    Sasha - Invol2ver




    1. Badger - Intro
    2. Telefon Tel Aviv - You Are The Worst Thing In The World (Invol2ver Remix)
    3. Rone - Flesh (Invol2ver Remix)
    4. Sasha Vs Ray LaMontagne - Eclipse (Ray LaMontagne Vocal Version)
    5. Sasha Vs Adam Parker - Lowlife (Adam Parker Vocal Sample)
    6. Charlie May - Midnight (Adam Parker Vocal Sample)
    7. Apparat - Arcadia (Invol2ver Remix)
    8. Home Video - That You Might (Invol2ver Remix)
    9. Ladytron - Destroy Everything You Touch (Invol2ver Remix)
    10. M83 - Couleurs (Invol2ver Remix)
    11. Thom Yorke- The Eraser (Invol2ver Remix)
    12. Sasha - 3 Little Piggys
    13. Engineers - Sometimes I Realise (Invol2ver Remix)

    Still going strong


    Sasha is one of the biggest DJ's of all time. He has been in the top 10 in DJ Mag's voting every year since 1997 and his popularity peaked in the year 2000. And he deserved it. He just made two Global Underground-compilations (009 & 013) which are still recalled as one of the best compilations of all time by many. Of course he have made couple other compilations too. Proghouse-compilation Fundacion NYC and Involver which was progressive breaks. And of course then there was his own productions, like Airdrawndagger and Xpander EP.

    It is somehow amazing that I have the record now. When Involver 2 was originally announced? Somewhere in 2006? And last year there was scheduled Involver 2-tour but not a record. So some people begun to think that this album is not coming and the rest kept waiting and built huge expectations. Finally in july tracklisting was released and we knew the album is actually coming. But how Sasha can answer to all hype?

    After nice intro we have some action. You Are The Worst Thing In The World despite the title sounds pretty good. Bassline is really catchy and keeps the track interesting. But I don't really know what to think about those male vocals. Sure they don't ruin the track but doesn't make it interesting either. But overall pretty good start. Flesh then again is pretty nice track which creates nice atmosphere and uses some melodies which you don't hear everyday. Sasha's Eclipse begins pretty slow but at best it sounds very epic proghouse-track. At best moments this track sounds really mindblowing with it's awesome bassline. Only bad thing here is some unnecessary vocal samples here and there. And after bit odd transition Lowlife begins. Now this is first weaker track in the record. Basically it sounds the same kind of proghouse than whole record but it just sounds boring. There isn't anything catchy and vocal sample sounds irritating.

    Then we have Midnight which is short Charlie May track. This little progbreaks track is here to calm things down a bit and build some mood before the next track kicks in. And it works well. When Arcadia comes you are immediately taken in. Arcadia is all about bassline which is good one. And the track grows nicely. You will forget bad vocals when the climax comes. With bassline there are some really good melodies. That You Might is yet again one bassline-based track. This again has some vocals but they aren't there long enough to get irritated. Instead we have very groovy track here which fills compilation pretty well. Unfortunately Destroy Everything You Touch fails to keep good pace. Okay it's fairly groovy but vocals are awful. They are streched and manipulated into horrible sounding mess.

    But then like phoenix rises from the ashes, Invol2ver rises too. Couleurs... I knew it is a good one but here it works perfectly. From the first seconds you hear catchy sounds and it just keeps on building. I love the drums here, I love the melodies, I love the whole track. And this version is certainly better than Jori Hulkkonen Remix which is good too but how can you beat one of the best tracks of the year? The Eraser still lives with the vibe of Couleurs and is really too short to make a good impression. But it fits into album pretty well and that's what matters. 3 Little Piggys continues the same route. It has some good melodies but lack of good bassline makes it more like a filler. Sometimes I Realise finalizes the album and ends it well. Here we have pretty good male vocals which are supported by some very powerful melodies. As a whole the track works well and and album ends with a good vibe.

    So in the nutshell this is pretty good compilation. Just what I expected from Mr. Coe. This is his present style: groovy proghouse with some vocals. Seems that whatever he plays, it sounds good. Probably Invol2ver doesn't get the same status than some of his older works but this one is quality record which you should get if you like proghouse. Not a compilation of the year (that place is reserved for Soundsystem 01) but one of the best records of the year. Any questions?
    -Yeah. Does it sound like XPander? Now that's a choon!

    Ace tracks:
    Sasha vs. Ray LaMontagne - Eclipse (Ray LaMontagne Vocal Version)
    Apparat - Arcadia (Sasha Invol2ver Remix)
    M83 - Couleurs (Sasha Invol2ver Remix)

    ---

    Wizzy Noise - Renaissance



    1. Lost Atlantis
    2. Theory of Evolution
    3. Renaissance
    4. Eyes Wide Open
    5. Abyss
    6. Sputnik
    7. Oblivion (Remix)
    8. Sea Song
    9. WizzDom

    Trip tonight


    The circle is completed. The very first review I made in english was back in the year 2006 and was about Wizzy Noise's Sabotage. Already back then I found how predictable Wizzy Noise back then was. But it all was about to change. Endelexia with John OO Fleming was a good sign already back then, not to mention remix for Knights Of Cydonia which was pure golden. And why I mentioned those tracks when neither of those is in the album? Well I'm going into it soon enough.

    Renaissance is the seventh album of Wizzy Noise. They have released one album almost every year and that made Wizzy Noise, well, awfully predictable (full-on psy usually is predictable though). Maybe they realized it after Sabotage Part II and waited for two years before releasing this one. Maybe they tried to find new sounds to make this album better?

    The beginning of Lost Atlantis doesn't promise much. I got the expression that I have heard this one so many times before. For some reason certain sound reminded me about L.S.G. but otherwise it sounded dull and usual full-on psy but then the break kicked in. Vocalsample used here isn't mindblowing or anything but together with nice melody it saved the track and when it merges with the first part, it made me feel like this album could become something. You could say pretty much the same about Theory Of Evolution. Before the break it sounds bit dul but again finally the track brings good melodies and surprisingly, it sounds okay. But couldn't they find any other samples? That "let there be light" speak is kinda overused. And then comes Renaissance. It's a moody track, well as moody as full-on psy can be. But it creates a nice feeling before the album really kicks in.

    Eyes Wide Open is first really good track. The track begins with usual psy-bassline but it sounds pretty catchy here. Then comes some "nevermind" vocalsamples but then it suddenly happens. Very powerful melody comes and takes me away. And there's nothing wrong after it. This track is very solid piece of psytrance. The comes Abyss. I like how this track evolves bit by bit. The track begins with male voices and little by little there comes psyinfluences. It sounds really good all the way to the 5,5 minutes. I expected something really good when mainmelody kicked in but it was bit of a letdown. It sounds like it's taken from the Sabotage Part II but then again the track around it sounds so good that it doesn't completely destroy the track, but there was so much more potential. Sputnik goes back to the album. Most of the track is pretty uninspired but the climax sounds pretty good. Still I got the feeling that this album should end soon

    And the feeling grew stronger with Oblivion (Remix). Despite the few fairly good sounds this reminds me most about generic full-on psy. So if this is going to be a direction for the rest of the album I quit... Wait... What is that? This sounds awesome! Sea Song is undoubtely the best track of the whole album. I didn't give it attention it deserved while I listened JOOF's psytrance euphoria (it was covered with too many full-on psy tracks which sounds 99% the same than previous) but here I finally noticed it. This track is THE highlight of the album full of interesting melodies. Unfortunately WizzDom doesn't end the album that well. It's one of the least interesting tracks of the album and doesn't offer anything unexpected which could have been good idea. Now this album basically is 76 minutes the same stuff track after another.

    And back to the beginning and to the reason why I talked about Endelexia and Knights Of Cydonia. It seems that Wizzy Noise has finally evolved. They are not just making generic full-on psy, they have added new sounds into their older style and good amount of those sounds reminds me about John OO Fleming and the likes. So maybe Wizzy Noise learned something while working with JOOF. And folks this is really good thing.

    So in conclusion this album is a lot better than previous Wizzy Noise-efforts. This album sounds pretty interesting and has lot of good tracks. Some parts still sounds extremely predictable but you can't probably change everything. I wouldn't listen this all night but I can listen this easily for those 76 minutes this album takes. And ace tracks are really ace.

    8/10

    Ace tracks:
    Eyes Wide Open
    Abyss
    Sea Song

    ---

    Deadmau5 - Random Album Title



    1. Sometimes Things Get, Whatever
    2. Complications
    3. Slip
    4. Some Kind Of Blue
    5. Brazil (2nd Edit)
    6. Alone With You
    7. I Remember
    8. Faxing Berlin (Piano Acoustic Version)
    9. Faxing Berlin
    10. Not Exactly
    11. Arguru
    12. So There I Was

    Trance? Not Exactly...


    Joel Zimmerman who is better known as Deadmau5 must be one of the most discussed producers at the moment. Ever since Faxing Berlin and Not Exactly emerged, there have been endless threads about this guy... and immediately someone emerges and makes comments how bad producer he is.

    I have tried to stay away from Deadmau5 as much as possible and I have missed the reason for dislike. Yes he made horrible and totally needless remix for Finished Symphony and he has now remixed Café Del Mar. I have also heard how similar his tracks sounds and I haven't been that deep in the cave that I wouldn't have notice how fast he releases new tracks.

    Random Album Title is actually second album of Deadmau5. Vexillology was released in 2006 around the time he was chosen as producer of the year in Beatport Music Awards. And what it contains? Well basically it's package of tracks he has released in the last year with couple new tracks. Nothing more, nothing less. If you love Deadmau5 you will love this one too, if you don't, then stay away from this one.

    For those who don't know what kind of tracks Deadmau5 is making, I guess I have to describe it. I guess he walks somewhere between progressive house and minimal house. It doesn't have that clear proghouse-sound, mostly thanks to minimalistic soundworld and his tracks have the same kind of build-up than Faxing Berlin had. And this one goes to all the tracks in the album except for piano version of Faxing Berlin. But I know that at least he doesn't make trance. There is hardly any trance-elements here and the fact that some trance dj's plays his tracks doesn't make him trance artist either. And to be honest I heard Deadmau5 before trance dj's found this guy.

    I'm actually amazed how big fuss Deadmau5 have caused. This album is at least in my opinion very very neutral. I don't find anything extremely irritating (except for useless vocals in I Remember) and there's not much memorable either. Okay tracks are very similar to each other and it makes this bit uninteresting but really, where all the hate comes from? From the album art which looks more like rat in E?

    Completely neutral album deserves completely neutral rating.

    5/10

    Ace tracks:
    Brazil (2nd edit)

    ---

    Nicholas Bennison - Tension Of Opposites



    1. Tension of Opposites
    2. Angels Fear
    3. Undulate
    4. Spirit Chamber
    5. Rumble
    6. The Valley
    7. Unstuck
    8. New Power
    9. Dead Weight (Album Mix)
    10. Exocet (Bennison Album Rework)
    11. Life Back

    How blissful genre like trance could actually be dark!?


    It's a shame really that trancealbums nowadays seems to follow certain formula. Album has couple of chilling tracks and breakish tracks,couple of instrumental tracks and the rest of the tracks are filled with meaningless and unnecessary vocals. I have never found that formula succesful. And when we think album as a whole, it works even less when there is no clear red line in it. And then we have Nicholas Bennison.

    It was John OO Fleming's Global Trance Grooves when I heard Nicholas Bennison first time. It happened few years ago. Bennison had a guest mix and the name didn't ring a bell. After glorious first hour I thought I could listen to second hour also. And I'm happy that I did. Immediately first track sounded so great with it's dark atmosphere and energetic soundworld. And this continued for the whole set. And especially first track and one track in the middle were awesome and I noticed that those were Bennison's own production (The Dawning and Exocet). After that Bennison has done some great works so it's no wonder that I waited for this album.

    The album begins with Tension of Opposites. In the beginning it has some piano and strings but before the end it creates more breakish atmosphere and gets pretty epic. And this is just a intro! But very good intro. And just after I bashed the pattern of trancealbums, Bennison gives Angels Fear. It is a breaktrance-track but very good one. And at least it is full of Bennison's trademark sounds which makes it easily recognizable Bennison-track. Undulate is the first trancetrack of the album but despite very good bassline, it doesn't really impress me. It has couple of nice sounds but as a whole it lacks something. And then Spirit Chamber, good god! This one had individual release about 1,5 month ago and I fell in love with this one. Very energetic and dark track with catchy bassline. And the greatness is fullfilled with TB-303 (acid) sounds. I find this one of the best tracks of the year.

    Undulate takes influence from psytrance. That bassline sounds like it could be from Wizzy Noise-track. But then again when this track has some clear Bennison-sounds, the result isn't too bad (bit like Beyond The Limit). The Valley then again takes album to breaktrance direction again. This might be actually the weakest link in the album. Bennison's sound is usually pretty energetic and when he tries to put those into as slow track as this one is, result isn't too good I afraid. New Power then again is slower trancetrack with again noticeable Bennison-sound but this one too is quite uninspiring. Couple of good sounds just can't save the track. Unstuck is bit different track than as a fan of Bennison I have used to. Again much slower track than usual Bennison-stuff but trademark sounds are almost non-existent here. For some reason I like the drums here and to be honest, the main melody sounds pretty good here. Still this isn't really in the level of Spirit Chamber or even Angels Fear.

    And then we have Dead Weight. This is a strange part of the album. The unedited track is much longer but album edit is only 2 minutes long. But even at that time it shows how glorious the full track would be (I guess unedited track are already available). And at least it creates mood nicely and let us expect for something great. Original mix of Exocet would have been it but this reworked version works pretty nicely too. First there is familiar Exocet-melody and then BOOM! Very powerful bassline comes in and little by little the track grows even more epic. And Life Back ends album pretty well. It sounds like it takes some influence from old uplifting trance and puts it into his own dark and energetic sound and this works very well. I actually checked if this is older track but it seems that it isn't. Well whatever it works.

    I had to think very hard f I would give 7 or 8/10. After Life Back I decided to give 8/10. I guess already the fact that Nicholas Bennison haven't jumped into electro or minimal bandwagon or doesn't use fluffy vocals deserves it. But as a album this could be better. Every album has it's best tracks and not so good tracks but this one goes bit too much from the style to another. Even though it has certain red line thanks to Bennison's usual elements, breaktrance-tracks in various different places, one psyish track and couple of slower tracks here and there doesn't really make this sound an album. So in that thing, Bennison stepped into usual trancealbum pattern. Anyway this is much more interesting than for an example albums from Ronski Speed or Phynn I have heard lately.

    8/10

    Ace tracks:
    PlayAngels Fear
    Playspirit Chamber
    PlayLife Back

    ---

    Ferry Corsten - Twice In The Blue Moon



    1. Shelter Me
    2. Black Velvet
    3. We Belong
    4. Gabriella's Sky
    5. Made Of Love
    6. Radio Crash
    7. Twice In A Blue Moon
    8. Feel You
    9. Life
    10. Brain Box
    11. Shanti
    12. Visions Of Blue

    Punk or Junk?


    I'll tell you something. There are basically three types of albums I'm reviewing. First one is the albums I have expected for some time, are made by some of my favorites and I which I expect to have high quality (Nicholas Bennison for an example). Second one is a random pick. Album which is recently released and which I don't know pretty well, but I think that I could check it. And the third one is albums made by really big names with massive reputation. Obviously Ferry Corsten is name big enough that I just can't pick him randomly and I didn't actually expect this album money ready in my wallet reserved for it, especially when thinking what kind of stuff other superstar dj's are releasing.

    But come on! It's Ferry Corsten! You just can't ignore him. Certain 1999 track called System F - Out Of The Blue really begun dutch invasion to the trancescene and by doing so, changed trance completely. Around that time he produced many great tracks under various aliases like Moonman, Pulp Victim and Gouryella (with some dude called Tijs Verwest) which presented new uplifting trance. And to be honest, when I occasianaly hear some Ferry-track from that time which I haven't heard before, I find those tracks pretty good. Ferry really knew what he was doing with his supersaws. And later he produced Rock Your Body, Rock and Punk under his own name which brought electroclash-influences to trance. Ferry didn't jump into electrobandwagon at that time when there was no f*cking bandwagon! Right Of Way-album which had those tracks had some great tracks too like Sweet Sorrow, Star Traveller and Right Of Way. It is unfortunate that follow-up L.E.F. wasn't that great including only few good tracks.

    What about Twice In The Blue Moon then?

    The album is started with Shelter Me. Not too bad actually. The beginning sounds like some usual electrotrance-track with it's buzzing bassline but when the mainmelody kicks in, there is one pretty good moment. I could say that this begins the album pretty well. You know I'm usually very very critical about vocals in trance. When the vocals begun in Black Velvet I was ready to say it again here but those improved pretty nicely when track growed. Still the track in my opinion relies too much on the vocals and there isn't too much other ingredients in the track. And We Belong... this works nicely. Vocals aren't really necessary here but they doesn't ruin the track either. Especially when this is one energetic track with pretty catchy melodies. Gabriella's Sky begins pretty nicely and after a while the kick comes in and you notice that this is breaktrance-track. The main problem here is that track doesn't move anywhere. And after all this is usual trancetrack with just bit different kick, not anything special or huge variation to the other Ferry-tracks.

    The next track brings probably intentionally nostalgic feeling. Made Of Love is really similar with old Sweet Sorrow. This is almost like vocal mix of it but then again, I just can't whine too much about it. For once I find in my opinion pretty good vocaltrance-track. Probably mostly thanks to the Sweet Sorrow-likeness but is it because of nostalgia or is it something which has gone missing after it? I really don't know. Probably almost everyone has already heard Radio Crash. After all it is the first single released from this album (correct me if I'm wrong). This is closest to generic electrotrance so far from this album. And I have found this one ever since I heard it first time pretty boring piece of music. Twice In The Blue Moon (the track) follows the same path but at least it has some fairly good melodies in the middle of the track before the mainmelody, which doesn't work at all, comes in. And Feel You is again track with "electroish" bassline but unlike some other tracks from the album, the vocals doesn't work fell enough and doesn't really add anything special into the track.

    What can I say about Life? Some certain parts are very dull but breakdown sounds pretty good... in the beginning. I don't really know why but for some reason Ferry have decided to put some malevocals into the end of breakdown. Those doesn't fot there and there aren't vocals anywhere else in the track! Brainbox then again is one of the highlights, mostly because of the first three minutes. It is pretty energetic stuff and has some sounds which aren't recycled for many times already. It's bit unfortunate that the mainmelody can't do the same even though it's not that bad either. Shanti is one of the better tracks too. It screams potential thanks to the A-part but mainmelody just doesn't too it justice. It seems that Ferry thinks he have to put some "electrotrance" melody into the track to make it sound ferryish when I think it wouldn't be needed. Then only two minutes long Visions Of Blue ends the album peacefully with pianomelodies.

    Too bad really. I could clearly hear potential here. If Ferry would have taken away some unnecessary vocals and "electrotrance"-melodies and replaced those with something else, this could be mindblowing. Also I think that album had really good start and fairly good ending but the middle lost the touch. There are some bit worse tracks. Still Ferry did just enough to gain 7/10 rating but just barely. He was already really close to the bar.

    7/10

    Ace tracks:
    We Belong
    Made of Love
    Brainbox

    ---

    Vibrasphere - Lungs Of Life



    1. Decade
    2. Breathing Place
    3. Ensueno (Morning mix)
    4. Waveguide
    5. Analog Marinade
    6. Follow Me
    7. Dewdrops (vs. Ticon)
    8. Erosion (Glenn Morrison and Bruce Aisher remix)
    9. 102 Miles From Here (Solead remix)

    102 miles from origins


    Ah Vibrasphere. Swedish group of Rickard Berglöf and Robert Elster has been around for a decade now and to celebrate that event, we have a new album here called Lungs Of Life! The group originally came famous for making propsy and their first 3 albums (Echo, Lime Structure and Archipelago) reflected it. In 2006 they decided to release track called Floating Free, progtrack without real psyinfluences and that was probably (I'm not 100% sure) their most popular track up to that date. 4th album Exploring The Tributaries followed the tracks of Floating Free being combination of progressive trance, ambient and little bit of psy. I guess it's a safe bet that Lungs Of Life follows those tracks,

    Decade is a nice intro track. Even though it's 4,5 minutes long, it just focuses in being calm and relaxing and trying to create a good vibe for the forthcoming trip. Breathing Place introduces the drums but continues in ambient-way. Nice and moody melodies added into peaceful background makes the track very pleasant musical experience and makes you wonder how good the faster tracks sounds.The beginning of Ensueno (Morning Mix) (the original track was already in Exploring The Tributaries) promises a lot. The calm intro is great and is kinda good gateway from more chilling intro into trancier world. When the bassdrum finally kicks in, you can immediately hear bit buzzing bassline. And bit later you can hear pretty nice melodies but then again, isn't this bit like Markus Schulz? Don't get me wrong, the track itself isn't too bad. Instead it is pretty good and it has some mood but still. Haven't we heard this already?

    And then we have Waveguide. And here we are going wrong. Vibrasphere takes "less is more"-thinking into new heights. The track is basically the basskick with the most basic TB-303 bass you can imagine. And no, that isn't interesting. Especially when the track is 8,5 minutes long. And to be honest, Analog Marinade isn't much of a improvement. In the beginning, the track just focuses on being buzzing progtrack. And after 3 minutes the track just repeats the same bassline over and over again with one little different moment. The beginning of Follow Me sounds promising. It reminds me about the days of Archipelago. And the first impression is pretty correct. This is progpsy you could have expected from Vibrasphere couple years ago or from Human Blue for an example. Still the track remains in the background and doesn't offer anything memorable.

    And what to expect track with Ticon? I know that Vibrasphere is cabable of making great tracks and Ticon had one pretty good record couple years ago (Zero Six After). But then again Ticon jumped into electro-bandwagon with the last album (reviewed earlier) with couple of nice exceptations. I hope the best here. And this track succeeded quite well. Little hint of TB-303 here and there added into good melodies works well. This track doesn't show the negative sided of modern Vibrasphere and Ticon sound. And then into odd choices. Vibrasphere-album has two remixes in the end. Both remixes for Exploring The Tribatries-track. Erosion remix is nice remix with similar touch than original track had and which lives thanks to the original track. 102 Miles From Here is then again just crap. Minimal house remix of progtrance-track is a odd choice. And I have heard some good minimal house but this isn't good.

    So what can I say? Don't expect Archipelago kind of progpsy. This is much closer to previous album Exploring The Tributaries. But when Exploring The Tributaries was one of the highlights of the year 2007, this is just stays in background. Exploring The Tributaries had some really good tracks like Erosion, Forever Imaginary and Mountain Lake, this doesn't have ones. Ticon-track is the closest alongside with good intro but that just isn't enough. After all this is not a bad album but fails to follow the glory of last two albums. Mostly this album is pretty listenable but that's about it. And thanks to the bad taste remix of 102 Miles From Nowhere gave, I will drop the rating I thought I would give after Erosion by one. And because there is no Orange or Autumn Lights in this album.

    6/10

    Ace tracks:
    PlayDecade
    PlayBreathing Place
    Dewdrops (Vibrasphere vs. Ticon)