Tripswitch
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1) Nick Brennan’s musical history is long and varied - he studied piano from the age of 5, dabbled briefly with the trumpet for a year, and moved onto the guitar at the age of 12 which he studied profusely throughout his teens in both classical discipline and rock, blues and jazz improvisation.
Having spent the latter half of the eighties playing in everything from punk, rock and even blues and jazz bands, Nick discovered acid house music in 1989 when he started going to the now legendary DiY raves around Nottingham. Seduced by the hazy hedonism and good vibes of those early raves, he moved more and more away from his rock roots, abandoning his guitar for a pair of decks in 1992.
His interest in acid house and hardcore was counterbalanced with a new-found love for dub reggae and the psychedelic sound of the Ozric Tentacles, which became his everyday soundtrack for life in 1991-92. Moreover the early days of progressive house and the emerging Frankfurt trance scene had a profound effect on him and he became increasingly interested in production. Artists like Jam & Spoon, Sven Vath and particularly A.C. Boutsen (who released under a wide range of names including CygnusX and Brainchild for Eye Q and Harthouse), helped to cement his interest in trance music. As the scene and the music evolved and diversified Nick aligned himself firmly at the progressive end of the spectrum, where the sounds were deeper, more expansive and melodic and the production values were that bit more important.
Having spent the latter half of the eighties playing in everything from punk, rock and even blues and jazz bands, Nick discovered acid house music in 1989 when he started going to the now legendary DiY raves around Nottingham. Seduced by the hazy hedonism and good vibes of those early raves, he moved more and more away from his rock roots, abandoning his guitar for a pair of decks in 1992.
His interest in acid house and hardcore was counterbalanced with a new-found love for dub reggae and the psychedelic sound of the Ozric Tentacles, which became his everyday soundtrack for life in 1991-92. Moreover the early days of progressive house and the emerging Frankfurt trance scene had a profound effect on him and he became increasingly interested in production. Artists like Jam & Spoon, Sven Vath and particularly A.C. Boutsen (who released under a wide range of names including CygnusX and Brainchild for Eye Q and Harthouse), helped to cement his interest in trance music. As the scene and the music evolved and diversified Nick aligned himself firmly at the progressive end of the spectrum, where the sounds were deeper, more expansive and melodic and the production values were that bit more important.
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