Trịnh Công Sơn wrote over 600 songs, and, during the 1960s and 1970s, Joan Baez dubbed him the Bob Dylan of Vietnam for his moving antiwar songs. He became one of South Vietnam’s best-known singer-songwriters, after his first hit, Ướt mi (Tearing ‘Lashes) in 1957. He was frequently under pressure from the government, which was displeased with the pacifist’s lyrics of such songs as Ngủ đi con (Lullaby, about a mother grieving for her soldier son). His songs were restricted by the South Vietnamese government. After the reunification in 1975, Son was sentenced by the new communist government, to “retraining” in a labour camp after his family fled to Canada. However, he was eventually honoured by the government and many officials sent their respects with floral tributes. His often melancholy songs about love and postwar reconciliation earned new acceptance and popularity in later years.
There are two singers’ names often associated with Trịnh Công Sơn. One is Khánh Ly. The other one is Hồng Nhung.
Khánh Ly, with her unique vocals, helped popularize Trịnh Công Sơn music in the early years. They often performed together in South Vietnam University Campuses. The voice and the music seemed to be inseparatable.
Later on in his life, Hồng Nhung, many years his junior, replaced Khánh Ly’s place until his death. Hundreds of thousands of people gathered at his funeral in Ho Chi Minh city, for a spontaneous ad hoc funeral concert, making such a spectacle the largest in Vietnamese history, next to the funeral procession of Ho Chi Minh. His music remains very popular among Vietnamese, old and young.
Edited by [deleted user] on 28 Jan 2013, 16:38
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