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The album represents a more acoustic piano-based sound, and most of the final third of the album is devoted to a classical-inspired suite of piano songs, including the sweeping nine-and-a-half minute epic "Yes, Anastasia". Tori Amos used a prepared upright piano for the studio recording of "Bells for Her", which was also played on a prepared piano for the second half of the tour. It was voted among the greatest albums of the 1990s by Rolling… read more

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