Tim Hecker

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Biography

Montreal, Canada (1996 – present)

Montreal producer Tim Hecker made his initial breakthrough as Jetone, but followed with some incredible work attributed to his born name. This work, released by Alien8 sublabel Substractif beginning in late 2001 with Haunt Me Haunt Me, Do It Again, won much acclaim. It also familiarised listeners with the producer himself, and not just because it featured his real name rather than a moniker: Hecker’s self-titled work was much more personal than his Jetone recordings, its ideological characteristics reflecting his interests and its experimental slant similarly reflected his ambitions. For his self-titled recordings, Hecker drew inspiration from pop culture and showcased his ideas within dense collages of found sounds and computer-generated noise. The producer also performed live extensively.

As a graduate student studying digital acoustics and software, Hecker spent years dabbling with electronic music before finally debuting as Jetone in 2000 with Autumnumonia for Pitchcadet. The release interested Force Inc, which released Hecker’s next album as Jetone, Ultramarin, a year later. Following this popular release, he aligned himself with Alien8, an experimental label based in Montreal. He recorded Haunt Me Haunt Me, Do It Again for the label’s ambient sub-label, Substractif, and watched it inspire critical praise upon its release in late 2001. The album proved so successful that Substractif released a follow-up EP, My Love Is Rotten to the Core, less than a year later in hopes of building upon the lingering critical buzz surrounding Haunt Me. Hecker then recorded Radio Amor for Mille Plateaux, Force Inc’s experimental ambient sublabel, which released the album in April 2003.
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  • Motiv3ter

    this is now officially my hangover music.

    9 Jun 12:52pm Reply

  • huiva

    Listen to: Russian post rock / ambient / instrumental http://www.lastfm.ru/music/Joywcs/MOONSHINE http://soundcloud.com/joywcs/sets/moonshine-single-2012/

    7 Jun 7:28pm Reply

  • andeveryone-

    Sadly got to let this go for anyone interested – http://www.ebay.co.uk/itm/Tim-Hecker-Atlas-10-Super-Rare-LTD-to-500-Mint-Fennesz-ISIS-Ben-Frost-/310681207198?pt=UK_WSJL_Wholesale_GL&hash=item48560b019e

    5 Jun 10:58pm Reply

  • Motiv3ter

    *WAITING FOR A NEW RECORD* [3]. Love this guys music.

    1 Jun 4:19pm Reply

  • mawhrin_skel

    I want to have Tim Hecker's cyborg baby. But I guess I'd settle for a new record.

    1 Jun 12:09am Reply

  • elcruusto

    @Abroxas: Thankyou for that, I appreciate the reply. I don't mean to argue, just discuss. I still feel that minimalistic beauty permeates Hecker's work across all his albums. I just think that over time he has developed a wider range of techniques for communicating that.

    29 May 7:52pm Reply

  • cameron_

    "Balkanize-You" at high volume + driving around the city = fucking perfect.

    28 May 4:32am Reply

  • Abroxas

    "Here is a list of reasons why Hecker's work improved post-mirages" - While I'm not here to argue which is best, I'd like to argue that "more" equals to "better". A minimalistic approach might have an unquestioned beauty by itself.

    26 May 1:04pm Reply

  • thaoriginalgoon

    *WAITING FOR A NEW RECORD* [2] my thoughts exactly

    19 May 5:45am Reply

  • neckermanncj

    *WAITING FOR A NEW RECORD*

    18 May 6:19pm Reply

  • Rusudxc

    Wow, his music is so consuming. I bet seeing a live performance of his is a memorable experience.

    18 May 12:13pm Reply

  • elcruusto

    Here is a list of reasons why Hecker's work improved post-mirages: -far wider range of sound design and production techniques used throughout -less microfiche of peer electronica -greater sonic acuity -far more controlled and detailed -wider frequency spread -more intense emotional power -heavier -more focussed -fewer short tracks needed to fill gaps -more experimental with sounds themselves. Fuck each to their own: to suggest that all of this hard work he has put in to Harmony, Imaginary Country and Rave Death equates to "selling out" is specious.

    16 May 1:50pm Reply

  • brendonfucker

    I wanna get more of his albums but I know nothing will beat Haunt Me.

    15 May 10:19pm Reply

  • dinaq400

    reminder

    13 May 11:52pm Reply

  • post-wizardry

    "Radio Amor felt a little bit forced at some points and somewhat empty in general" What? Why? That's probably my fav work of his.

    12 May 5:23am Reply

  • elcruusto

    Everything since Mirages has been quite a lot noisier, heavier and more experimental than the previous efforts. To me the earlier albums sound much closer to other artists doing electronica on labels like Mille Platauex etc around the same time. Each to their own though!

    7 May 8:16pm Reply

  • cityofhumanity

    Hardcore Hecker fans. http://www.discogs.com/Tim-Hecker-Radio-Marti-Radio-Havana/release/1277018

    6 May 9:51pm Reply

  • I0000days

    I have to disagree. If anything, Harmony in Ultraviolet is Tim Hecker selling out and it sounds like his old music but stripped down of its soul.

    29 Apr 8:03am Reply

  • ArdiRizla

    I really need to see this fella live. Harmony In Ultraviolet is his best work imo, Blood Rainbow is espescially lovely.

    26 Apr 12:58am Reply

  • elcruusto

    I agree with nacht_vogel. No idea why people would prefer Haunt Me and Radio Amor to Harmony In Ultraviolet, Imaginary Country or the sprawling epic that is Rave Death.

    23 Apr 5:01pm Reply
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