Tim Doyle
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Tim Doyle’s music could be described as “long-form fractal ambient.” Any tags, however, are inadequate to the task of explaining the music. This brief introduction may help.
He was born Feb. 12, 1949 in St. Cloud, Minnesota, the oldest of nine children, and spent his childhood in a rural setting on a heavily wooded lake.
He has been making music in one form or another since childhood, when he soloed in a performance of his piano concerto “Rhapsody #1” at age 9 in a school production, and had a band piece called “Rough Draft” performed a few years later.
He turned to jazz and blues piano in his teens, but although he studied music theory and composition, he majored in mathematics, his first love, receiving his B.A. in 1968. He was always intrigued by the connections between music and math, and made some early experiments at computer composition in the late sixties.
His love for jazz deepened when he discovered the Blue Note catalog at age 20, starting with Jimmy Smith, Art Blakey’s Jazz Messengers, Lee Morgan, John Coltrane, Miles Davis, and Bill Evans. He still plays keyboard in various styles, but has not recorded his improvised music.
In 1999, he ran across a relatively simple fractal music generative program called Musinum, created by Dr. Lars Kindermann in Germany, who left it available as freeware and then moved on to other projects. Most of the sample music created by Musinum users was brief and (with a few notable exceptions) primitive, but the power inherent in the algorithms employed intrigued Doyle.
He was born Feb. 12, 1949 in St. Cloud, Minnesota, the oldest of nine children, and spent his childhood in a rural setting on a heavily wooded lake.
He has been making music in one form or another since childhood, when he soloed in a performance of his piano concerto “Rhapsody #1” at age 9 in a school production, and had a band piece called “Rough Draft” performed a few years later.
He turned to jazz and blues piano in his teens, but although he studied music theory and composition, he majored in mathematics, his first love, receiving his B.A. in 1968. He was always intrigued by the connections between music and math, and made some early experiments at computer composition in the late sixties.
His love for jazz deepened when he discovered the Blue Note catalog at age 20, starting with Jimmy Smith, Art Blakey’s Jazz Messengers, Lee Morgan, John Coltrane, Miles Davis, and Bill Evans. He still plays keyboard in various styles, but has not recorded his improvised music.
In 1999, he ran across a relatively simple fractal music generative program called Musinum, created by Dr. Lars Kindermann in Germany, who left it available as freeware and then moved on to other projects. Most of the sample music created by Musinum users was brief and (with a few notable exceptions) primitive, but the power inherent in the algorithms employed intrigued Doyle.
Tracks selected by this artist
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Flying Fish
30:05 -
Incarnation
60:10 -
Moonflakes
60:11 -
Not Just Yet
19:56 -
Extremadura
60:01 -
Dazzle
60:10
Tracks selected by this artist
Top Tracks
Top Albums
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Nightlight
1,658 listeners1 track
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Bach on Tap
270 listeners1 track
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Micro-Brew (microtonal music from Tim Doyle)
261 listeners4 tracks
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Incarnation
680 listeners1 track
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