The Three Suns
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Reputed to be Mamie Eisenhower’s favorite group, the Three Suns are the leading small group in exotica. Brothers Al and Morty grew up in Brooklyn, where they joined with their cousin, Artie Dunn, as a trio, Al switching from violin to guitar to pick up more gigs. After a year or two working around New York City, they got their first serious show at the Adelphia Hotel in Philadelphia in 1939 and then moved on the Circus lounge of the Hotel Picadilly in New York in 1940, where a two-week engagement turned into a seven-year stay.
They had their first hit in 1944, with “Twilight Time,” and their cover of “Peg O’ My Heart,” released just after the Harmonicats’ version came out, contended with it for the #1 spot.
The Three Suns were a concept as much as a group, since Al Nevins dropped and added players to suit the material. In the late 1940s, the group was a quintet, with a rhythm guitar and bass added. Their first big hit, “Twilight Time,” written by Morty Nevins, went on to have over 3 million air plays, according to BMI. In 1951, they recorded as a quintet with Marty Gold on organ and Larry Green on piano. They also recorded as a quartet with Ray Bohr on pipe organ (and later, on “Swinging on a Star,” with R&B sax legend King Curtis!), as a sextet, a septet (with Billy Mure on second guitar), a combo of 13 (on “Perdido,” 1954), and with orchestral accompaniment. Nevins himself stopped performing live in 1954 and concentrated on producing and publishing.
They had their first hit in 1944, with “Twilight Time,” and their cover of “Peg O’ My Heart,” released just after the Harmonicats’ version came out, contended with it for the #1 spot.
The Three Suns were a concept as much as a group, since Al Nevins dropped and added players to suit the material. In the late 1940s, the group was a quintet, with a rhythm guitar and bass added. Their first big hit, “Twilight Time,” written by Morty Nevins, went on to have over 3 million air plays, according to BMI. In 1951, they recorded as a quintet with Marty Gold on organ and Larry Green on piano. They also recorded as a quartet with Ray Bohr on pipe organ (and later, on “Swinging on a Star,” with R&B sax legend King Curtis!), as a sextet, a septet (with Billy Mure on second guitar), a combo of 13 (on “Perdido,” 1954), and with orchestral accompaniment. Nevins himself stopped performing live in 1954 and concentrated on producing and publishing.
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