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The Tenebrous Liar


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“In an intimate Soho club, Tenebrous Liar make a stand for mavericks everywhere. The rotating members, centred around mouthpiece Steve Gullick, tailor their exquisite avant-garde Americana to suit the occasion, with a living music that fills every corner of the room”

“brooding songs, fusing Cohen, Earth and the more dissonant aspects of Queens of the Stone Age and, whisper it, Nirvana - a raging slab of aural murk that brings to mind the same unease a Halloween jaunt round an abandoned asylum might.


“their music is dark, demented, and deliberate, characterized by murky, lo-fi, feedback-drenched guitars and sludgy rhythms that heave like a spluttering locomotive – gloom-laiden, world-weary vocals, conjuring up hints of Codeine, Flipper, and Pavement.”

“Musically their second album Last Stand recalls Shellac, Liars and Nirvana at their most bloody-minded and amusical.”
The Quietus

“Dinosaur Jr meets Nirvana’s In Utero – yep, it’s not pretty and it sure ain’t going to win any Brit awards, but its macabre melancholy is stunningly executed, complete with jagged Velvet Underground guitar.”
Selby Times

“Tenebrous Liar’s Last Stand is at it’s best during the slowest moments, when the guitars are drawn out in all their dark, jagged, droning, menacing glory; the vocals almost playing second fiddle, but reinforcing the darkness and the feeling of vast emptiness and unknowns that the provocative artwork of an inky skyline and menacing forest first invokes.”

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