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Biography

Barbara Keith began her career at the Café Wha? in Greenwich Village, following in the footsteps of Bob Dylan, Jimi Hendrix, Bill Cosby and many others who got their start in that hallowed dive. She was soon recording for MGM/Verve, A&M, and Warner Brothers. Her songs have been covered by such diverse artists as Tanya Tucker, Barbra Streisand, The Dillards, Melanie, Hank Snow, Lowell George and others. “The Bramble and the Rose” has become a folk standard – often receiving the ultimate compliment of being mistaken for a traditional song.

Her husband Doug Tibbles had a whole other life before drumming – A native of Los Angeles, he was a TV writer for such shows as “The Munsters”, “Bewitched”, “Andy Griffith”, “My Three Sons”, “Family Affair”, and many more.

Unhappy with show business in general, Barbara gave back her major label advance, Doug quit his one-day-old job as story editor for “Happy Days”, and they went underground. Doug took up drums and son John took up bass at age eleven. Reclusive by choice, the band moved from L.A. to Western Massachusetts to write and woodshed. They began playing the occasional show while recording in their cellar.

When best selling author Elmore Leonard (“Get Shorty”, “Jackie Brown”, “Out of Sight”) walked in the Troubadour in L.A. one night looking for inspiration for his sequel to “Get Shorty”, he discovered The Stone Coyotes.

They became the model for Chili Palmer’s next adventure, “Be Cool”. Leonard said, “ It was music I could understand…straight ahead rock and roll with a twang. And there are good stories going on in the songs.” He included their lyrics in the book and dedicated it to them. He and the band made a string of appearances together around the country with a Words and Music Tour – from New York’s Mercury Lounge to L.A.’s Viper Room.

More recently with five songs on "Dog the Bounty Hunter", they gained national attention, but it is the grass roots, word-of-mouth response to their music that continues their momentum.

“The Stone Coyotes are a rare wild beast in a domesticated music industry.”

- Rolling Stone Online

“The Stone Coyotes’ hefty sound melds AC/DC’s charging power chords with a country troubadour’s literate observations.”

- New York Magazine

“The Stone Coyotes crank out unpretentious rock that has grime on its fingers and transcendence in its heart.”

- The Nashville Scene

“Poised to be the coolest husband-wife-and-son rock and roll trio ever…Those wary of a hype short on substance should rest assured – this family has the chops to back it up.”

- The L. A. Weekly

“Powerful and gritty, with just a hint of sweetness and sorrow.”

- Real Detroit Weekly

“Likely one of the festival’s best discoveries… The Stone Coyotes rocked and shocked the Horseshoe audience Saturday night with their AC/DC meets Patsy Cline sound.”

- Toronto Now

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