Americana

Label
Columbia
Release date
1998
Running length
24 tracks
Running time
77:11

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Tracklist

    Track     Duration Listeners
1 Welcome 0:11 10,638
2 Have You Ever 3:56 264,415
3 Staring at the Sun 2:12 366,576
4 Pretty Fly (For a White Guy) 3:08 624,450
5 The Kids Aren't Alright 2:59 766,894
6 Feelings 2:50 255,260
7 She's Got Issues 3:48 267,438
8 Walla Walla 2:55 253,387
9 The End of the Line 3:02 194,937
10 No Brakes 2:02 221,192
11 Why Don't You Get a Job? 2:51 453,005
12 Americana 3:13 281,470
13 Pay the Man 8:10 168,369
14 Pretty Fly (Reprise) 1:02 7,548
14 All I Want 1:53 371,473
15 Smash 10:40 128,912
16 Blackball 3:06 26,525
17 The Meaning of Life 2:56 148,420
18 Mota 2:56 129,590
19 Leave It Behind 1:57 109,626
20 Gone Away 4:28 320,044
21 Way Down the Line 2:36 111,660
22 Don't Pick It Up 1:53 106,647
23 Nitro (Youth Energy) 2:27 139,416

About this album

Americana is the fifth studio album by the American punk rock band The Offspring, released on November 17, 1998. It debuted at 2 on the US Billboard 200 with around 174,000 copies sold in its first week, and has sold more than 15 million copies worldwide. This was their most successful album since their 1994 breakthrough Smash.

Some pressings of Americana are also enhanced CDs and contain the karaoke videos of “Staring at the Sun”, “Pretty Fly (For a White Guy)” and “Why Don’t You Get a Job?”, and the previous MTV music videos from its predecessor, Ixnay on the Hombre. Many of the lyrics are of unpleasant realities of American life.

Americana was recorded in 1998 at Eldorado Recording Studio in Burbank, California, with Dave Jerden, who also produced Ixnay on the Hombre. This would be the last time the Offspring worked with Jerden.

The album received positive reviews, Michael Gallucci of Allmusic described the album as a “raucous ride through America as seen through the eyes of a weary, but still optimistic, young kid”. Gallucci praised the music as “a hearty combination of poppy punk” and a “blend of salsa and alterna-rock sounds”, stating the band’s music was taking a different direction.
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