The Cinematic Orchestra » Albums

Man With a Movie Camera

The Cinematic Orchestra
Man With a Movie Camera

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jazz, ninja tune, electronic, acid jazz, downtemposee all

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Tracklist

    Track     Duration Listeners
1 Play The Projectionist full track 0:06 2,755
2 Play Melody full track 0:20 3,742
3 Play Dawn full track 4:00 78,909
4 Play The Awakening of a Woman (Burnout) full track 10:17 32,930
5 Play Reel Life (Evolution II) full track 6:56 65,305
6 Play Postlude full track 1:45 70,629
7 Play Evolution (Versao Portuense) full track 5:46 42,360
8 Play Work It! (Man With the Movie Camera) 8:04 31,463
9 Play Voyage full track 0:22 2,823
10 Play Odessa full track 2:05 61,536
11 Play Theme de Yoyo full track 2:19 65,256
12 Play The Magician full track 2:26 54,444
13 Play Theme Reprise full track 2:52 63,137
14 Play Yoyo Waltz full track 1:17 62,967
15 Play Drunken Tune full track 4:49 60,044
16 Play The Animated Tripod full track 1:12 51,642
17 Play All Things full track 6:05 50,374

About this album

© Ninja Tune (2003) Released: 3 Jun 2003 17 tracks (60:41)
In 1929, Russian filmmaker Dziga Vertov made the groundbreaking Man With a Movie Camera documentary—a visual essay on life between the two world wars. Touching on poverty, sport and employment in Russia in the 1920s, Man With a Movie Camera was a masterpiece of silent filmmaking.

There have been numerous soundtracks over the years that have attempted to provide Vertov’s stunning images with the musical accompaniment they deserve, Michael Nyman minimalist take or Biosphere’s electronica reading to name two. The Cinematic Orchestra have been using footage from the film for their live visuals and wrote a piece of the same name for their last album Every Day. They debuted their full soundtrack on the opening night of the Barbican’s Only Connect season, augmenting their line up with a string section.

The Cinematic Orchestra, as their name would suggest, can work detail and development into their compositions that reflect the mood of the film. The addition of a string section compliments the bands music, moving away from the jazz funk of their live sets towards something more powerful. Often fusion between the music and images work so well, you forget that the film remained without this soundtrack for 70-odd years.
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