Revolver by The Beatles

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Tracklist

    Track     Duration Listeners
1 Taxman 2:38 366,381
2 Eleanor Rigby 2:04 681,495
3 I'm Only Sleeping 2:57 350,328
4 Love You To 2:56 304,742
5 Here, There and Everywhere 2:25 340,031
6 Yellow Submarine 2:38 679,911
7 She Said She Said 2:33 292,707
8 Good Day Sunshine 2:09 334,061
9 And Your Bird Can Sing 2:12 345,233
10 For No One 1:57 342,081
11 Doctor Robert 2:12 295,397
12 I Want to Tell You 2:28 295,489
13 Tomorrow Never Knows 2:56 329,691
13 Got to Get You Into My Life 2:26 322,638

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About this album

Released: 5 Dec 1995 14 tracks (34:31)
Rec. Abbey Road -studios 6. 4. - 21. 6. 1966
Rel. 5. 8. 1966 (UK) (total time 35)
Producer: George Martin
Parlophone (UK), Capitol Records (USA), EMI

The Beatles

* John Lennon – vocals, lead, rhythm and acoustic guitars
* Paul McCartney – vocals, bass guitar, lead, rhythm guitar and acoustic guitars, piano, other instruments
* George Harrison – vocals, lead, rhythm guitar and acoustic guitars, sitar, other instruments

* Ringo Starr – vocals, drums, tambourine, and maracas

Additional musicians and production

* Anil Bhagwat – tabla on “Love You To”
* Alan Civil – French horn on “For No One”
* Brian Jones – background noises on “Yellow Submarine” (uncredited)
* Donovan – background vocals on “Yellow Submarine” (uncredited)
* Geoff Emerick – recording and mixing engineer; samples of the marching band on “Yellow Submarine”
* George Martin – producer; piano on “Good Day Sunshine” and “Tomorrow Never Knows”; Hammond organ on “Got to Get You into My Life”; samples of the marching band on “Yellow Submarine”
* Mal Evans – bass drum and background vocals on “Yellow Submarine”
* Marianne Faithfull – background vocals on “Yellow Submarine” (uncredited)
* Neil Aspinall – background vocals on “Yellow Submarine” (uncredited)
* Pattie Boyd – background vocals on “Yellow Submarine” (uncredited)
* Session musicians – four violins, two violas and two cellos on “Eleanor Rigby”; brass section on “Got to Get You into My Life”: orchestrated and conducted by George Martin
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