Take
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Take – Implosions
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(For the Korean boy band, see 테이크.)
There is more than one artist under this name:
1. Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP’s under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples. Songs coated in emotion and rich in cinematic quality who’s auras’ retain the heavy burden of urban streets. The 30 years-old multi-instrumentalist/DJ/producer describes his music as “rooted in hip-hop but on a spaceship headed for a new and better place… somewhere out there”. After studying music engineering and composition at The Evergreen State College in Washington, Take returned to Los Angeles to dive in and focus solely on music. In the last several years, he has composed and produced multiple 12” EPs and remixes for labels such as ButterMilk, Poobah Records, Astro Lab, Eat Concrete Records and more. He also recently completed scoring original music for New Line Cinema’s King of Kong and Clint Eastwood: A Life in Film.
There is more than one artist under this name:
1. Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP’s under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples. Songs coated in emotion and rich in cinematic quality who’s auras’ retain the heavy burden of urban streets. The 30 years-old multi-instrumentalist/DJ/producer describes his music as “rooted in hip-hop but on a spaceship headed for a new and better place… somewhere out there”. After studying music engineering and composition at The Evergreen State College in Washington, Take returned to Los Angeles to dive in and focus solely on music. In the last several years, he has composed and produced multiple 12” EPs and remixes for labels such as ButterMilk, Poobah Records, Astro Lab, Eat Concrete Records and more. He also recently completed scoring original music for New Line Cinema’s King of Kong and Clint Eastwood: A Life in Film.
Top Tracks
Top Albums
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Only Mountain
10,396 listeners13 tracks
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Earthtones & Concrete
18,944 listeners18 tracks
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The Dirty Decibels Of Thomas Two Thousand
16,279 listeners9 tracks
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Only Mountain: the Remixes
2,036 listeners16 tracks
Released:
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