Real Illusions: Reflections
- Label
-
Epic/Red Ink
- Release date
- 22 Feb 2005
- Running length
- 12 tracks
- Running time
- 66:50
Tags
Tracklist
| Track | Duration | Listeners | ||||
| 1 |
|
Building The Church | 8:33 | 28,216 | ||
| 2 | Dying For Your Love | 4:50 | 13,517 | |||
| 3 | Glorious | 4:39 | 14,664 | |||
| 4 | K'm Pee-Du-We | 3:58 | 849 | |||
| 4 | K'm-Pee-Du-Wee | 3:59 | 13,197 | |||
| 5 | Firewall | 4:19 | 13,448 | |||
| 6 |
|
Freak Show Excess | 10:58 | 16,763 | ||
| 7 |
|
Lotus Feet | 6:43 | 14,278 | ||
| 8 | Yai Yai | 2:36 | 12,996 | |||
| 9 | Midway Creatures | 3:41 | 12,321 | |||
| 10 | I'm Your Secrets | 4:26 | 10,815 | |||
| 11 | Under It All | 8:08 | 10,096 |
About this album
Real Illusions: Reflections is the first studio album since Steve Vai’s 1999 studio release The Ultra Zone. The album was released on February 22, 2005.
For his first studio album in five years, Steve Vai came up with a “rock fable” described as follows: “Real Illusions: Reflections is the first part of a multilayered menagerie of vignettes based on the amplified mental exaggerations of a truth-seeking madman who sees the world… Oh, never mind.” Sound advice there. Each tune has a description of the “story line” and further track-by-track description is available on Vai’s website, but the reality is that the concept doesn’t get in the way of the music on this largely instrumental offering. “Building the Church” is everything you’d expect right out of the gate: crunching heavy riffs and wild elastic soloing, but Vai’s always been more interested in solid melodies and great attention to sonic detail and tone than he is in empty showboating. As a result, his playing is restrained and lyrical just as often is it is flashy, with the composition itself taking precedence over the soloing. He’s got a great ear for arrangements, and can build a track with a thousand guitar parts or turn around and sound just as full with a single guitar, bass, and drums (as on the beautiful “K’m-Pee-Du-Wee”). He’s also got a couple surprises: like getting funky with scatted mouth percussion and horn charts on “Firewall” or the amusing and experimental “Yai Yai,” with its ticking clock rhythm and crazy talkbox work.
For his first studio album in five years, Steve Vai came up with a “rock fable” described as follows: “Real Illusions: Reflections is the first part of a multilayered menagerie of vignettes based on the amplified mental exaggerations of a truth-seeking madman who sees the world… Oh, never mind.” Sound advice there. Each tune has a description of the “story line” and further track-by-track description is available on Vai’s website, but the reality is that the concept doesn’t get in the way of the music on this largely instrumental offering. “Building the Church” is everything you’d expect right out of the gate: crunching heavy riffs and wild elastic soloing, but Vai’s always been more interested in solid melodies and great attention to sonic detail and tone than he is in empty showboating. As a result, his playing is restrained and lyrical just as often is it is flashy, with the composition itself taking precedence over the soloing. He’s got a great ear for arrangements, and can build a track with a thousand guitar parts or turn around and sound just as full with a single guitar, bass, and drums (as on the beautiful “K’m-Pee-Du-Wee”). He’s also got a couple surprises: like getting funky with scatted mouth percussion and horn charts on “Firewall” or the amusing and experimental “Yai Yai,” with its ticking clock rhythm and crazy talkbox work.
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