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There are several groups or musical projects under the name “Sound”. A number of the songs present in the charts are by “The Sound”, a 1970s-80s English post-punk band, and this is an incorrect tag for this group.

First usage of this name is credited to a duo of Eric Lumbleau (of Vas Deferens Organization) and Joel Zoch. They specialize in creating torrentially layered post-industrial, pan-ethnic psychedelic audio collages that resemble the avantgarde. They have released two albums, “Drunk On Sound” (1999), and “Screaming Zenith” (2002).

The Filipino band:

Something new, yet distinctly familiar. The name connotes an open mind, sophistication, and ambition. An endless list of influences range from the Beatles to Corduroy, Jamiroquai to Stevie Wonder, from Steely Dan to Jazzanova, whose colors find their way into the sonic palette. Guided by a cool head for business, the work is as fevered and passionate as a band enjoying full creative control: practical, but radical. Independent, yet pop.

Since the launch of bossaManila, their first full-length effort in April 2003, Sound’s line-up underwent several changes. Liquid Jane’s Chad Rialp had taken over bass duties for Yuson—who took a break from the band to pursue his medical studies—while Fajardo left the group towards the end of that year for other pursuits. Early 2004 saw the incorporation of newcomer Malek Lopez of Rubber Inc fame to fill the void that Fajardo left behind.


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