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One approaches this album with trepidation. Can they really do it again? Can the band that single-handedly defined postmodern white-boy funk poetry in 1994 with Ruby Vroom and dodged the sophomore slump with deceptive ease two years later come up with something just as good that isn't simply rehash? The answer is a qualified yes, and they do it by leaving the skeleton – bare-bones funky drums, big string bass, scratchy guitar – mostly the same, while fleshing out the… read more

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