In 1997, after a farewell tour through various countries and finally Argentina, the band disbanded. Personal and creative differences brought them to this decision. On September 20, 1997, Soda Stereo played their last show, in front of 75,000 people at the Estadio Monumental (or River Plate Stadium) in Buenos Aires.
A final comeback tour in late 2007 “Me Verás Volver” was also performed live for large audiences throughout Latin America and the US.
With the release of albums such as “Signos”, “Doble Vida”, “Canción Animal” and “Dynamo”, Soda Stereo became one of the most critically acclaimed Argentinean rock bands, being the first one to tour through all of Latin America, -achieving a success that no other local rock band had accomplished before.
In 1982, Cerati, Bosio and Alberti recorded some demos and started to playing regularly in a Buenos Aires bar called “Zero”. After performing several shows, a CBS producer decided to give the band a chance. In 1984, their eponymous debut album, Soda Stereo was released. Produced by Federico Moura, lead singer of the band Virus, it proved successful. In October, 1984 the band played at the Buenos Aires Rock & Pop Festival with INXS, Nina Hagen and Charly García.
Their second album, Nada Personal was released in 1985 and re-affirmed the popularity of the band. Instant classics such as “Nada Personal” and “Cuando Pase el Temblor” made the album a big seller and increased the band’s notoriety. The video for the single “Cuando Pase el Temblor” was nominated in the category “Finalist Video” on the 12th Edition of the Video and TV World Festival.
Released in 1986, their third album Signos represented the international breakthrough from Argentina to the rest of Latin America: This was the first Argentinean rock album to be released on compact disc, -however the CD was first released in 1988. “Signos” contained songs as “Persiana Americana”, the self-tiled “Signos” and “Prófugos”. The album was number one in several countries and gave the band the chance to conquer much wider audiences. Sodamanía as Beatlemania was now widespread.
Soda Stereo embarked in an extensive tour through Latin America to promote the album: They gave an unprecedented 22 concerts in 17 different cities. A live album called Ruido Blanco was recorded and contained most of the songs played in the “Signos” Tour.
After over a year without recording new material, the band travelled to New York City to start work on Doble Vida which was released in 1988. The album, produced by David Bowie’s guitarist Carlos Alomar, was recorded and mixed in a state of the arts console and was Soda’s most ambitious project so far. The first three songs of the album were released as singles, “Picnic en el 4ºB”, “En la Ciudad de la Furia” and “Lo que Sangra (La Cúpula)” which became massive hits. The EP Languis followed. Released the next year, it contaided mixes from Doble Vida and one new song, “Mundo de Quimeras”.
It was their seventh album, Canción Animal, to be released in 1990 the one that represented the band’s creative and commercial peak. The songs are amongst the band’s strongest and most popular. It was recorded in Miami and Buenos Aires. “Canción Animal” contained the instant classic “de Música Ligera”, the single “Un Millón de Años Luz”, the intimate short piece “Té Para Tres” and the anthemic tracks “(En) El Séptimo Día” and “Hombre Al Agua”. Overall, the album is considered the most consistent work by the band, along with “Signos”. On December 14, 1991 they performed on the 9 de Julio Avenue in Buenos Aires a free concert in support of the album. An unprecedented 250.000 people were in attendance.
This success brought them to performed 14 continuous sold-out shows in Buenos Aires Gran Rex Theater. From these shows emerged the Live/Mixes EP Rex Mix.
In late 1992 Soda Stereo released Dynamo. This album was Soda’s most ignored, but perhaps its most ambitious and experimental work so far. Recorded in Buenos Aires, the album delved in electronic and dance-ethereal sophisticated compositions. The band presented the highly experimental record in its entirety in a local talk-show, “Fax”. This was the first stereophonic TV transmission in Argentina. The band toured Europe and did TV Shows and concerts in Spain and later again in South America. Shortly after the tour, bassist Zeta Bosio suffered the loss of his son in a car accident. This unfortunate incident forced the band to stop touring and promoting the album and sent the trio into a hiatus, during which singer Gustavo Cerati started his solo career and released his debut solo album Amor Amarillo.
The band’s last studio album, Sueño Stereo was recorded in London and Buenos Aires and was released in 1995. Three singles became significant hits: “Ella Usó mi Cabeza como un Revolver”, “Paseando por Roma” and “Zoom”. “Sueño Stereo” reached platinum disc only 15 days after its release. MTV Unplugged’s Comfort y Música Para Volar was released in 1996, and contained not only unplugged and plugged songs, but some out-takes from Sueño Stereo as well.
On May 1st, 1997, personal problems between the members and different artistic criteria led the band to announce its end and started the final tour on July 1997. Their last concert given on September 20th at the River Plate Stadium was recorded and released in two CD’s: “El Último Concierto - A & B”.
During 2007, and after 10 years of the dissolution, rumours stated that Soda Stereo would tour South America before the end of the year. A reunion tour was finally announced on June 9, 2007 as the “Me Verás Volver” Tour (“You’ll See Me Return”, referring to lyrics on Doble Vida’s “En la Ciudad de la Furia”). The tour started at the River Plate stadium on October 19, 2007, where they played “El Último Concierto” in 1997. It ended in the same venue on December 21, 2007.
Initially, the band announced two concerts at River, but 90.000 tickets were sold in only 24 hours. The band added one more show to the schedule, and after three days, the tickets for the first three shows were also sold out, so the band added two more shows in Argentina to the tour. The surprising amount of fans attending the five shows (more than 300,000) made Soda Stereo’s return one of the most watched public events in Argentina.
As of 20 October 2007, 22 shows were confirmed, including one show in Santiago - Chie, Bogotá - Colombia, and others in Ecuador, Venezuela, Perú and Panamá. Also three shows were confirmed in the United States: One in the Home Depot Center in Los Angeles, California and two in the American Airlines Arena in Miami, Florida. Later, more shows were added in Mexico and Argentina. This made Soda Stereo the only band to have performed more than five times in Buenos Aires’s Estadio Monumental in a single tour.
“Me Verás Volver” the supporting album featured live performances of the songs in all the different countries of Latin America where the tour went, and the U.S. Together with the new comeback tour, a compilation album was released, entitled Me Verás Volver (Hits & +). Exclusive content can be downloaded via the band’s official website using a special code featured on the CD booklet.
After the end of the tour, the band members continued with their individual careers.
Soda Stereo / 1984
Nada Personal / 1985
Signos / 1986
Ruido Blanco (Recorded Live) / 1987
Doble Vida / 1988
Languis (EP) / 1989
Canción Animal / 1990
Rex Mix (Live EP) / 1991
Dynamo / 1992
Zona de promesas (Remixes 1984-1993) / 1993
Sueño Stereo / 1995
Comfort y Música Para Volar (MTV Unplugged) /1996
El Último Concierto - A / 1997
El Último Concierto - B / 1997
Me Verás Volver / 2007
Guest Musicians w/ Soda Stereo on records and tours include:
Daniel Melero: Keyboards
Richard Coleman: Guitars
Fabian Von Quintiero: Keyboards
Daniel Sais: Keyboards
Tweety González: Keyboards
Gonzalo Palacios: Sax
Andrea Álvarez: Percussion
Flavio Etcheto: Keyboards
Leo García: Keyboards, Guitar
Leandro Fresco: Keyboards
Axel Krigier: Flute, Guitar
Alejandro Terán: Violin
Edited by mgpixlab on 23 May 2013, 21:53
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