Slim Gaillard
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Slim Gaillard – Yip Roc Heresy
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Biography
Bulee “Slim” Gaillard (January 4, 1911 or 1916 – February 26, 1991) was an American jazz singer, songwriter, pianist, and guitarist, noted for his scat singing and word play.
Despite record company publicity accounts that Gaillard was born in Santa Clara, Cuba of a Greek father and an Afro-Cuban mother, he was born in Pensacola, Florida to a german immigrant named Theopolous Rothschild and an African-American woman named Liza Gaillard. He grew up in Detroit and moved to New York City in the 1930s.
Gaillard first rose to prominence in the late 1930s as part of Slim & Slam, a jazz novelty act he formed with bassist Slam Stewart. Their hits included “Flat Foot Floogie (with a Floy Floy)”, “Cement Mixer (Puti Puti)” and the hipster anthem, “The Groove Juice Special (Opera in Vout)”. Vout was Gaillard’s private term for the hip argot. The duo perform in the 1941 movie Hellzapoppin’.
A later duo teamed him with bassist Bam Brown. His 1945 session with Charlie Parker and Dizzy Gillespie is notable, both musically and for its relaxed convivial air. In the late forties and early fifties, he frequently opened at Birdland, for such greats as Charlie Parker, Flip Phillips, and Coleman Hawkins. Gaillard could play several instruments, and always managed to turn the performance from hip jazz to comedy: he would play the guitar with his left hand fretting from the top of the neck, or would play credible piano solos with his palms facing up.
Despite record company publicity accounts that Gaillard was born in Santa Clara, Cuba of a Greek father and an Afro-Cuban mother, he was born in Pensacola, Florida to a german immigrant named Theopolous Rothschild and an African-American woman named Liza Gaillard. He grew up in Detroit and moved to New York City in the 1930s.
Gaillard first rose to prominence in the late 1930s as part of Slim & Slam, a jazz novelty act he formed with bassist Slam Stewart. Their hits included “Flat Foot Floogie (with a Floy Floy)”, “Cement Mixer (Puti Puti)” and the hipster anthem, “The Groove Juice Special (Opera in Vout)”. Vout was Gaillard’s private term for the hip argot. The duo perform in the 1941 movie Hellzapoppin’.
A later duo teamed him with bassist Bam Brown. His 1945 session with Charlie Parker and Dizzy Gillespie is notable, both musically and for its relaxed convivial air. In the late forties and early fifties, he frequently opened at Birdland, for such greats as Charlie Parker, Flip Phillips, and Coleman Hawkins. Gaillard could play several instruments, and always managed to turn the performance from hip jazz to comedy: he would play the guitar with his left hand fretting from the top of the neck, or would play credible piano solos with his palms facing up.
Top Tracks
Top Albums
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Laughing In Rhythm: The Best Of The Verve Years
7,240 listeners20 tracks
Released:
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Complete Jazz Series 1937 - 1938
1,306 listeners20 tracks
Released:
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Slim Gaillard Rides Again
2,302 listeners13 tracks
Released:
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Vout For Voutoreenes
3,430 listeners18 tracks
Released:
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