Skeletons And The Kings Of All Cities
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As a co-founding member of Shinkoyo records, Matt Mehlan retains the label’s core ideals of collaboration, experimentation, and unpredictability with his Skeletons project. Beginning in Oberlin, Ohio as a solo act with help from an eclectic cast of collaborators (classically-trained trombonists, punk rock drummers, a junkyard boy’s choir), Skeletons has now settled comfortably into its adult body, having established the full-time band The Girl-Faced Boys (Seve, Johnny, Jason, and Carson) and forming an alliance with Ghostly.
In addition to appearances at the 2004 CMJ and 2005 SxSW festivals, the group has lent live support to TV On The Radio, The Unicorns, VHS Or Beta, Animal Collective, Holger Czukay (of Can), Jackie O’ Motherfucker, and Twig Harper. A major US tour is planned for summer following the release of the LP Git.
“Apparently, more interesting artists have lived in Oberlin, Ohio than the tiny city has streets. Life and the Afterbirth is the best of the Oberlin-based Shinkoyo label’s first three intriguing releases.
Skeletons is one man, Matt Mehlan, an Oberlin Conservatory student who has a lazy voice, an ear for arranging and a knack for penning dark, subversive lyrics. First, about that lazy, breathy voice: if impersonating the Sea and Cake’s Sam Prekop is a good way to get dates, well, let’s just say that Mehlan is having a very nice senior year. Like Prekop, Mehlan strains to hit unreachable high notes, but never so much that he sounds anything but laissez-faire. He also shares Prekop’s tendency to let the instrumental parts of his songs guide his vocals, rather than the other way around.
“Apparently, more interesting artists have lived in Oberlin, Ohio than the tiny city has streets. Life and the Afterbirth is the best of the Oberlin-based Shinkoyo label’s first three intriguing releases.
Skeletons is one man, Matt Mehlan, an Oberlin Conservatory student who has a lazy voice, an ear for arranging and a knack for penning dark, subversive lyrics. First, about that lazy, breathy voice: if impersonating the Sea and Cake’s Sam Prekop is a good way to get dates, well, let’s just say that Mehlan is having a very nice senior year. Like Prekop, Mehlan strains to hit unreachable high notes, but never so much that he sounds anything but laissez-faire. He also shares Prekop’s tendency to let the instrumental parts of his songs guide his vocals, rather than the other way around.
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