Since minting his Woe to the Septic Heart! imprint in 2010, Shackleton’s output has become considerably more colourful, going through a resurrection of sorts. This is especially evident in his massive Music for the Quiet Hour / The Drawbar Organ triple LP, in which he infuses bright organ tones into his longstanding brand of mystical minimal techno, replete with incessant polyrhythms, cavernous sound design, and vocal manipulation reminiscent of the early phasing experiments of Steve Reich.
Woe to the Septic Heart - Discogs
Edited by chewtoy on 7 Feb 2013, 10:46
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