Scratch Massive

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Power, blackness, feeling… Here are some of the words that come to mind when you immerse yourself into the listening of “Time”. The new album by the Parisian duo indeed succeeds to marry a cutting-edge electronic music to a robotic melancholy and new wave romanticism abandoned of any eighties nostalgia. Cut for the dance floor like for the living room, this record possesses even a vigour and a modernity that easily outclasses electroclash fusion attempts from the beginning of the 2000s. This vigour, Maud Geffray and Sebastien Chenut get it from their assiduous practice of DJing. Every week-end they deliver numerous sets to the four corners of the world, between their monthly residency at the Pulp (the historical and hysteric Naked nights, from which they recently have drawn an excellent CD) their regular visits to Madrid’s Nature and tours that bring them regularly to the outskirts of Europe, of Asia or of the United-States. For more than a year, they have even been the privileged witnesses of a new electro reign on the club scene that has given a grandstand welcome to the return of rock. If admittedly, the mixture of genres doesn’t shock anybody on the dance floors, even if pop melodies and raging guitars often telescope with rhythm boxes (which is often the case on this album), the power of synthetic sound has found again all it’s strength with a new audience. Indeed, many ignore it today, but the present supremacy of rock masks a more complex reality and a particularly creative scene in the electro field.
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