Sabu
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Sabu is 3 different artists: An 80’s American AOR band, a more recent American Grind-core metal band and the earliest & most prominent was 1960’s & 70’s percussionist Louis “Sabu” Martinez.
Louis “Sabu” Martinez was one of the most prolific conga players in the history of Afro-Cuban music. In addition to his own albums, Martinez recorded with such influential jazz musicians as Dizzy Gillespie, Horace Silver, Buddy DeFranco, J.J. Johnson, Louis Bellson, Art Farmer, and Art Blakey, and jazz vocalists including Tony Bennett and Sammy Davis, Jr. Emigrating to Sweden in 1967, he continued to apply his highly melodic rhythms to a lengthy list of recordings by top-notch Swedish performers.
A native of New York’s Spanish Harlem, Martinez spent his childhood beating rhythms on tin cans on 111th Street. By the age of 11, he was performing every third night on 125th Street for 25 cents a night. He was still in his early teens when he began playing with Latin bands including those led by Marcelino Guerra and Catalino Rolón. In 1944, he spent an extended period living in Puerto Rico.
After serving a year in the military, at the age of 17, Martinez resumed his musical career as a member of mambo originator Joe Loco’s trio. Within a few months, his playing attracted the attention of jazz musicians. In 1946, he began a long association with drummer Art Blakey.
Louis “Sabu” Martinez was one of the most prolific conga players in the history of Afro-Cuban music. In addition to his own albums, Martinez recorded with such influential jazz musicians as Dizzy Gillespie, Horace Silver, Buddy DeFranco, J.J. Johnson, Louis Bellson, Art Farmer, and Art Blakey, and jazz vocalists including Tony Bennett and Sammy Davis, Jr. Emigrating to Sweden in 1967, he continued to apply his highly melodic rhythms to a lengthy list of recordings by top-notch Swedish performers.
A native of New York’s Spanish Harlem, Martinez spent his childhood beating rhythms on tin cans on 111th Street. By the age of 11, he was performing every third night on 125th Street for 25 cents a night. He was still in his early teens when he began playing with Latin bands including those led by Marcelino Guerra and Catalino Rolón. In 1944, he spent an extended period living in Puerto Rico.
After serving a year in the military, at the age of 17, Martinez resumed his musical career as a member of mambo originator Joe Loco’s trio. Within a few months, his playing attracted the attention of jazz musicians. In 1946, he began a long association with drummer Art Blakey.
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