Kermit grew up in Moss Side, Manchester - where he leant to play violin at the age of 6 - and was briefly a DJ under the name of “DJ la Freak” whilst doing a psychology degree at Manchester Polytechnic. He joined the breakdance crew Broken Glass, who moved into making records with “Style of the Street” following a meeting with Manchester DJ and producer Greg Wilson. The song was recorded for the Street Sounds Electro UK (Street Sounds, 1984) album, but the label owner Morgan Khan was so impressed with their work that he persuaded them to record more tunes for the album. In order to give the impression of a thriving British hip hop scene, the songs were recorded under a variety of aliases: in truth, of the seven tracks on the album, only one was not recorded by Broken Glass.
Kermit met the Hinds brothers - at the time calling themselves the Dangerous 2 - and together they decided to form the Assassins, with Greg Wilson staying with them as a producer. Their first release was the single “We Don’t Kare” (Murdertone, 1987), which had as a B-side a song by Kiss AMC - an all-female Manchester rap group that featured Christine “Kiss” Leveridge, Kermit’s sister. They followed this with two singles entirely of their own, “The Meltdown Session” (Murdertone, 1988) and “The Drone Session EP” (Murdertone, 1989) - in between which, Dangerous C performed a rap for a B-side remix of Kym Mazelle’s “Useless (I Don’t Need You Now)” (Syncopate, 1988).
Following this, the group released one of the defining albums of British hip hop - the Killer Album (Murdertone/EMI, 1990). The album was a mixture of biting social commentary (“Justice (Just Us)”) and more comical tunes (“Jealous MC” or a high-octane cover of The Coaster’s “Yakety Yak” ). The album received much critical praise - UK hip hop magazine Hip Hop Connection (February 1991, No. 25) called it “the best rap album the UK had ever produced” - and even managed to get the single “And It Wasn’t A Dream” (Murdertone/EMI, 1990) terrestrial television airplay. But despite making a big impact within the scene, and getting crucial support from John Peel at Radio 1 the album failed to translate this into sales.
Trying again, the group went back to the studio to record their second album Th!nk, It Ain’t Illegal Yet, introducing live percussion from Ged Lynch to their usual mix of social commentary (“No Tale, No Twist” told the story of life growing up in Manchester’s urban slums, whilst “Down and Dirty” was a sex rhyme featuring “guest vocals” from Jealous MC). Again, the album was well liked by the critics and the industry - BBC television even got Dangerous C onto an edition of Blue Peter to demonstrate the techniques of sampling and plug the album - but again, this good reception wasn’t reflected in sales. The group split up shortly afterwards.
Soon after the Assassins’ split, Kermit and Ged joined Manchester legend Shaun Ryder to form the group Black Grape - the popular myth is that Kermit became friends with Ryder when he was his drug dealer during the Happy Mondays years - and earned pop success with them, before that group also split. Since then, Kermit has released records as Manmade and made guest appearances on other artists’ songs, such as Bentley Rhythm Ace. His current project is a band called Big Dog with Ged and Danny Saber from Black Grape. Anderson Hinds left the music business and worked as a teacher - although in a 2000 interview Kermit mentions that the two of them are considering making more tunes together.
Edited by Blaketown on 7 Feb 2007, 11:14
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