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Rosalia de Souza

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Rosalia De Souza was born in Rio de Janeiro, in the Nilopolis district famous for its samba Beija-Flor. The great passion for music was cultivated by her father. In 1989 she arrived in Italy and a short time went by before she started studying at the “Scuola Popolare di Testaccio” in Rome, (Popular school of Testaccio, Roma), taking classes in musical theory, Cuban percussions, jazz and jazz history. Throughout this first year she also started to work with Brazilian artists, guitarist and bassist Alvaro Dos Santos, Ney Coutinho, Roberto Taufic and the Roman pianist Giovanni Guaccero who gave her the possibility to sing in the most important jazz clubs of the capital. Her typical “repertoire” included classical Brazilian authors like Tom Jobin, Baden Powell, Joao Gilberto, Sergio Mendes, Edu Lobo, Joyce, Toquinho, Vinicius De Moraes, Djavan, Caetano Veloso, Gilberto Gill, Chico Buarque, Milton Nascimento and many other less renown artists. In 1994 she met DJ and Producer Nicola Conte and took part to the Fez project. In 1995 she participated in the making of the album “Novo Esquema da Bossa” by Quintetto X; (Schema rtcd402). This album has an exquisite Brazilian taste and a marvellous version of “Senza Paura”. In 1997 she collaborated with “Intensive Jazz Sextet” (Schema sccd302) with an incredible interpretation of “Supergiangi va in Brasile” in the album “Today’s Sound”.
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