Roche Limit

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It was an overcast summer day in 1994 when two explorers discovered a young man wandering the wilds of Vancouver, meticulously collecting bits of electronics and recording equipment from a nearby landfill. His hair was long and wild; his clothing seemed to be made of white feathers or scales that moved peculiarly in the dry breeze. Curious, they followed him to a deep cavern built of painted rocks and ancient car parts. As they drew nearer, a living white cloud billowed from the mouth of the cave. Moths of every size filled the air and in the midst of them stood the strange young man, unclothed and smiling. He studied the explorers and, after a moment, signaled to the moths which quickly flew to him, recreating the feathery garments. When he was again dressed, he motioned for the men to follow him into his home.

Every wall of the cavern was covered in blinking lights and the air was filled with the soft whirring of small fans. Dozens of car batteries lined the trail, connected by a tangle of cables and wires. De constructed speakers hung from the ceiling and an old pair of headphones appeared to have been rebuilt as a simple microphone. Propped against the crowded wall to the left, a saxophone reflected the explorers amazed faces. On the right, a guitar and didgeridoo stood watch as the explorers leaned in to study the covers of CDs and records wedged into every available opening. They noted works by Ween, The Eels, The Beatles, Tricky, Front 242, Nine Inch Nails, Skinny Puppy, The Faint, Ben Harper, Beck and many others in his collection.
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15 Nov 2011 | from dave-rochelimit.blogspot.com/

Here is a quick little peak into the mixing process of one of the songs that will appear on the next Roche Limit album. The song is called "Dirty Contradictions" and is being mixed at Fader Master studios …

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