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One of Henke's favourite instruments, the Yamaha SY77, can produce timbres that slowly change and mutate via FM synthesis, and recordings of these sounds formed the basis for what was to evolve into "Signal to Noise". The recordings mainly consisted of harmonic droning, so he found them to be a bit boring after extensive listening. He began filtering, pitch-shifting and processing the material using granular resynthesis, aiming to achive erosion and diffusion of the sound while preserve some… read more

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