Layering Buddha
- Label
-
imbalance computer music
- Release date
- 27 Oct 2006
- Running length
- 10 tracks
- Running time
- 58:50
Tracklist
| Track | Duration | Listeners | ||||
| 1 |
|
Layer 001 | 4:52 | 4,909 | ||
| 2 |
|
Layer 002 | 6:56 | 5,062 | ||
| 3 |
|
Layer 003 | 7:23 | 3,964 | ||
| 4 |
|
Layer 004 | 7:28 | 3,540 | ||
| 5 |
|
Layer 005 | 5:18 | 2,241 | ||
| 6 |
|
Layer 006 | 5:07 | 3,643 | ||
| 7 |
|
Layer 007 | 3:29 | 3,138 | ||
| 8 |
|
Layer 008 | 3:15 | 3,454 | ||
| 9 |
|
Layer 009 | 8:14 | 3,295 | ||
| 10 |
|
Layer 010 | 6:48 | 3,872 |
About this album
The FM3 Buddha Machine is a low-fi loop playing device containing nine prerecorded loops which cannot be changed by the user. Due to manufacturing imperfections, individual machines play the loops with a slightly different sound, pitch and duration. The built-in playback circuit, with its low sampling rate and bit resolution, produces a very rough sound, similar to ancient computer games or talking toys. Rich, spacious textures and moving echoes occur when many of these machines are played at the same time.
Henke recorded the sound of one single buddha machine at 96 kHz, using a state of the art A/D converter. The recording contains audio information up to 48 kHz, which makes it possible to transpose the loops down and expose otherwise inaudible hidden details. The pieces on this CD have been created by granulating, filtering, pitching and layering either the original loops, or new loops which were re-assembled out of parts of the originals. Most pieces are based on one single source loop. The pieces, as they live within Henke’s computer, are set up as continuously permutating structures and theoretically could go on forever, just as the loops do within the buddha machines. He made quite long renderings of these permutations and later decided which excerpt of each structure to put on this CD. Therefore, the tracks are not closed works, but views onto a perpetual machinery.
Henke recorded the sound of one single buddha machine at 96 kHz, using a state of the art A/D converter. The recording contains audio information up to 48 kHz, which makes it possible to transpose the loops down and expose otherwise inaudible hidden details. The pieces on this CD have been created by granulating, filtering, pitching and layering either the original loops, or new loops which were re-assembled out of parts of the originals. Most pieces are based on one single source loop. The pieces, as they live within Henke’s computer, are set up as continuously permutating structures and theoretically could go on forever, just as the loops do within the buddha machines. He made quite long renderings of these permutations and later decided which excerpt of each structure to put on this CD. Therefore, the tracks are not closed works, but views onto a perpetual machinery.
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Robert Henke – Layer 005
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