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Renata Rosa


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Renata Rosa grasps the mystic universe within the traditional chants
from Brazil’s Northeast, highlighting the less regarded feminine
influences of the outback’s popular culture.

Born in Sao Paulo, the composer and musician has gathered a vast array
of rhythmical, poetical structures, canons and voice dialogues from

the grassroot music of the Northeast. Her songs are inspired by
the Maracatu Rural, the Coco and the Cavalo Marinho, amongst others,
and reveal the richness of these traditions, exposing an authentic
repertoire made up of her own compositions, young and old composers
as well as songs that are now in the public domain.

Listening to Renata Rosa is a groundbreaking trip into the timeless
world of the Caboclos, the Native Indians and the Africans of Brazil.
Renata Rosa’s performance intertwines the best of the Northeast music
with its dances. The power within the chant is a physical consequence
of the dance, and in some songs the stage ground actually becomes
a percussion instrument, as it is stomped by the artists. Renata plays
the “rabeca” (the traditional brazilian fiddle), alongside her


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