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The borders between classical and popular music have never been as willfully blurred as they are now. That’s not a nod to the pallid oratorios and highfalutin recitals served up by aging rockers, but rather an acknowledgment of the groundbreaking work being done by an emerging generation of composers and performers, for whom Mogwai and Moby can signify as much as Machaut and Messiaen.

Stephen Griesgraber is no…

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