Rahsaan Roland Kirk
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His playing was generally rooted in soul jazz or hard bop, but Kirk’s encyclopedic knowledge of jazz history allowed him to draw convincingly on any element of the music’s history, from ragtime to swing and free jazz. Kirk also regularly explored classical and pop music.
Kirk played and collected a vast number of musical instruments, mainly various saxophones, clarinets and flutes. His main instruments were tenor saxophone, and two obscure saxophones: the manzello (similar to a soprano sax) and the stritch (a straight alto sax lacking the instrument’s characteristic upturned bell). Kirk modified these instruments himself to accommodate his simultaneous playing technique. He typically appeared on stage with all three horns hanging around his neck, as well as a variety of other instruments, including flutes and whistles. Kirk also played harmonica, english horn, recorders and was a competent trumpeter. He often had unique approaches, using a saxophone mouthpiece on a trumpet or playing nose flute. He additionally used many extramusical sounds in his art, such as alarm clocks, whistles, sirens, and even primitive electronic sounds (before such things became commonplace).
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Does Your House Have Lions (Disc 2)
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Bright Moments (disc 2)
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Brotherman in the Fatherland
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Bright Moments (disc 1)
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The Inflated Tear
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Pedal Up
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Blacknuss
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Freaks for the Festival
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Volunteered Slavery
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Serenade To A Cuckoo
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My Girl
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PragueBob tagged Rahsaan Roland Kirk with rahsaan roland kirk, avant-garde jazz, experimental and 3 other tags. 7 hours ago
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Morngrim tagged Rahsaan Roland Kirk with ‘saxophone’. yesterday afternoon
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danielminnick, pomor33clippers, smilejack1 and 5 other people added Rahsaan Roland Kirk to their libraries. 9 days ago
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