Rage Against the Machine » Albums

The Battle of Los Angeles

Rage Against the Machine
The Battle of Los Angeles

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Tracklist

    Track     Duration Listeners
1 Play Testify full track 3:31 272,419
2 Play Guerrilla Radio full track 3:25 319,410
3 Play Calm Like a Bomb full track 4:57 242,680
4 Play Mic Check full track 3:32 165,398
5 Play Sleep Now in the Fire full track 3:25 275,668
6 Play Born of a Broken Man full track 4:39 186,462
7 Play Born as Ghosts full track 3:21 151,988
8 Play Maria full track 3:47 162,851
9 Play Voice of the Voiceless full track 2:31 157,383
10 Play New Millennium Homes full track 3:44 101,390
11 Play Ashes in the Fall full track 4:36 141,779
12 Play War Within a Breath full track 3:35 142,675

About this album

© Epic (1999) Released: 1 Nov 1999 12 tracks (45:03)
The Battle of Los Angeles is the third studio album by Rage Against the Machine. It was released on November 2, 1999, and over three years after their second studio album, Evil Empire. Between Evil Empire and Los Angeles, the band released a live album, titled Live & Rare. In 2003, the album was ranked number 426 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

The song “Calm Like a Bomb” is featured in the credits of The Matrix Reloaded. The videos to “Sleep Now in the Fire” and “Testify” were directed by documentarian Michael Moore. “Testify” is also featured in the video game Rock Band 2.

The album debuted at #1 on Billboard’s Top 200 selling 420,000 copies its first week. That week saw a busy CD release schedule. The album denied Mariah Carey’s highly anticipated album the chance to open at #1. “Guerrilla Radio” was featured in Tony Hawk’s Pro Skater 2, albeit heavily edited on the Nintendo 64 version. Both Time and Rolling Stone named it the Best Album of 1999. It was listed as #53 in SPIN Magazine’s 100 Greatest Albums, 1985-2005.

The album cover art was an original artwork by the LA Street Phantom aka Joey Krebs aka Joel Jaramillo, a well-known Los Angeles artist who has exhibited at numerous galleries in Los Angeles, New York City and throughout the United States. Despite claims to the contrary, the image was not inspired by images from the 1992 street riots of LA or from images of Munich, but by the band’s own music and words, and represents one in a series of images of the artist’s work, which can also be seen on various street murals in Los Angeles.
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