Rachael Dadd

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Biography

Whether it be by handing out cake or percussive pots of rice to shake, Rachael puts her audience at ease - she’s had plenty of practice, having toured England and Japan numerous times, and played festival slots since 2001 including an appearance on Glastonbury’s Acoustic Stage with one of her collaborative projects, Whalebone Polly (with Kate Stables of This Is the Kit). She enjoys performing in intimate settings the most, but can adapt well, having proved this when she performed a series of shows in Japan, each to an audience of 3000.

Rachael makes most of her music by telling everyone that she’s going to bed, and then sneaking off to her trusty 8-track and plugging herself in. Her songs sparkle with a wide-eyed wonder and exhibit a fascination for the everyday magic of life. Soon after stepping foot in Bristol in 2003, Rachael gained the reputation by Venue Magazine as, “the author of a deft, charismatic brand of folk music”. Since then she has turned the heads of Rob Da Bank, Bob Harris and Huw Stevens, as well as those in other fields such as artist Yoshitomo Nara. Her last album The World Outside is in a Cupboard was described as “absolutely staggering” by Julian Peck of Sunday Best Recordings. She has been adopted as part of the Fence Collective’s extended family, and has been invited to be part of several compilation releases, the most recent being Little Things on Indy label Flau, from which The Wire Magazine picked out her contribution as one that “appeals most of all”.
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