Automatic for the People by R.E.M.

6,006,378 plays (488,660 listeners)


Buy at Amazon MP3 ($9.99) More options
Add to my Library

Shouts: 106 shouts

Share this album:

Tracklist

    Track     Duration Listeners
1 Drive 4:49 237,391
2 Try Not to Breathe 3:48 142,954
3 The Sidewinder Sleeps Tonite (Album Version ) 4:05 3,685
4 Everybody Hurts 6:03 457,720
5 New Orleans Instrumental No.1 ( LP Version ) 2:15 2,104
6 Sweetness Follows ( LP Version ) 4:20 2,244
7 Monty Got A Raw Deal (LP Version) 3:15 2,682
8 Ignoreland ( LP Version ) 4:26 2,029
9 Star Me Kitten ( LP Version ) 3:15 2,147
10 Man on the Moon 5:12 399,254
11 Nightswimming 4:15 283,838
12 Find The River ( LP Version ) 3:48 2,264

Play R.E.M. Radio

With: U2, The Minus 5, Wilco, Michael Stipe and more…


About this album

Warner Bros. (1992) 12 tracks (49:31)
Automatic for the People is the eighth album by the American alternative rock band R.E.M., released in 1992 on Warner Bros. Records. While R.E.M. had intended to make a harder-rocking album after dealing primarily with acoustic based sounds on its previous record Out of Time (1991), the group eventually abandoned that goal and created an album that was musically subdued and dealt with mortality. Automatic for the People reached number two on the US album charts and yielded six singles. It was ranked #247 in Rolling Stone’s 500 Greatest Albums of All Time.

After promotional duties for their previous album Out of Time in May 1991, the members of R.E.M. began work on their next album. Starting the first week of June, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry met several times a week in a rehearsal studio to work on new material. Once a month they would take a week-long break. The musicians would often trade instruments: Buck would play mandolin, Mills would play piano or organ, and Berry would play bass. Buck explained that writing without drums was productive for the band members. The band, intent on delivering an album of harder-rocking material after Out of Time, made an effort to write some faster rock songs during rehearsals, but came up with less than a half dozen prospective songs in that vein.

When it came time to make demos, the musicians recorded them in their standard band configuration. According to Buck, the musicians recorded about 30 songs. Singer Michael Stipe was not present at these sessions; instead, the band gave him the finished demos at the start of 1992.
Read more… Edit

Other releases from this artist


Shouts

Leave a comment. Log in to Last.fm or sign up (it’s free).
See all 106 shouts

Listening Now

Top Listeners

See more

Recent Activity

Related Journals

See more